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MANIFESTO OF ACENTRISM & MYA LURGO

Mya Lurgo’s Acentrism is an artistic and spiritual journey whose destination is the Self without boundaries: the Unconditioned state of Being.

From an artistic point of view, four phases can be highlighted to arrive at this internal development.

Phase I – scraped paintings, symbolising the concept of non-duality, neither this nor that.
The first phase plays on the daily carrying out of two philosophical propositions: Socratic erudite ignorance and Cartesian doubt, even hyperbolical/exaggerated. With these premises, one practices contemplation and hyperlucid observation of one’s thoughts so that, unguarded, they creactivate decadent life circum-stances – life is v.i.t.a: virtual, interconnected, theoretical, affective.
The vertical lanes represent “elevators to paradise”: shortcuts to elevate oneself from the vicious cirle of one’s existential binds, thanks to a superior visione/visual.

Phase II concerns the Fluctuating Dynamic Configurations and the Art Lights.
Persevering in the empirical practice of Phase I, the forma mentis, previously welcomed, cultivated and defended, becomes deconstructed – loses significance – leaving a lightness of being.
Under contemplation, perceived reality, filtered therefore through limited instruments, changes its appearance, seems to be “potential afloat”, ready to take form depending on the volition of our convictions. Examining it is actually and mindfully converging into the eye of the needle and acknowledging oneself as being in symbiosis: this communion sets off an indispensable amor proprio that allows one to entrust oneself to the ultra-sensitive content:the Immaterial.

Phase III concerns DIGITAL ART - KUNDART® - and HOLOGRAPHIC THOUGHT INSTALLATIONS.

This phase signals the meeting point between the thinking of Yves Klein, often translated by the critic Pierre Réstany – the promoter of Nouveau Realisme – and Acentrism.
Digital Art has become the chosen instrument to de-sign the immaterial.
Constant contemplative practice has brought its first fruits: automatic writing, telepathy, lucid dreams, out-of-body experiences, medium powers (contact with kindred energy flows).
These experiences fostered Mya Lurgo”s concept of the “Whole”, later verified in various mystic texts and quantum physics treatises.
KUNDART is the conscious representation of one’s potential cre-a(c)tivity, while the Holographic Thought Installations are virtuous and, at times, virtual, actions which open the channel of becoming, allowing oneself access to targeted perceptions.

Phase IV of Acentrism concerns the VIDEO PROJECTIONS, the PROPHESIES OF BECOMING, the Clothing of San(CT)ity and the OLOSPEAK VIRTUAL TRAINING REGENERATION SYSTEM.
Digital Art plays on the use of video to create psycho-cardiac stargates in the eyes of the observer. Being unable to materially-mindfully transfer the Immaterial experience, because it is a private ascent, what remains is the desire to share, therefore the art in phase four is a uni-versatile expression to assist with that “click” which is necessary to bring about one’s flight.
The Prophecy of Becoming and the Clothing of San(CT)ity are alchemic operACtions to dissolve (acentralize)
the hard core of original sin with the aim of recognizing the inherited nature of our Unconditioned Being.

The Manifesto of Acentrism, written by Mya Lurgo, expounds this vision in detail.

PLEASE VISIT WWW.MYALURGO.COM TO SEE PICTURES & CONCEPTS

The Boundary

2005
acrylic on canvas + art-light handmade
1,50 x 1,50

ART QUARIUM

2006
DIGITAL ART

ERGO CODIFICATO

2008
DIGITAL ART

LIBERO ARBITRIO

2008
DIGITAL ART