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Chris Follows
 
 
About the Artist

Painting: developed a unique style of painting produced with the repetitive application and removal of acrylic paint onto aluminium mesh. I'm in some way removed from the gestural act of painting, I only view the results of my labour once the paint is dry and the painting is turned over. The imagery resonates a sense of loss and irreplaceable time.

 
Click to enlarge images
(if larger image has been loaded)
 

Plough Lane

2007
Acrylic Paint and perforated mesh

Plough Lane a defunct Football Ground and old home of Wimbledon Football Club. This painting references photographs taken just a few months before the stadium was demolished. The painting of an empty defunct football terrace was inspired by my interest in places, objects and things that have come to the end of their lives, I deliberately left empty holes in the mesh on the grey sections of the stand to emphasise the passing of Plough Lane.

The Boat

2007
Acrylic Paint and Mesh

Image from the re:INVENTING exhibition 22nd May – 28th July 2006. A collaboration between ING Wholesale Banking, National Marinetime Museum Greenwich and Wimbledon School of Art. The Exhibition will show artists response to the ING and NMM collections. The Exhibition will be shown at the ING Wholesale Banking, 60 London Wall, London, EC2M 5TQ and later this year at the NMM Greenwich.Exhibition by appointment only (Private View 23 May 2006) tel: 020 7767 6021.

Detail - Malcolm Morley poster

2007
Acrylic Paint and perforated mesh
length 80cm x height 70cm

Pleasure in Labour

2006
Acrylic Paint and Perforated mesh

I lived opposite this old fruit and veg stall for ten years, It closed down when a big supermarket moved in close by. This picture was taken/painted on its last day of business and is a kind of homage to its being. The title ‘Pleasure in Labour’ came from reading ‘News from nowhere’ William Morris. The words above the painting were made out of the extracted bits of paint from the process.

Plough Lane Detail

2007
Acrylic Paint and perforated mesh

Malcolm Morley poster 2002

2006
Acrylic Paint and perforated mesh
length 80cm x height 70cm

The Malcolm Morley exhibition at The Hayward Gallery showed a documentary with Morley painting outside he had an easel and stool and was busy painting a picture of a tiger, for a moment you believe he maybe in Africa painting from life but as the camera pans out you see he’s actually painting an advertisement of a tiger, displayed on the side of a coach, parked in a safari car park. On leaving the exhibition I picked up an exhibition poster with the intention of creating my own duplication of a duplication of a duplication that would in some way pay homage to the Morley exhibition and the tiger experience. By reproducing a section of this picture I question my relationship to it and it to me, in a way I have claimed the imaged for myself therefore a viewer who is not familiar with the original picture or its context will judge it within the context of my practice. Unintentionally the man in the picture has a slight resemblance to myself, so the painting could easily be mistaken as one of my own holiday snaps. More interesting those who are familiar with the original are likely to dismiss my work as a cheep imitation therefore the value of the art original instantly out values any imitation unless the imitation can in some way become as ‘popular’ as its original.

'Butlins 1977'

2007

Express Yourself

2007
Acrylic Paint and perforated mesh

Some of my paintings rely on found imagery, ‘Express Yourself’ was based on part of a large poster I found in a bin outside a local sports shop, the text ‘x-press yourself’ caught my eye as it seemed to perfectly contradict my painting process . If I use found images I always paint them to scale, found images are used directly in the painting process they are used as ready made templates for the painting; this also explains why there painted in reverse.

Living room of May un Mar Lady

2008
Acrylic on Canvas
16 Ft by 6Ft

This painting is based on my late fathers long running cartoon strips ‘May un Mar Lady’, I have taken small parts of the thousands of cartoons he drew and recreated how the living room of may have looked in my fathers imagination, he never drew whole rooms but must have had a mental layout for how this imaginary world would have looked? The painting is painted to almost life like dimensions and has no characters; the spectator becomes the character/visitor to this empty world. I am in the process of recreating more rooms in the house. The cartoon ran for 20 years in a local ‘Stoke on Trent’ newspaper.
 
Education and biography

Selected Group Exhibitions UK

2007 National Marinetime Museum re:INVENTING 16th Oct-31st Jan
2006 Group Show - re:INVENTING ING London, 22nd May 28th July
2006 'FLAT' 7th July - 12th August Arlington Gallery, Camden
2004 Opening Exhibition of the new WSA gallery, MHR.
2002 Deluxe-Arts "The Jokes on Us"
2002 Cork Street, London Dangerous Corners
2002 Business Design Centre, Islington, London 'Fresh Art' WAS
2002 Open Studios July and November - Wimbledon Art Studios
2001 Business Design Centre, Islington, London 'Fresh Art' WAS
2001 Open Studios July and November - Wimbledon Art Studios
2001 The Start Gallery, Brighton "paint, painter, painting"

2008 Curated Exhibitions - The Potteries Museum and Art Gallery Stoke-on-Trent - 'Three decades of Cartooning by Dave Follows' 17 May to 29 June

Work in corporate and private collections include:
R. Kaller-Kimche Inc New York
The Professional Football Association (PFA) in Manchester
D Jones and J Morris Directors of the Business Design Centre
Rumi Verjee of Thomas Goode & Co Limited

Current Employment

2003 to date University of the Arts London - Digital media, Video and animation technical tutor, Wimbledon College of art and Chelsea College of Art

CLIP CETL Fellow for 'Process Arts' University of the Arts London, CCW


 
Future shows
None to date....
 
Website:  www.chrisfollows.com
 
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