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Agatino Raciti
 
 
关于此艺术家

His artistic work wants to be an apparent transposition and temporary simulation of all those situations eluding modern life which, on the contrary, disclose and reveal in private, far from authoritarian and conservatory schemes.

 
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icon04

2004
papier marchè, oil, charcoal, red enamel on canvas
85cm x85cm

icon04b

2004
papier marchè, oil, charcoal, on canvas
150cm x100cm

warriors part.2

2003
papier marchè, oil, charcoal, pubis hair on board
each panel 70cm x 110cm overall 110cm x 140cm

string attached

2003
packaging tape, oil, charcoal black enamel on board
100cm x 70cm

evadamo (part)

2003
packaging tape, oil, charcoal black enamel on board
each panel 100cm x 70cm overall 140cm x 100 cm

string attached 2

2004
oil on board
250x 150

string attached 2

check point

2004
oil on board
250x150

check point

still life

2003
oil cartboard enamel on board
owerall 280x100

still life
Still Lives, is a painting witnessing the outcome of an upsetting event, or rather a painting bringing to light what has actually been consumed. The former famous witnesses are unsolved and wrapped in a halo of mystery that abuses whatever logical explanation. The fact has happened by now, the main characters are the only living witnesses on a “built” perspective. But they gather on three lumps, each of which has a different story linked by the same noun: the passion. The unusual shapes of the figures inside the space strongly emphasize the bruise spotted meat(body), bringing back the order after a presumed extreme disorder, controlled by hidden and suppressed desires.

icon 04A

2004
oil charcoal papier and enamel on canvs
200cm x 200 cm

icon 04A

Licking Megéra (part.)

2008
oil, paper, enamel and charcoal on canvas
200cmx160cm

Licking Megéra (part.)
”Non mi stanco di urlare: l´angoscia nasce dall íncoscienza, nasce dalla coscienza quella felicitá, ch´è la meta mortale.” Eschilo (Eumenidi).

Licking Megéra

2008
oil, paper, enamel and charcoal on canvas
200cmx160cm

Licking Megéra
...The body dialogues with itself following the myth of the ephemeral metaphorically seen through the contemporaneous transposition of the Megèra, the female personification or revenge... Eros attracts and kills!

mourning Clitemnestra

2008
oil, paper, enamel and charcoal on canvas
200cmx160cm

phelipe

2009
oil enamel and paper on canvas
150x100cm

phelipe

Oreste’s regret

2009
oil, paper, enamel and charcoal on canvas
200x160cm

Oreste’s regret
 
教育程度与个人自传
SOLO

2008:-Teatro Tenda, Catania,“Licking Megèra”.

2007:-Mammut, Catania, “Interrupted Passion”.

2006:-Wlliendorf Cafe, Vienna, “Warriors of love”.

2006:-Windspiel gallery Wien, “Verbergen Verbergen Verwandeln".

2006:- Rizzotti, Catania, “Faces”.

2005- Histoire Cafè, Milano, “Ecstasia”.

2004:-MyBali, Milano, “Pathos & Ecstasy”.

2004:-Papini Catania, “Face No Face”.

2003:-T.ART Milano, “Agony or Exstasy”.

2003:-palazzo Cavarretta, Trapani,“Riequiliement”.

2002:-Premio Napoli Cultural Classic,convento sant’Angelo in Palco, Napoli.

2001:-ex chiesa del Carmine, Taormina,“Soul Landescapes”.

2000:-ex falegnamerie, Catania, “Violence of life”.


Collective

2006:-Wlliendorf, Vienna, “Warriors of love”.

2006:-Windspiel galerie, Vienna,“Verbergen Verbergen Verwandeln”.

2005:-galleria Gard, Roma, “Carnalità”.

2003:-Istituto Cervantes, Roma,“Forma e Colore in Movimento”.

2002:-5 Biennale Nazionale di Pittura, sala mostre RIMINI

2002:-4°premio Libero Ferretti, Palazzo della Permanente, Milano, “Dove Abita l’Utopia”.

2002:-4°premio pittura Libero Ferretti, palazzo del Rettorato, Ancona.

2002:-galleria“Ammuar”,Catania.


 
未来的展览
"Ars e/o Te"
Palazzo della Gancia
Ortigia (Sr)

dal 01 luglio al 13 luglio 2009








 
网站:  www.agatinoraciti.com
 
如果你有兴趣联络此位艺术家, 请按此


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