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陈列您的艺术作品给每天无数的访客观看

 

 


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Sylvie Gral
 
 
关于此艺术家

'My preferred technique is the 'scraping method', whereby I apply several overlying coats of paint and scrape away with a knife to reveal the different layers of colour and to create a relief effect. Theses paintings have been inspired by various shapes, both geometric and unusual to create a fractured universe.

DRIFT … FOOLISH ICARUS

In the beginning, the canvas is blind. A drop of milk swathed in mists. Emptiness reigns all around, sterile, ivory-like, a space enclosed in “nothingness” and full of solemnity. The limits of the picture lie within its creator.

The eye becomes both the hostage and the victim. The all seeing eye is both slave and master of the subject matter.

The picture rises up, impassive and voiceless, its nature is peaceful, my gesture its conception.

It seems to sleep and to invite you to guard it. The arm moves and then determines .. the arm works in its field with the tenacity and bravery of the villager. The confrontation begins, the battle is a tough one, the titan arm is victor, the work of art grows, in many colours. Geometry is turned upside down, diverse and “antithetical” shapes appear. Crimson reds melt like sugar into the empty hollows.

Crevasses and wounds creep in everywhere, the hand is sure and ordered. The projections which widely dominate the “Earth of Sienna”, where all is full of holes, of ridges, of gibbosities, broken apart. Mounds build up, and humps make fools of us all.

The knife then comes, gashes and surprises, collides and cracks open, forming constant divisions, connecting and disconnecting, atomising and reuniting .. Gesture accompanies the bloodletting and the knife intensifies, sections, invades, daubs with bright colours, censures, mottles, veins, and variegates without consultation.

How many breaks there are, how many cracks and how much swaying .. the taut flesh is mortified. The paintbrush makes good the stigmatas with voluptuousness and certitude. Blacks assail you in their turn, dispersing and cutting through. The paintbrush straddles the canvas. It is a diver off course, losing ground constantly and plunging into the layers of the matrix, a curious sort of shipwreck.

I dream of disobedience, the ascension would be rapid .. I have my head in cotton wool .. space expands, immeasurable and I float, perched on transparent stilts .. Clouds float by like white angels and the wax melts in the rings of silver .. my wings are magic and the law is powerless .. what a dizzy feeling .. this fool of an Icarus.

extract from the presentation of "Nocturnales footprint, gesture, essence at Waterloo gallery in London
Translated by Jane Fairbairn

 
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The Minotaur

2005
Oil on canvas
153 x122

Abstract painting inspired by the Greek myth of the Minotaur who guards the labyrinth. Red cadmiun. white, pink yellow colours.

Lady on a beach

2008
Oil on canvas
90 x 60

Figurative painting inspired by Ladies on a beach. Green, black, pink ecru colours.

June

2006
Digital

Abstract digital work. Navy azur, blue and white colours.

Pink eyes

2005
Oil on canvas
153 x 122

abstract painting. The painting represents different forms of Eyes. Pink, dark,white colours.

Untitled

2008
Oil on paper, natural grain
31 x 46

Figurative work. Woman in love Green, white, dark colours.

Untitled

2008
Charcoal on paper and water
27 x 35

Figurative drawing. Naked woman.

Shoes

2007
Mixed media
110 x 122

The painting depicts a painted shoe.(Painting, wood frame ,clay,brown tape, wire)

Candles

2005
Oil on canvas
153 x 122

Abstract monochromatic painting. Blue colour.

Portrait

2008
Watercolour. Paper support. Natural grain
27 x 35

Woman drawing. Pink, brown, red black colours.

Untitled

2008
Charcoal drawing. Support paper
27 x 35

Figurative drawing Woman pregnant. Charcoal and water.
 
教育程度与个人自传
As a painter, she has exhibited at the 'Arbaca Gallery' alongside the painter J.Cohen and sculptor Isaac Danial in Paris, at Abney Hall with the group of artists and at Waterloo Gallery in London.
She has got a B.T.E.C Award in Visual Arts from Chesea College.
She has studied 'Art History' at the Sorbonne and also studied Carving stone at the W.M.C college in London and Mouldmaking and Casting at Central St Martin with Nick Brooks.She has given an executive dance lecture "Contemporary Ideas of Composition" Interarts 2000/01 seminar organised by Miss Pistone of the Observatoire Musical of the Sorbonne with F.Rousseaux, A.Bonardi, F.Drouillon.As a composer, she has studied composition under F.Donatoni,
G. Magnanesi,L.Berio at the Chigiani in Sienna
and attending master classes at the Royal College of Music with Andrew Manze, lewiS Kaplan, Phillip Sheppard and she has perfomed several concerts in France, Italy, and London with prolific musicians.



Concerts and Performances

2007 Open Garden show in Earl’s Court “Caprice”, Alfred de Musset directed by M.Badrichani
2007 Londres- Accueil/ St Pancras Church, in London with Per Rundberg, Valerie St Martin
2005 St Cyprians Church with Silvia Mandolini and Valerie St Martin (Concert and painting exhibition)
2005 Clarion Contemporary Art, London
2005 Waterloo Gallery, London
2004 Abney Hall at Stoke Newington, London
2004 St Cyprians Church with Brigitte Poulin, S. Mandolini
2003 B.M.I.C at St Cyprians Church with Sylvie Gral, Silvia Mandolini
2003 St Mary le Bow with Silvia Mandolini as soloist
2002 Italy - Forum Austriaco di Cultura a Roma with Per Rundberg
2002 St Mary le Bow, in London with S.Mandolini, Lindsay Bramley
2002 St Mary le Bow with Catherine Nardiello, Sylvie Robert
2002 B.M.I.C (British Music Information Centre) London with C.Nardiello, Sylvie Robert, Silvia Mandolini
2001 Sorbonne University, Paris (Concert Hall) with K.Croquenoy and S.Robert
2000 The Arbaca Gallery in the Forum of les Halles, Paris with J. Cohen and I. Danial, K.Croquenoy
 
未来的展览
St Pancras Church crypte London
Gallery 118, london
 
网站:  www.londonart.co.uk
 
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