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Mille Kalsmose
 
 
关于此艺术家


Since graduating from Universitat Autonoma de Barcelona, Spain in 2005, Mille Kalsmose has moved to Denmark and now works as an artist in Copenhagen.

The artistic viewpoint of Mille Kalsmose consists of two parallel worlds – the abstract and imaginative, together with the reflective and real world. The artworks are expressed in a simple and distinct aesthetic language, in series where she blurs boundaries between the reality of autobiographical memory and imagination.

Her work is staged as an enquiry of what it is - actions, decisions, history, a moment in time - that makes us ourselves. Her work is conceptual, but also grounded in process, as her every day life has a direct influence on her artworks. In this sense Mille’ s work is autobiographical: the artworks and reality are intimately connected in the process of creation.

In the Summer 2007 she traveled to Tokyo, Japan with the documentary film director Suvi Andrea Helminen, on a grant from the Danish Film Directors Committee, to work on their common film project “Finding Way”. The film is about questioning identity, about ways of perceiving oneself and the possibilities and barriers involved in redefining oneself, and is still in progress.

Another project which is also taking shape is a computer program with programmer Leif Skov. The project is about swapping lives, and questioning how choices influence life.

Mille Kalsmose has been exhibited nationally in juried exhibitions such as Kubstnernes Sommerudstilling, The Art Museum of West Jutland.
Internationally she has exhibited in Japan and Spain and been featured in publications and TV-shows.

Mille also takes part in think tanks, pilot projects and discussion groups of
art and innovation including Københavns Kommune, Nordjyllands Amt, Ørestad, Copenhagen Business School, Atkins Rådgivende Ingenører, Dansk Design Center

 
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GIRL IN A LAKE

2006
acrylics on canvas
50 x 50 cm

About the series Follow the White Rabbit The paintings are inspired by the journey of Alice in Wonderland. A girl so curious about the world around her, that she follows the white rabbit into a dark unknown rabbit hole. But the paintings do not reflect a fairytale idyll. If you examine the paintings you see that under the surface anxiety, horror and loneliness appear. Surreal elements, trees with prickles and a human head in a bag lie concealed in the images. The paintings investigate the double-edged nature of risk, exploration, and the process of becoming adult.

GIRL WITH HEAD IN A BAG

2006
50 X 50 CM

GIRL WITH HEAD IN A BAG

GIRL WITH MIRROR

80 X 80 CM

GIRL WITH MIRROR

GIRL ON DEEP WATHER

80 X 80 CM

CHRISTMAS EVENING

2008
BEADS/PEARLS
40 X 40 CM

About the series Pearl The naive aesthetic language of these works is underlined by using the media of childhood. Pearls/beads are the media of a child. By using pearls I want to reflects on episodes from childhood such as vacations, Christmas Eve, playing in the snow, Christening and sleeping in a pram. I question the importance of episodes from childhood and how much these events have formed our identity and whether or not we are capable of distancing ourselves from it. As in a photograph fragmented in pixels, the pearl images are distilled from emotions they are just snapshots from childhood. They open up the possibility of identifying with childhood, and at the same time of distancing ourselves from it, in order to take hold of of the future.

SNOWMAN

2008
BEADS/PEARLS
40 X 40 CM


VACATION

2008
BEADS/PEARLS
40 X 40 CM


PRAM

2008
BEADS/PEARLS
40 X 40 CM


CHRISTINING

2008
BEADS/PEARLS
40 X 40 CM


COLLECTOR

2008
acrylics on canvas
180 X 120 CM

About the series Open Sesame Life is like a play. A play with a principal character and her supporters and opponents, who as in a fairytale help the principal character unfold and reveal her identity. Exploring the roles and the power of the people who surround me, and their possible influence on my identity, this series of paintings represents men who for one reason or another have a connection to me as a person or as an artist. Friedrich Nietzsche, in Ecce Homo, sets out the relationship between the name of a person, their autobiography and the content of their identity. My identity is not fixed by armoured and perpetual definitions. My identity, according to Nietzsche, does not derive from property but from im-property (from what does not belong to me). My identity is formed by “the other”; from people who watch me and who interact with me. For that reason I am not a unitary, homogenous and static person. My identity is fragmentatet in the glance of “the other” - they are only capable of seeing a part of who I am. But I recognize the necessity of “the other” because they also help me form my identity through a process of constant construction. The richness of my identity is created through relationships with those ”others” that I am not.

FATHER

2008
acrylics on canvas
180 X 120 CM

GALLERIST

2008
acrylics on canvas
180 X 120 CM

MENTOR

2008
acrylics on canvas
180 X 120 CM

 
教育程度与个人自传
2005 Universitat Autonoma de Barcelona, Postgraduate Diploma in Aesthetics
in Contemporary art, Spain

2005 Universidad de Barcelona, The End of Painting, PHD seminar, Spain

2002 The Art School in Ærø, Vestermøllegaard, Denmark

2001 M.C. Escuela de Arte, Barcelona, Spain
 
未来的展览
2006 Kunstnernes Sommerudstilling, Janusbygningen,The Art Museum of West Jutland(Juried group show),Tistrup, Denmark

2006 Den cencurerede Fynske Kunstudstilling,(Juried group show)
Filosofgangen, The exhibition Hall of Funen for Art and Design,Odense, Denmark

2006 A-Huset, Islandsbrygge, Denmark
With Tal R, John Kørner, Christian Lemmerz a.o.

2006 Hvidovre Cencurerede Udstilling,(Juried group show), Secretariat of
Culture. Hvidovre Hovedbibliotek, Denmark

2004 Amor Cartografico, Galeria Esther Arias, Barcelona, Spain

2003 BAC IV Festival Internacional Barcelona Arte Contemporanero, Spain
with Allan Holmstrøm, Ginou, a.o.

ART COMMISIONS


2006 Golden Drop, Manu Vision, Frederiksberg, Denmark

2005 Century Hyatt Regency, Tokyo, Japan

2005 Zafolaw, Barcelona, Spain

2005 The Art Museum of Nordjylland, Aalborg, Denmark (with Jette Lehman)

2005 Atkins, Ørestad, Denmark

2002 Golden Frame, Pippihuset, Ærø, Denmark

BIBLIOGRAPHY

2007 Girl with pram, Wonderland-mag, Copenhagen

2007 Alice i eventyrland på speed, Lone Sønderby, Q, Copenhagen

2007 Kvinder i kunst, Karin Sjørup, Danish Arts Counsil, Copenhagen

2006 Kunst i øjet, Ole Lindbo, TV-interview, DK4, Copenhagen

2006 Optimisme i A-huset trods alt, Pelle Ammundsen, Amarkaneren, Copenhagen

2005 Kunstneriske øjne på ingeinører, Helena Spliid Christiansen, Atkins
Scandinavia, Copenhagen

2005 Kunstnere og Erhvervsfolk på oplevelsestræf, Kirsten Baltzer Kahr,
Musikeren, Copenhagen

2004La vida de los Artistas, Tele 25, Barcelona

2003 TV-interview at BTV, Jens Pagh, Barcelona

Mille Kalsmose takes part in think tanks, pilot projects and discussion groups of
art, innovation, design and life quality ex. Skandinavisk konference i oplevelsesøkonomi 2005, Dansk Design Center, Centeret for små Handicapgrupper, Initiativ for kreativitet og innovation.
 
网站:  www.millekalsmose.dk
 
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