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陈列您的艺术作品给每天无数的访客观看
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| Paul Hazelton | |
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b.1962, Margate UK |
| 关于此艺术家 | |
The dust of everyday life – the unavoidable and necessary by-product of living, engrosses me. Art, also an unavoidable and necessary by-product of living, engrosses me. Art, like dust, is a residue of life and therefore, the making of art is like an extreme act of self-exfoliation. For me, making art is a per-version of life that has many possible diversions. Sometimes these diversions take you somewhere unexpected, sometimes somewhere gross but you have to keep going. |
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| 按此以放大图像 (假如你已上传更大的图像) | |
MOTH-ER
2006 |
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| The mother of the 'Immaculate Conceptions' part of a series made from household dust |
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Dust (death) Mask
2006 |
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| Part of 'Immaculate Conceptions'
In order to give the most protection, the dust mask must sit snug, like an external skull against the contours of the skin.
In the future, if evolution is to equip us against the increasing rate of pollution, we might develop an external apparatus similar to the exoskeleton of an insect.
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Being and Nothingness
2007 |
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| Like dust, the figure settles into sleep. He becomes almost invisible to himself, lost between the particles of his thoughts, memories, and the subliminal messages of his dreams. Photo by Simon Steven
Being and Nothingness is displayed in a black perspex floor standing display case which measures approximately 88 x 75 x 48cm |
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It came from another underworld I
2008 |
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| A combination of folkloric underworld and otherworldly myths of abduction with 50’s cult Sci-fi monster insect movies |
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It came from another underworld II
2008 |
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with-drawn - without drawing series 1
2008 |
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| Cutting away at this was like performing a kind of cosmetic surgery on printed matter, only leaving the lines and wrinkles and cutting out the rest |
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Home Sweet Home
2007 |
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Crumpledsilkskin
2007 |
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| spinning a yarn between Dandyism and Rumpelstiltskin |
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dust man
2005 |
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| Made from household dust and dirt as part of the immaculate conception series |
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a spider
2006 |
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| Made from household dust as part of the immaculate conception series |
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a bug
2006 |
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| Part of the immaculate conception series |
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genetic magnetic field
2007 |
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| Part of the immaculate conception series. Drawing on household dust |
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Life x Work = 0
1997-2000 |
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Hell on Toast
2002/3 |
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carrier
2007 |
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| A transparent suitcase containing shadowy objects of dust, how one might expect to see a suitcase through an x-ray security screening system at the airport. It’s as though the x-rays, leaving only the coatings of dust, had completely disintegrated the actual objects. With the ever-increasing invasiveness of technology, you wonder from where the threat will come. |
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Flesh Eater (idea for a costume for 5 people)
2006 |
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Sac
2006 |
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| digital print edition of 20 in perspex box frame |
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Bzzz
2006 |
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| digital print edition of 20 in perspex box frame |
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2006 |
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Flyblown (a diseased drawing)
2007 |
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| A corruption of the purity of the whiteness of the paper. The materials used have fused, making the paper appear more like a sheet of metal or raw flesh. The paper resembles skin, scarred by the process of drawing, pitted and warn. The drawing has been through 4 states of obliteration: The Fly, The Squashed Fly, The Ghost of a Fly and Flyblown |
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screwed up flat ideas no 1
2008 |
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| With the screwed up flat ideas series I would like to show the violence that exists in the physicality of living - It is the repetitive movements that keep us alive that will ultimately weaken and destroy us. In this work the thick paper is resuscitated to the point where it almost breaks down. The center was repeatedly screwed up and opened out whilst being violently drawn into, resulting in at least 15 pencils being broken in the process. |
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cotton woolly mammoth
2008 |
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blow-up
2005/2006 |
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| A miniature sandcastle is metaphorically blown-up and then projected onto itself and its surrounding area. The barrage of sandblasted imagery makes for imaginary interpretations far removed from traditional beach activity.
The mind when turned in on itself is similar to the sandcastle,unstable when bombarded by its own over-magnification.
The war-machine and the mechanisms for creating art are not that dissimilar. Both have the propensity to be delusional.
Originally shown at Deal Castle and then extended to the Ramparts, Saint-Omer, France as part of Defend/Defende, a cross-channel collaboration co-curated by Christine Gist and Benoit Warzee |
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Life x Work = 0
1997-2000 |
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| Detail of artwork |
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No End Game
2009 |
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| Lace-like cut-out lettering from Beckett\'s End Game but there seems no end for this game...ongoing |
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| 教育程度与个人自传 | |
| Education 1996 - 99 Canterbury Christ Church University College BA (Hons) Fine Art 1978 - 80 Kent Institute of Art and Design, Canterbury Graphic Design Recent exhibitions 06/08 June 09 Travelling Light Venice Biennale May 09 Travelling Light Wilson Williams Gallery, London March 09 Affluenza 187-211 St John St Clerkenwell, London. July 08 Whitstable Biennale May 08 Margate Rocks April 08 Matt's and Polly's Studio Oct-Nov 07 Decadence, Decay & the Demimonde Home House & 92 George Street, London. Oct 07 Saatchi Online Exhibition Zoo Art Fair, Royal Academy of Arts. May-June 07 Pathogeographies (or other peoples baggage) Gallery 400, University of Illinois, Chicago USA July 07 Expecting the Unexpected Maidstone Library Gallery, Maidstone Kent july-sept 06 Unnatural Selection Shrewsbury Museum and Art Gallery, Shropshire UK Jan-Feb 06 Defend/Defendre Espace 36, Saint-Omer France Publications Jan 2009 ArtArtArt Issue 4 Art V History - Post-Historic Art http://www.artartartgallery.com/download |
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| 未来的展览 | |
| 网站: www.axisweb.org/seCVPG.aspx?ARTISTID=13549 | |
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