| Agatino Raciti |
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Catania Italy 1970
Architect
Art & Drawing Teacher
lives and works beetween Catania and Wien
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| 关于此艺术家 |
His artistic work wants to be an apparent transposition and temporary simulation of all those situations eluding modern life which, on the contrary, disclose and reveal in private, far from authoritarian and conservatory schemes. |
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icon04
2004 papier marchè, oil, charcoal, red enamel on canvas 85cm x85cm |
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icon04b
2004 papier marchè, oil, charcoal, on canvas 150cm x100cm |
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warriors part.2
2003 papier marchè, oil, charcoal, pubis hair on board each panel 70cm x 110cm overall 110cm x 140cm |
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string attached
2003 packaging tape, oil, charcoal black enamel on board 100cm x 70cm |
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evadamo (part)
2003 packaging tape, oil, charcoal black enamel on board each panel 100cm x 70cm overall 140cm x 100 cm |
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string attached 2
2004 oil on board 250x 150 |
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check point
2004 oil on board 250x150 |
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still life
2003 oil cartboard enamel on board owerall 280x100 |
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Still Lives, is a painting witnessing the outcome of an upsetting event, or rather a painting bringing to light what has actually been consumed. The former famous witnesses are unsolved and wrapped in a halo of mystery that abuses whatever logical explanation. The fact has happened by now, the main characters are the only living witnesses on a “built” perspective. But they gather on three lumps, each of which has a different story linked by the same noun: the passion. The unusual shapes of the figures inside the space strongly emphasize the bruise spotted meat(body), bringing back the order after a presumed extreme disorder, controlled by hidden and suppressed desires.
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icon 04A
2004 oil charcoal papier and enamel on canvs 200cm x 200 cm |
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Licking Megéra (part.)
2008 oil, paper, enamel and charcoal on canvas 200cmx160cm |
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”Non mi stanco di urlare: l´angoscia nasce dall íncoscienza, nasce dalla coscienza quella felicitá, ch´è la meta mortale.”
Eschilo (Eumenidi).
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Licking Megéra
2008 oil, paper, enamel and charcoal on canvas 200cmx160cm |
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...The body dialogues with itself following the myth of the ephemeral metaphorically seen through the contemporaneous transposition of the Megèra, the female personification or revenge...
Eros attracts and kills!
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mourning Clitemnestra
2008 oil, paper, enamel and charcoal on canvas 200cmx160cm |
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phelipe
2009 oil enamel and paper on canvas 150x100cm |
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Oreste’s regret
2009 oil, paper, enamel and charcoal on canvas 200x160cm |
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| 教育程度与个人自传 |
SOLO
2008:-Teatro Tenda, Catania,“Licking Megèra”.
2007:-Mammut, Catania, “Interrupted Passion”.
2006:-Wlliendorf Cafe, Vienna, “Warriors of love”.
2006:-Windspiel gallery Wien, “Verbergen Verbergen Verwandeln".
2006:- Rizzotti, Catania, “Faces”.
2005- Histoire Cafè, Milano, “Ecstasia”.
2004:-MyBali, Milano, “Pathos & Ecstasy”.
2004:-Papini Catania, “Face No Face”.
2003:-T.ART Milano, “Agony or Exstasy”.
2003:-palazzo Cavarretta, Trapani,“Riequiliement”.
2002:-Premio Napoli Cultural Classic,convento sant’Angelo in Palco, Napoli.
2001:-ex chiesa del Carmine, Taormina,“Soul Landescapes”.
2000:-ex falegnamerie, Catania, “Violence of life”.
Collective
2006:-Wlliendorf, Vienna, “Warriors of love”.
2006:-Windspiel galerie, Vienna,“Verbergen Verbergen Verwandeln”.
2005:-galleria Gard, Roma, “Carnalità”.
2003:-Istituto Cervantes, Roma,“Forma e Colore in Movimento”.
2002:-5 Biennale Nazionale di Pittura, sala mostre RIMINI
2002:-4°premio Libero Ferretti, Palazzo della Permanente, Milano, “Dove Abita l’Utopia”.
2002:-4°premio pittura Libero Ferretti, palazzo del Rettorato, Ancona.
2002:-galleria“Ammuar”,Catania.
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| 未来的展览 |
"Ars e/o Te"
Palazzo della Gancia
Ortigia (Sr)
dal 01 luglio al 13 luglio 2009
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网站: www.agatinoraciti.com |
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