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Saatchi Gallery
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陈列您的艺术作品给每天无数的访客观看

 

 


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Sandra Scheffknecht
 
 
关于此艺术家

My work is a reflection of photography on itself as a medium. I am fascinated by how photography impacts our perception of reality on a daily bases - how it manipulates and guides our desires, hopes and actions. Referring to what Baudrillard means with "realtiy effect" i am most interested in suggesting metaphors for the "truly" real today.

 
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Places Unknown 01a

2006
150x150

This work is a reflection of photograph on itself as a medium and its impact on a society of consumer and life-style culture.

Places Unknown 01b

2006
150x150

This work is a reflection of photograph on itself as a medium and its impact on a society of consumer and life-style culture.

Places Unknown 01c

2006
150x150

This work is a reflection of photograph on itself as a medium and its impact on a society of consumer and life-style culture.

Places Unknown 03a

2006
photograph
100x100

This work works against the common notion of a tourist snapshot. instead of capturing the popular site it records its less popular surroundings that could be anywhere and nowhere - even appear fictive and constructed...

Places Unknown 03b

2006
photograph
100x100

This work works against the common notion of a tourist snapshot. instead of capturing the popular site it records its less popular surroundings that could be anywhere and nowhere - even appear fictive and constructed...

Mask or Doubledeath 05

2005
installation and photograph
100x120

This work adresses and questions the attempt of our mass-media industry to unify and claim parameters of universal beauty. More and more women literally loose their faces to adjust to this industry’s standards, beliefs and lies. In this project I aim to exaggerate the notion of a lost of personality. I employ a clear mask, whose impression is taken from the face of an Italian model, as a metaphor for absolute beauty. The mask is applied, like a fake facade, upon the real face, uniting them in form and colour. By photographing different women wearing this mask their individual beauty gets absorbed and distorted, becoming ugly rather than beautiful.

Mask or Doubledeath 05

2005
installation and photograph
100x120

This work adresses and questions the attempt of our mass-media industry to unify and claim parameters of universal beauty. More and more women literally loose their faces to adjust to this industry’s standards, beliefs and lies. In this project I aim to exaggerate the notion of a lost of personality. I employ a clear mask, whose impression is taken from the face of an Italian model, as a metaphor for absolute beauty. The mask is applied, like a fake facade, upon the real face, uniting them in form and colour. By photographing different women wearing this mask their individual beauty gets absorbed and distorted, becoming ugly rather than beautiful.

Doubledeath 01b

2004
photograph and performance
120x100

My work initially builds upon the classic text of Roland Barthes´ Camera Lucida where he compares a photograph with flat death and addresses the notion of presence and absence. Furthermore, I focus on the «that has been» (Barthes, 1981), suggesting the dialogue between presence/absence, fiction/fact. An original form has changed, transformed into something NEW. It is its trace which questions and confronts the viewer. By re-photographing this trace – may it be another photograph, a mask, fake flowers or stuffed animals – death happens twice. This is where the notion of doubledeath occurs.
 
教育程度与个人自传
MA Visual Communications_Austria_finished 2001;
MART Photomedia_Sydney,UNSW Cofa_finished 2004;
MFA Photomedia_Sydney, UNSW Cofa_will be finished 2007;
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October 2006_1918 Gallery, Shanghai;
September 2006_Potsdamer Platz, Berlin;
March 2006_Blankspace,Sydney;

More about all the exhibitions hold in previous years - on my website, on the contact page!


 
未来的展览
March 2007_Shanghai (Gallery with a view);
June 2007_Sydney (Cofa Exhibition Centre);
 
网站:  www.sandrascheffknecht.com
 
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