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Bjoern Daempfling
 
 
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The Critic: Risking an Eye

2003
IRIS-Print on Somerset Velvet
Paper 76x56 cm Image 56x37,5 cm

The Critic: Risking an Eye
"The Critic: Risking an Eye" was created using only "Painter" (Metacreations), Sept - November 2003. Copies: 95, numbered and signed, 5 artist's copies (I-V)

Fischtraum (Dream of the Fish)

1998
IRIS-Print on Somerset Velvet
Paper 74x74 cm Image 60x60 cm

"Fischtraum" (Dream of the Fish) was entirely drawn using "Painter" (Metacreations) in the years 1997/8, nine consecutive month‘s of daily work. Copies: 25, numbered and signed, 5 artist's copies (I-V)

The Visitor

2004
IRIS-Print on Somerset Velvet
Paper 76x112 Image 56x82 cm

"Der Besucher" (The Visitor) was created September - November 2004 with "Painter" (Metacreations) It is based on a line sketch made in September 2004 at the "Haus am Waldsee/Berlin/Germany" and a photograph from July 2004 in the vicinity of Güterfelde near Berlin/Germany Copies: 25, numbered and signed, 5 artist's copies (I-V)

The Toy General

2006
IRIS-Print on Somerset Velvet
Paper 76x112 Image 54x76 cm

"The Toy General" was created August 2005 - July 2006 with "Painter"(Metacreations). Copies: 25, numbered and signed, 5 artist's copies (I-V)

My Sentimental Robot

2003
IRIS-Print on Somerset Velvet
Paper 76x56 cm Image 56x37,5 cm

"My Sentimental Robot" was created Aug - November 2003 using for more than 95% of the image only "Painter" (Metacreations), while the paper background and some pencil lines (< 5%) were scanned Copies: 95, numbered and signed, 5 artist's copies (I-V)

Seinsgeweide (Intestines of Being)

2005
IRIS-Print on Somerset Velvet
Paper 76x112 cm Image 56x84 cm

"Seinsgeweide"(Intestines of Being) was created December 2003 — September 2005, about nine month of it daily work, using only „Painter" (Metacreations). Copies: 95, numbered and signed, 5 artist's copies (I-V)

Nightly Faces

2003
IRIS-Print on Somerset Velvet
Paper 76x112 cm Image 66x91 cm

"Nightly Faces" was created using for 95% of the image only "Painter" (Metacreations), on a scanned paper background (

The Future of the Past

2005
IRIS-Print on Somerset Velvet
Paper 56x76 cm Image 37x50 cm

The production history of this image is documented in every detail in the book: Joseph Nalven and JD Jarvis, „Going Digital: The Practice and Vision of Digital Artists”, Boston 2005, Thomson Course Technology PTR, ISBN 1-59200-918-2

Nocturno

2007
IRIS-Print on Somerset Velvet
Paper 112x76 cm Image 84x56 cm

Cthulhu

2006
Giclee Print on Canvas
100 x 75 cm

Cthulhu
H.P. Lovecraft Series, based on photos from nano-structures

Kadath

2007
Giclee Print on Canvas
100 x 73 cm

Kadath
H.P. Lovecraft Series, based on photos from nano-structures

Sarnath

2007
Giclee Print on Canvas
100 x 73 cm

Sarnath
H.P. Lovecraft Series, based on photos from nano-structures

Tekeli-li

2007
Giclee Print on Canvas
100 x 73 cm

Tekeli-li
H.P. Lovecraft Series, based on photos from nano-structures

Living Colors

2006
Giclee Print on Canvas
100 x 66 cm

Living Colors
just "Painter" (Metacreations), built from scratch, no filters used...

Evolution

1999
IRIS-Print on Somerset Velvet
33x33 cm

Evolution
"Evolution" was created using only "Painter" (Metacreations), July - November 1999. Copies: 95, numbered and signed, 5 artist's copies (I-V)

Ikarus

1988/99

Dragonfly

2005

Just Wood

2002

Cloud Castle Window

2003

Red

2004

Follow Me

2005

Summer Ghosts

2004

Chronos

1989/99

Chronos
This Photo was shot in 1989 in Washington State (USA) at a Pacific Ocean beach next to the small town La Push, west of Seattle. Technique: Kodak Ektar 100 24x36 mm color negativ film; 1999 high-end digitized and finished as IRIS-Print on Somerset Velvet. Prints: 95, numbered and signed, 5 artist's copies (I-V) Size: Paper 112x76 cm Image 94x66 cm

Tracks

2004

Tracks

Iceland (one)

2003

Iceland (one)
Ice Land (one) "Ice Land (one)": This Photo was shot 1.1.2003 at the lake "Waldsee" in Berlin-Schlachtensee/Germany. Technique: Kodak 100 24x36 mm color negativ film; high-end digitized and finished as IRIS-Print on Somerset Velvet. Prints: 95, numbered and signed, 5 artist's copies (I-V) Size: Paper 76x56 cm Image 66x46 cm
 
教育程度与个人自传
Short Bio: Dr. Bjoern Daempfling, married, two children 1949 born in Cologne /Germany 1951 moves to Nordenham /Germany 1969 graduates from Gymnasium Nordenham 1969- studies Political Science at the Free University Berlin, Diploma 1975 (drawings, prints, carving, small sculptures and poems) 1981 PhD in Economics, Dr. rer. pol. (many drawings) 1982-1983 research stay in the USA, Cambridge, MA (Harvard), back to Berlin/Germany, scientific work and teaching, (drawings and photography) 1987- 1992 back for research in the USA, Chapel Hill, NC (UNC) and Cambridge, MA (Harvard), returns to Berlin/ Germany, research and teaching at the FU Berlin, (drawings, pastells, watercolor, some Oils, many photos 1987-88), 1995-1996 manager of OEKO-TER GmbH (ecological housing development) architectural designs in cooperation with architects, (color pencil drawings) 1997 art takes first place in professional life, creating a virtual gallery for all art related activities in the internet, looking for an adequate digital print technology website www.creativecreatures.com, printing technique, and the computer as main drawing tool are in place, works since most of the time with IRIS-printing technique as final output for his mainly digitally produced graphics und photography, using all possibilities to combine classical and digital forms of producing art 2000 since then numerous exhibitions worldwide (Berlin, London, New York, Beijing, etc.), lives and works as artist und author in Berlin

Exhibitions(Group, Brick and Mortar): 2000 SEPTEMBER Spindel Kunstpreis in Limbach/Oberfrohna, 3.Place 2001 MARCH Digital Salon, Las Cruces/ New Mexico /USA 2002 SEPTEMBER Grosse Steglitzer Kunstausstellung April International Open Image, London, Exhibition: Deluxe Gallery (Competition, 662 participants, 1. Place). JUNE Originate, London, Exhibition: Gallery 47 (Competition Shortlist) SEPTEMBER Grosse Steglitzer Kunstausstellung 2004 JANUARY Painting with Pixels, Cork Gallery/Lincoln Center/ New York FEBRUARY Painting with Pixels, UMD Robert Wood Johnson Medical School /New Brunswick/NJ/USA JULY I like looking at pictures, London, Waterloo Gallery (Photography) JULY Arts and Illustrators Exhibition, London (Photography) JULY Digital show from CD, Art -Summer 2004, Bruchsaal SEPTEMBER Digital show from CD, Chateau de Saint Auvent, France OCTOBER A Show of Heads, Limner Gallery, Phoenicia/NY/USA (Direct Art Nr.11, 2005) DECEMBER Webism-Exhibition, Gallery Kalina, Regen/Germany 2005 FEBRUARY Dirty Show, 6th Annual Erotic Art Exhibition, Tangent Gallery, Detroit/USA MARCH Landscape: Internal/External, Limner Gallery, Phoenicia/NY/USA (Direct Art Nr.12, 2005) APRIL Geneva Gallery, Morristown/ New Jersey/USA APRIL Fruehlingserwachen-Lebensmomente, Gallery Rodolfo, Berlin-Mitte, Rochstrasse MAY Digital Extravaganza, Limner Gallery, Phoenicia/NY/USA (Direct Art Nr. 13, 2005) OCTOBER Bird 2005, Gufang Gallery, Beijing/China (Competition, 635 participants, Honorable Mention) SEPTEMBER Fair at Klagenfurt, Austria, Exhibition Hall Ars Artis NOVEMBER Webism-Exhibition, Laubach Castle/ Hesse/ Germany DECEMBER Gallery Rodolfo, Berlin-Mitte, Rochstrasse 2006 APRIL-JUNE Electric Paint: The Computer as 21st Century Canvas, Leigh Yawkey Woodson Art Museum, Wausau, Wisconsin, USA MAY Five Years Art-Open Air at Schloss Wolkenburg /Limbach -Oberfrohna /Germany SEPTEMBER Fair at Klagenfurt, Austria, Exhibition Hall Ars Artis SEPTEMBER Open Air, Moholy-Nagy- Interpretations in the Language of Elektrografik, Elektrografisches Symposion, Szigetvar, Hungary SEPTEMBER Alden B. Dow Museum of Art and Science, Michigan, USA, Electric Paint, the Computer as 21st Century Canvas 2007 APRIL FormArt 15th International Art Exhibition, Marcellin-Verbe -Haus, Glinde/Germany MAY The 1st International NanoArt Exhibition – Kotka, Finland SEPTEMBER Fair at Klagenfurt, Austria, Exhibition Hall Ars Artis OCTOBER Webism - a global movement, Ganserhaus, Wasserburg am Inn /Germany

Solo or two artist exhibitions (brick and mortar): 2000 SEPTEMBER Solo exhibit at Commerzbank Zehlendorf/Berlin NOVEMBER Overview Digital Graphics at Daimler/Chrysler Niederlehme/Germany (with Rolf Wacker) 2002 NOVEMBER Overview Digital Graphics including Photography, Torstr. / Berlin / Germany (with Goesta Daempfling) 2004 OCTOBER Solo exhibit Digital Graphics at Artificial Image, Koepenicker Str./Berlin/Germany 2005 APRIL Solo exhibit Overview Digital Graphics and Photography at Kunstverein Nordenham Nordenham/Germany 2006 OKTOBER Solo exhibit Overview Digital Graphics at Kunstverein Glinde, Soehnke-Nissenpark, Glinde/Germany 2007 MAY-JUNE Solo exhibit Overview Digital Graphics and Photography at Haesler Haus, Celle / Germany

Web & Print: 2004 MARCH Direct Art Nr. 10, full page publication (awards 7-16), photography (Competition) 2004 APRIL Donnie-Award, 2. Place, MOCA (New York) 2004 OCTOBER Calendar Competition (selected for NOVEMBER 2005, photography, Refocus Now, London 2005 JANUARY Donnie-Award, Honorable Mention APRIL Joseph Nalven and JD Jarvis, Going Digital: The Practice and Vision of Digital Artists Thomson Course Technology (book project, 17 Artists involved) 2007 FEBRUARY Donnie-Award, 3. Place, MOCA (New York)
 
网站:  www.creativecreatures.com
 
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