陈列您的艺术作品给每天无数的访客观看

I went through school expecting to be a geologist but I doodled compulsively in science lessons, played the cello, sang in the choir, acted in plays and watched clouds make faces in the sky, so I scraped into university. A geography professor addressed the first year students saying that 70% of what we would learn would be found outside the academic life at university: that suited me fine, so I spent more time in theatre, learnt to rock climb and picked up my first camera.
I should have studied art at school but Careers Advice never mentioned you get a job taking photographs, so I had to go the long way round to find out! A lucky break in 1982 gave me an assistants job working for the photographer, Michael Hall, who told me on my first day that photography was 90% business, 10% taking photographs. I learnt the business of photography from him and went back to college to learn the theory. Then I bumped into a young artist, Rebekah Tolley and from sharing our lives together for a number of years, I began to appreciate art. I changed direction and managed a photographic laboratory where I could learn more about printing.
Now I make photographs that need to be made and that draw on the strands of experience from my life and travel. I am often asked �Why are you taking these shots?� and I reply that I am compelled to: they are an itch that won�t go away until I have put them on paper.

held

2004
silver gelatin
30x40

watercastle

2001
silver gelatin
20x40

chortens

2005
silver gelatin
20x40

Mani stones

2005
silver gelatin
30x30

The Door

2007
Silver gelatin
35x35

The Nymph

2006
Silver Gelatin
20x30

Gateway

2007

Sandpool

2005

Potshop

2003