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陈列您的艺术作品给每天无数的访客观看
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| Cris Orfescu | |
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• Born in Bucharest, Romania, lives and works in Los Angeles since 1991. |
| 关于此艺术家 | |
I create Art from Science using Technology. |
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| 按此以放大图像 (假如你已上传更大的图像) | |
The Silkworm Larva
2006 |
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| Limited edition prints(edition size 10). The artist created a nanosculpture by hydrolyzing a tiny drop of a Silicon organometallic compound and coating the structure with Gold in order to be properly visualized with a Scanning Electron Microscope. The monochromatic electron scan has been painted and manipulated digitally and the final image was printed on canvas with long-lasting (archival) inks.
The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from traditional Photography, where images are created by photons(particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
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Leopard in Motion
2007 |
','Image'))
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| Limited edition prints (edition size 10). The artist created a nanosculpture by hydrolyzing a tiny drop of a Titanium organometallic compound and coating the structure with Gold in order to be properly visualized with a Scanning Electron Microscope. The monochromatic scan has been painted and manipulated digitally and the final image was printed on canvas with long-lasting (archival) inks.
The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from traditional Photography, where images are created by photons(particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 102cm x 102cm x 5cm). |
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Tribute to Kubrick Space Odyssey 2001
2006 |
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| Limited edition prints (edition size 10). The artist created a nanosculpture by freezing a tiny drop of colloidal graphite (graphite nanoparticles in a suspension) in Liquid Nitrogen at -196 deg C. The structure was visualized using a Scanning Electron Microscope. The monochromatic electron scan has been painted digitally. The final image was printed on canvas with long-lasting (archival) inks.
The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from traditional Photography, where images are created by photons(particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
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NanoFireball
2007 |
','Image'))
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| Limited edition prints (edition size 10). The artist created a nanosculpture by hydrolyzing a tiny drop of a Titanium organometallic compound and coating the structure with Gold in order to be properly visualized with a Scanning Electron Microscope. The monochromatic scan has been painted and manipulated digitally and the final image was printed on canvas with long-lasting (archival) inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from traditional Photography, where images are created by photons(particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 102cm x 102cm x 5cm). |
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Reverse Porosity
2006 |
','Image'))
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| Limited edition prints (edition size 10). The artist created a nanosculpture by casting a mixture of Graphite nanoparticles and polymer on glass. After it was peeled off, the free-standing layer was fractured in Liquid Nitrogen at -195 deg C. The fracture surface has been visualized with a Scanning Electron Microscope. The monochromatic electron scan has been painted and manipulated digitally. The final image was printed on canvas with long-lasting (archival) inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
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Black Eye NanoOctopus
2007 |
','Image'))
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| Limited edition prints (edition size 10). The artist created a nanosculpture by hydrolyzing a tiny drop of a Titanium organometallic compound and coating the structure with Gold in order to be properly visualized with a Scanning Electron Microscope. The monochromatic electron scan has been painted and manipulated digitally and the final image was printed on canvas with long-lasting (archival) inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from traditional Photography, where images are created by photons(particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 102cm x 102cm x 5cm). |
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PolyMatrix
2006 |
','Image'))
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| Limited edition prints (edition size 10). The artist created a nanosculpture by casting a mixture of Graphite microparticles and polymer on glass. After it was peeled off, the free-standing layer was fractured in Liquid Nitrogen at -195 degC. The fracture surface has been visualized with a Scanning Electron Microscope. The monochromatic electron scan has been painted digitally. The final image was printed on canvas with long-lasting (archival) inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
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NanoRGB
2007 |
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| Limited edition prints (edition size 10). The artist fractured a nanomaterial in Liquid Nitrogen. The fracture surface is visualized with a scanning electron microscope. The monochromatic electron scan has been painted and manipulated digitally. The final image is printed on canvas with long-lasting (archival) inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles) as in NanoArt. The electrons penetrate deeper in the structure creating images with more depth, more natural 3D look than the photographic images. This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 102cm x 152cm x 5cm). |
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Sunflower Fragments
2006 |
','Image'))
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| Limited edition prints (edition size 10). The artist visualized PVC micro-flakes with an electron microscope. The monochromatic scan was painted digitally. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
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Stretching the Limits 2
2007 |
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| Limited edition prints (edition size 10). The artist created a nanosculpture by casting a mixture of polymers on glass. The layer's surface has been visualized with a Scannning Electron Microscope. The monochromatic electron scan has been painted and manipulated digitally. The final image is printed on canvas with archival inks specially formulated to last for a long time. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 102cm x 152cm x 5cm). |
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In Pieces
2004 |
','Image'))
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| Limited edition prints (edition size 50). The artist created a nanosculpture by freezing a tiny drop of colloidal graphite (graphite nanoparticles in a suspension) in Liquid Nitrogen at -196 deg C. The monochromatic scan has been painted digitally. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper in the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
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Landscape 1
2004 |
','Image'))
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| Limited edition prints (edition size 50). The artist created a nanosculpture by casting a mixture of Graphite nanoparticles and polymer on glass. After it was peeled off the free-standing layer was fractured in Liquid Nitrogen at -195 degC. The fracture surface of a cluster of graphite nanoparticles has been visualized with an electron microscope. The monochromatic scan has been painted digitally. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper in the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
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Flamingo
2005 |
','Image'))
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| Limited edition prints (edition size 50). To obtain the structure the artist created a nanosculpture by hydrolyzing a tiny drop of a chemical known as HMDS and coating the structure with Gold. The monochromatic scan has been painted digitally. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from traditional Photography, where images are created by photons(particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper in the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
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NanoPink
2007 |
','Image'))
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| Limited edition prints (edition size 10). The artist fractured a nanomaterial in Liquid Nitrogen. The fracture surface is visualized with a scanning electron microscope. The monochromatic electron scan has been painted and manipulated digitally. The final image is printed on canvas with long-lasting (archival) inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles) as in NanoArt. The electrons penetrate deeper in the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
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Infinity
2004 |
','Image'))
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| Limited edition prints (edition size 50). The artist imaged Gold coated dust particles with an electron microscope. The monochromatic scan has been painted digitally. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper in the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
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Rock Flowers 4
2006 |
','Image'))
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| Limited edition prints (edition size 10). The artist visualized PVC micro-flakes with an electron microscope. The monochromatic scan was painted digitally. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 102cm x 102cm x 5cm). |
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Reflections 1
2005 |
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| Triptych. Limited edition prints (edition size 10). The artist imaged Lithium Cobalt Oxide microparticles embedded in a polymer matrix by scanning a small sample of the material in an electron microscope. The monochromatic scan has been painted and manipulated digitally. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper in the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 305cm x 386cm x 5cm). |
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Inorganic
2007 |
','Image'))
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| Limited edition prints (edition size 10). The artist created a nanosculpture by freezing a tiny drop of colloidal graphite (graphite nanoparticles in a suspension) in Liquid Nitrogen at -196 deg C. The monochromatic scan has been painted digitally. The final image is printed on canvas with archival inks. All prints are signed and numbered by the artist. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper in the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
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Fireworks 2
2005 |
)
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| Limited edition prints (edition size 50). The artist imaged Lithium Cobalt Oxide microparticles embedded in a polymer matrix by scanning a small sample of the material in an electron microscope. The monochromatic scan has been painted and manipulated digitally . The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper in the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 102cm x 152cm x 5cm). |
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Body Parts 1
2005 |
','Image'))
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| Limited edition prints (edition size 50). The artist imaged Lithium Cobalt Oxide microparticles embedded in a polymer matrix by scanning a small sample of the material in an electron microscope. The monochromatic scan has been painted digitally. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photon(particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper into the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
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Overcast
2005 |
','Image'))
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| Limited edition prints (edition size 50). The artist visualized Carbon microparticles embedded in a polymer foam, using an electron microscope. The monochromatic scan was digitally painted. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper into the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
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Power
2005 |
','Image'))
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| Limited edition prints (edition size 10). The artist visualized Graphite nanoparticles with an electron microscope. The monochromatic scan was digitally painted. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper into the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
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Falling Leaf
2003 |
','Image'))
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| Limited edition prints (edition size 50). The artist visualized Gold coated dust particles using an electron microscope. The monochromatic scan has been digitally painted. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper in the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
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Happy 50th, Honey!
2004 |
)
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| Limited edition prints (edition size 50). Using an electron microscope the artist imaged a micro air bubble created under vacuum in an epoxy resin. The monochromatic scan has been painted and manipulated digitally. The final image is printed on canvas with archival inks. The prints last for a long time without deteriorating, when kept in adequate conditions. Conform to most viewers, these prints have an oil painting look. All prints are signed and numbered by the artist. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 102cm x 152cm x 5cm). |
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Reticulation
1997 |
','Image'))
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| Limited edition prints (edition size 50). The artist visualized Carbon microparticles embedded in a polymer foam, using an electron microscope. The monochromatic scan was digitally painted. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper into the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
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| 教育程度与个人自传 | |
| Awards March 2006, Los Angeles, California, USA - Winner in the international juried competition TOP 40 at Los Angeles Center for Digital Arts February 2006, London, UK – Diploma of Excellence in the international juried competition REAL-TIME September 2005, Los Angeles, California, USA - Winner in the 2006 Emerging Artist Calendar juried competition August 2005, London, UK - World of Art Award for the Best in Art and Creativity May 2005, Beverly Hills, California, USA - First Place Award in the New Media category at the AFFAIRE IN THE GARDENS art show October 2005, Burbank, California, USA – Honorable Mention - juried competition September 2005, Rome, Italy – Finalist in the DIGITALLY 2005 juried competition May 2005, Santa Monica, California, USA - Honorary Best in Show Award - Backstreet Gallery juried competition December 2004, Rome, Italy - Finalist in the BEYOND BOUNDARIES 2004 juried competition Selected Exhibitions March 2008, Florence, Italy – SCIENZA ED ARTE – University of Florence December 2007, La Jolla, USA – NANOART EXTRAVAGANZA – Nano Tumor Center, University of San Diego November 2007, New Jersey, USA - EYE TRICKS - Walsh Gallery, Seton Hall University September 2007, Paris, France - OPEN ART 2007 April 2007, Kotka, Finland - The 1st International Festival of NANOART February-March 2007, Long Beach, California, USA - 1st LA INTERNATIONAL ART FESTIVAL November 2006, Chania, Greece – THE 4th INTERNATIONAL ART FESTIVAL CHANIA 2006 November 2006, Los Angeles, California, USA - jFerrari Gallery group show November 2006, Dublin, Republic of Ireland - ART IRELAND November 2006, San Diego, California, USA - FEATURED ARTIST at Gallery Studio 246 April-July 2006, San Pedro, California, USA – ON SITE AT THE GATE 2006, juried exhibition, Angels Gate Gallery April-June 2006, San Diego, California, USA – 2006 INTERNATIONAL DIGITAL EXHIBITION, sponsored by SONY at the Museum of the Living Artist, SDAI April 2006, Manizales, Colombia – THE 5th INTERNATIONAL FESTIVAL OF THE IMAGE, Caldas University April 2006, Anchorage, Alaska, USA – SOFTCOPY, Kimura Gallery, University of Alaska March 2006, Los Angeles, California, USA – TOP 40, juried exhibition, Los Angeles Center for Digital Art February 2006, Los Angeles, California, USA – group show, Infusion Gallery January-February 2006, Murfreesboro, Tennessee, USA - 12 X 12, A National Juried Exhibition of Small Scale Works of Art – Todd Gallery, Middle Tennessee State University December 2005, Florence, Italy - THE 5th INTERNATIONAL BIENNALE OF CONTEMPORARY ART, Fortezza da Basso December 2005, Miami, Florida, USA - MASTERS MYSTERY ART SHOW 2005 September 2005 – March 2006, Binghamton, New York, USA - THE 15th INTERNATIONAL MINI PRINT EXPO, Roberson Museum and Science Center October 2005, Beverly Hills, California, USA - AFFAIRE IN THE GARDENS October 2005, Burbank, California, USA – LEARNING AND PRODUCT EXPO: ART, Hilton Airport and Convention Center September-October 2005, Los Angeles, California, USA - SNAP TO GRID, Los Angeles Center for Digital Art August-September 2005, Pomona, California, USA - THE 2nd LATINO ART BIENNALE, Museum of Latino Art July 2005, Las Vegas, Nevada, USA - WORLD MARKET CENTER DEBUT, Las Vegas Convention Center June - July 2005, Hermosa Beach, California, USA - HERMOSA BEACH ART WALK June 2005, Los Angeles, California, USA - Bank of America Plaza May 2005, Beverly Hills, California, USA - AFFAIRE IN THE GARDENS May 2005, Santa Monica, California, USA – Santa Monica Civic Auditorium April 2005, Los Angeles, California, USA - NANOART and PHOTOGRAPHY February 2005, North Hollywood, California, USA - TWO MEN SHOW November 2004, Los Angeles, California, USA – NANOART 2004, solo show |
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| 未来的展览 | |
May-June 2008, Cerritos, California, USA - Multimedia show July 2008, La Jolla, California, USA - NanoArt solo show, University of San Diego |
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| 网站: www.absolutearts.com/nanoart | |
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