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Phil Euristis
 
 
关于此艺术家

‘ There are stories which are untold! ’

I have always liked this statement because photography is a speculative interpretation of life. It questions perceptions of reality. In my work, I want to examine the relationship between photography and reality and stimulate the viewer to project her or his own interpretation, thus becoming an integral part of the creative process.

I reject the kind of photography which runs off an ever revolving template and creates glossy views of life and glamorised faces retouched beyond recognition. In my photographs of people, I aim to de-construct glamour by exposing people's natural beauty and the person within a body.

Another concept which informs my photography is emotions and associations: What I feel when I look at a subject, how I communicate this experience through my photographs, and how this affects and is interpreted by the viewer.

 
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Key Hole

2007
Printed with Epson R1800 on Ilford Smooth Gloss Fine Art Paper
30 x 30

This shot was taken with a very cheap and strange Toy Cam era bought $30 for my children in 1999. It's a perfect digital camera: random colors, a lot of vignetting, no autofocus, the shutter is aleatoric, high resolution sensor (0,9Mpixel). In fact, it is like my Holga ... but digital! This photo has just been cropped to be squared. No manipulation on this shot, the colors were produced directly by the ToyCam.

Play with me

2007
Printed with Epson R1800 on Ilford Smooth Gloss Fine Art Paper
30 x 30

This shot was taken with a very cheap and strange Toy Cam era bought $30 for my children in 1999. It's a perfect digital camera: random colors, a lot of vignetting, no autofocus, the shutter is aleatoric, high resolution sensor (0,9Mpixel). In fact, it is like my Holga ... but digital! This photo has just been cropped to be squared. No manipulation on this shot, the colors were produced directly by the ToyCam.

No Alcohol

2007
Printed with Epson R1800 on Ilford Smooth Gloss Fine Art Paper
30 x 30

This shot was taken with a very cheap and strange Toy Cam era bought $30 for my children in 1999. It's a perfect digital camera: random colors, a lot of vignetting, no autofocus, the shutter is aleatoric, high resolution sensor (0,9Mpixel). In fact, it is like my Holga ... but digital! This photo has just been cropped to be squared. No manipulation on this shot, the colors were produced directly by the ToyCam.

Frio

2007
Printed with Epson R1800 on Ilford Smooth Gloss Fine Art Paper
30 x 30

This shot was taken with a very cheap and strange Toy Cam era bought $30 for my children in 1999. It's a perfect digital camera: random colors, a lot of vignetting, no autofocus, the shutter is aleatoric, high resolution sensor (0,9Mpixel). In fact, it is like my Holga ... but digital! This photo has just been cropped to be squared. No manipulation on this shot, the colors were produced directly by the ToyCam.

I love you

2007
Printed with Epson R1800 on Ilford Smooth Gloss Fine Art Paper
30 x 30

This shot was taken with a very cheap and strange Toy Cam era bought $30 for my children in 1999. It's a perfect digital camera: random colors, a lot of vignetting, no autofocus, the shutter is aleatoric, high resolution sensor (0,9Mpixel). In fact, it is like my Holga ... but digital! This photo has just been cropped to be squared. No manipulation on this shot, the colors were produced directly by the ToyCam.

Paris behind the Venetian Mask

2007
Printed with Epson R1800 on Ilford Smooth Gloss Fine Art Paper
30 x 30

This shot was taken with a very cheap and strange Toy Cam era bought $30 for my children in 1999. It's a perfect digital camera: random colors, a lot of vignetting, no autofocus, the shutter is aleatoric, high resolution sensor (0,9Mpixel). In fact, it is like my Holga ... but digital! This photo has just been cropped to be squared. No manipulation on this shot, the colors were produced directly by the ToyCam.
 
网站:  www.euristis.com
 
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