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Steve Suzuki
 
 
关于此艺术家

Inspired by the idea of art as commerce and advertising as culture

 
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Utopia II

2005
60cm x 120cm

The Utopia series visually combines found items into collages representing icons of "The Greatest Country on Earth." Items ranging from the brightly colored packaging of highly processed food products to promotional cards for strip clubs and phone sex lines are formed into a map of the United States or an American flag. The interplay of the images of products and advertisements that surround us with the concept of an ideal society makes a comment on the state of the U.S. in the new millenium.

Fake

2006
102cm x 116cm

The idea behind 3LAYER Painting is to combine two very low resolution images with written phrases to create one image with three layers. The background is made up of a grid of single color blocks, or pixels, that form a low resolution iconic image. In the foreground, a letter is stenciled or painted on to each block to form phrases that relate to the image. Each letter has its own font color, which taken together form another low resolution iconic image, large block letters, or word associations that relate to both the phrases and the and the background image.

The Passion of the Christ

2006
90cm x 100cm

Juxtaposition of the selling of religion from the cutesy to the gory in the form of a 'classic' crucifixion painting with Jesus flanked by two rogues on the cross.

The Devil Speaks

2006
102cm x 142cm

The idea behind 3LAYER Painting is to combine two very low resolution images with written phrases to create one image with three layers. The background is made up of a grid of single color blocks, or pixels, that form a low resolution iconic image. In the foreground, a letter is stenciled or painted on to each block to form phrases that relate to the image. Each letter has its own font color, which taken together form another low resolution iconic image, large block letters, or word associations that relate to both the phrases and the and the background image.

Post No Modern II

2005
245cm x 245cm

Post No Modern visually recreates a common streetscape with blue plywood panels fencing off an imagined construction site. Stenciled in white spray paint is a twist on "Post No Bills" and "Post Modern" and several posters advertising modern art exhibitions have been pasted over one of the panels.
 
教育程度与个人自传
Gallery 128 "Real Compared to What?" NYC
 
网站:  www.stevesuzuki.com
 
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