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Ingrid Shults
 
 
About the Artist

As an artist, I am interested in creating a dialogue through time-based media as well as objects. I seek to create work that has the ability to have an affect on the viewer, simultaneously, allowing the viewer and/or the environment to have an affect on the work. This desire has led me to explore consumable media. I have an interest in the specific technical qualities of the materials as well as the inherent social meanings each material carries with it. Through wax, bread, flour, and sugar, I explore the fragility, strength, and beauty of the body whose form is continuously contingent upon collapse. Elements of the surrounding environment, humidity and temperature, have a changing effect on the work itself. Inclusive of this environment are the viewers’ interaction within the space. In consistency with the human and the natural world, persuasion and manipulation on the art is permissive and encouraged.
In connection to the ephemeral media that comprise the work, it is my intention to leave my work vulnerable to the elements. I question the role of the artist and of art in contemporary society. I question my role as an image-maker and a communicator. I also question what it means “to consume”, a phrase most associated with food. Yet it is possible to visually, spiritually, literally, emotionally, sexually, and environmentally consume something we desire. Likewise, the aforementioned elements have the potential to consume us. It is my interest as a visual communicator to bring this discourse into my work as an artist.

 
Click to enlarge images
(if larger image has been loaded)
 

2006
variable dimensions

This image of the installation shows the laboratory of dilution. Each Sample is a candy cast, with one in water, one is mineral spirits, and another on a 1:1 salt water solution.

Scroll

2006
Wonder bread, thread, and wax
25 x 25x8 cm.

Exploring common definitions of "body", as well as understandings of "consumption". To consume a book as a body, and to read a body like a book.

Well Read Bread I

2006
Wonder bread, thread, and wax
25x25x8cm.

Wel Read Bread II

2006

At the Tip of My Tongue

2006
Sugar and water cast in flour
60 x60 x 8 cm

Linger

2006
Sugar and water cast in flour
60 x60 x8 cm.

Drip

2006
Flour monotype, sugar, water on paper
32 x 22 cm

Installation view

2005
Flour and bread
Variable dimensions

As part of a group, site-specific installation, I began my engagement with space and consumable materials at the historic Jaques Building in West Lafayette, Indiana. There is a presence in every room that permeates our encountering of the Jaques Building. I am responding on an aesthetic and conceptual level to the history and vitality of the lives that once filled these walls throughout the many lifetimes this space has wrapped itself around. As a structure that has never moved, this space has morphed from Cotillion hall to homeless shelter,.... Catholic church to dance studio without ever leaving it's foundation. There is a spiritual, socio-political as well as a visceral engagement with the space. The remnants and history of the bodies that once filled this space are still present and have an effect on your presence in the space, just as you leave an imprint on the room in your passing... These concerns have led me to using consumable materials, with a specific focus on bread as the medium of communication. Bread has a lengthy history as a social, political, and religious tool of control, revolution, and communion. It is the quintessential medium that unlike most communicaes, is digestible. The role that bread has played throughout this building's specific history has been redefined by each 'new posessor of space'. This includes the current art installation, with you engaging and defining a new set of values and perceptions. I urge you to define the role of bread as you encounter this space. The bread may remain a symbol or an aesthetic best left undisturbed. It may also mean sustenance, requiring you to feed a basic need. This installation forces you, the viewer, to decipher the value of art and the role of the artist specific to the history of this building. I urge you further with these specific questions as you move through this space: If a gift is offered, will you take it? What is required from you if you accept? What if the gift is to be eaten? What levels of trust and intimacy are established when you eat the gift? What does this sustenance mean to you? If you eat my art, what does this mean to me? If you are hungry and you eat my art, is it more valuable? If you eat my art, who is the artist? Is it mine to begin with? What is left as art once the bread has been eaten? Is it destroyed? Or created?
 
Education and biography
Education
2005-present MFA candidate Purdue University West Lafayette, Indiana
Teaching Assistantship; Sole Instructor of 2 sections Drawing 113
2002-2005 BFA Northern Az. University Flagstaff, Arizona

Exhibition
2006
July-Aug. Body Consumable, Solo Show, TAF Lafayette, IN.
March-April NeoStrata, Group Show, TAF Lafayette, IN.
Dec.-Feb. Women Artists of Indiana, group show
Greater Lafayette Art Museum Lafayette, IN.

2005
December Body Consumable (ongoing installation) Flagstaff, Az.
December Of Mind and Place, Group Show Purdue University, IN
November Upwards Somewhere Lafayette, IN
Site-Specific Group Installation
October Allotropy, Group Show Indianapolis, IN
June Art One Gallery
Selected Works Scottsdale, Arizona
May This Could Be Huge, Wall Drawings
Beasley Gallery, NAU Flagstaff, Arizona
February Mountain Oasis, Solo Show Flagstaff, Arizona
January Art One Gallery
Selected Works Scottsdale, Arizona

2004
December Northern Az. University, BFA Exhibition Flagstaff, Arizona
November Decolonize Your Mind , Studio 111 Flagstaff, Arizona
March Aristocraft Studio Flagstaff, Arizona
February NAU Vagina Monologues Installation Flagstaff, Arizona
January Art One Gallery
Selected Works Flagstaff, Arizona
2003
December Mountain Oasis, Solo Show Flagstaff, Arizona

Permanent Installations
Northern Arizona University. Flagstaff, Arizona
Dept. of Humanities, Art, and Religion

Malee’s Thai Cuisine. Scottsdale, Arizona



Professional Practices
Spurse Wetlands, A collaborative workshop. 2006 Indianapolis, IN.
Southern Graphics Conference, 2006 Madison, WI.

Publication
The Noise Cover Art. Geisha. No. 6.1 Nov 03
The Noise Looking Through the Eye of Revolutionary Russia. No. 6.7 May 04

Work Experience
Teaching Assistantship Purdue University West Lafayette, Indiana
Artisan Baker Macy’s Flagstaff, Arizona
Photographer NAU Humanities Dept Flagstaff, Arizona
Tutor America Reads/Americorp Flagstaff, Arizona
Server Malee’s Thai Cuisine Scottsdale, Arizona

Volunteer
Victim Witness Flagstaff, Arizona
Volunteers For Peace Vienna, Austria

Additional
2006 Penland School of Arts
Summer residency scholarship North Carolina
2005 Art Forum Director NAU Flagstaff, Arizona
2004 Painting Guild President NAU Flagstaff, Arizona



 
 
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