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陈列您的艺术作品给每天无数的访客观看

 

 


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Marieke Bolhuis
 
 
关于此艺术家

statement

By creating landmarks, I try to catch the spectator’s attention for a hidden layer of meaning to a landscape. These layers can question the history of civilization.
Or are about the way the earth crust grows and vanish. My personal involvement leads me from one track to another from my home grounds near the beach of The Netherlands [ series ‘home ground ] , to the Silk-route, Mesopotamia ...in search of the source of our civilization [ series ‘search out’ ]...to Japan , Iceland and Tenerife to walk on volcanic surface.
Wondering how on earth this ever happened and how long it will last... [series ‘…a whole hole swallow up all…’]

 
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Valley of Alamut II

2006
digital print on matt paper edition 5
80x110cm

In these photographs you can see the series that I made during a journey through Iran, in search for the beginning of “our” civilization, I therefore have photographed landscapes where history was made. The mountains where I photographed “Valley of Alamut” were once the territory of the Assacijnen. The English word assassin comes from them so this does not say a lot for their practices. The routes of Kings run through the country, used yearly by Darius and his courtiers. He traveled three different routes. Skies, and figures from Persian paintings, point to their knowledge of both Chinese and Flemish paintings. Iran was on the crossroads of east and west at the time of the silk route, when not only goods but knowledge was exchanged. Open source. There is not a lot in the landscapes that gives any indication of this history, I have therefore placed “landmarks” to make these places special. The photos are all printed on fine mat paper; giclee prints with archive ink a series of 5

Kings highway

2005
digital print on matt paper edition 5
80x110cm

In these photographs you can see the series that I made during a journey through Iran, in search for the beginning of “our” civilization, I therefore have photographed landscapes where history was made. The mountains where I photographed “Valley of Alamut” were once the territory of the Assacijnen. The English word assassin comes from them so this does not say a lot for their practices. The routes of Kings run through the country, used yearly by Darius and his courtiers. He traveled three different routes. Skies, and figures from Persian paintings, point to their knowledge of both Chinese and Flemish paintings. Iran was on the crossroads of east and west at the time of the silk route, when not only goods but knowledge was exchanged. Open source. There is not a lot in the landscapes that gives any indication of this history, I have therefore placed “landmarks” to make these places special. The photos are all printed on fine mat paper; giclee prints with archive ink a series of 5

Exit

2006
digital archival print matt edition 5
80x110cm

In these photographs you can see the series that I made during a journey through Iran, in search for the beginning of “our” civilization, I therefore have photographed landscapes where history was made. The mountains where I photographed “Valley of Alamut” were once the territory of the Assacijnen. The English word assassin comes from them so this does not say a lot for their practices. The routes of Kings run through the country, used yearly by Darius and his courtiers. He traveled three different routes. Skies, and figures from Persian paintings, point to their knowledge of both Chinese and Flemish paintings. Iran was on the crossroads of east and west at the time of the silk route, when not only goods but knowledge was exchanged. Open source. There is not a lot in the landscapes that gives any indication of this history, I have therefore placed “landmarks” to make these places special. The photos are all printed on fine mat paper; giclee prints with archive ink a series of 5

Splash

2007
c-print on art paper edition 5
77x107

Splash
In this series the fragility of the earth’s crust is the central point, that wafer thin skin that we walk on. Volcanoes that spit molten lava and gasses into our atmosphere. They form a bridge between the molten mass on earth and the heavenly arches. Standing on the beginning of the universe and (maybe) responsible for the great (climate) change. I am fascinated by these magnificent Phenomena. I have searched for them in Japan, (ring of Fire) Iceland, and the Canary Islands. The objects are made of glass for glass is nothing more then very special 'soil'. Prints in this series are printed on German etching paper, just 5 in a series

waterflower

2007
c-print on art paper edition 5
77x110 cm

waterflower
In this series the fragility of the earth’s crust is the central point, that wafer thin skin that we walk on. Volcanoes that spit molten lava and gasses into our atmosphere. They form a bridge between the molten mass on earth and the heavenly arches. Standing on the beginning of the universe and (maybe) responsible for the great (climate) change. I am fascinated by these magnificent Phenomena. I have searched for them in Japan, (ring of Fire) Iceland, and the Canary Islands. The objects are made of glass for glass is nothing more then very special 'soil'. Prints in this series are printed on German etching paper, just 5 in a series

1st Kiss

2007
c-print on art paper edition 5
3x 48x64 cm

1st Kiss
In this series the fragility of the earth’s crust is the central point, that wafer thin skin that we walk on. Volcanoes that spit molten lava and gasses into our atmosphere. They form a bridge between the molten mass on earth and the heavenly arches. Standing on the beginning of the universe and (maybe) responsible for the great (climate) change. I am fascinated by these magnificent Phenomena. I have searched for them in Japan, (ring of Fire) Iceland, and the Canary Islands. The objects are made of glass for glass is nothing more then very special 'soil'. Prints in this series are printed on German etching paper, just 5 in a series

Clouds made in China drifting over Japan

2007
120x40 cm and 280x80cm

Clouds made in China drifting over Japan
digital print on art paper, dibond plexiglass,

Splash III

2008
30x30 cm

Splash III
embroidery on stretched satin print, 'pearls' silver tread

Eve, sweet sixteen not so peachy keen

2009
75x100

Eve, sweet sixteen not so peachy keen
series of 9 cibachrome photograph's plexiglass and dibond, edition 5 with songlines

Adam, I want to shoot the whole day down

2009
75x100

Adam, I want to shoot the whole day down
series of 9 cibachrome prints plexiglas dibond, edition 5 , songlines

All the playing stopped

2009
100x75

All the playing stopped
series of 9 cibachrome prints, plexiglass and dibond, edition 5, songlines
 
教育程度与个人自传
Education: 1980 - 1981 - Rijksacademie voor Beeldende Kunst, Amsterdam, nl
1982 - 1984 - A.K.I., Enschede, nl

Selected solo exhibitions:
1990 -'Pebbles on the beach', W139, Amsterdam, cat. nl
1991 - installation 'The garden of Atlantis', old- Amelisweerd,Bunnik, nl
1992 - installation 'Tree x three', ABN_AMRObank, rembrandtsplein, Amsterdam, nl
1994 - gallery de Expeditie, Amsterdam, nl
2005 - 'Solo prints and objects', gallery AdK-actuele kunst, Amsterdam,nl
2006 - Hirado, Nagasaki, Japan

Selected group exhibitions:
1984 - Royal grant, Amsterdam, nl
1985 - Stipendia 1984, Den Haag, cat.nl
1988 - 'Man Ray passed twice', super-8 film, W139, Amsterdam, cat. nl
1993 - 'Auto Design', Kunsthal, Rotterdam nl
- Installation� Parachute for a drop-out', Atelier Memoire, Paris, France
1996 -installation for a hotel room, untitled, Pulitzer hotel, Amsterdam nl
-'The Dutch connection', Marshall Arts, Memphis, Tennessee, USA
1997 - gallery Metis, Amsterdam nl
2002 - 'Sold', exhibition at Christies, Amsterdam, cat. nl
2007-IPCNY, 526 West 26th Street, chelsea, New York
2008- Anchor graphics and [c]space at Columbia college Chicago, USA
-fair Art Rotterdam,NL at Frederieke Taylor gallery based New York
 
未来的展览
fair Art Amsterdam at Parc-editions 7-12 may 2008

Peace Museum Nagasaki,Japan group show from 8-26-08 until 9-21-08
 
网站:  www.mariekebolhuis.com
 
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