| Leon Tsvasman |
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"No Vision No Reality" (L.T.)
"Most diversified and mystical arts ever..." (Critics, 1992)
"Impressive range of techniques for only one artist!"(Critics, 2007)
Vita (fragment): Born 1968 in the former USSR (City of Chelyabinsk in Urals, Russia), domiciled since 1990 in Bonn (West Germany). Studied at the Lomonosov-University of Moscow, later in Germany (Universities of Bonn, Essen and Munster with M.A. and Ph.D degrees obtained). Founded artistic activity after 1975 with mystical Landscapes and poetry ("Realism Mystique" or "Art of Shining"), different techniques (experimental, oil, collage, graphics, illustration). Photo by (c) Maria Peter-Filatova 2007.
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| About the Artist |
According to the concept of the author, the "Mystical Landscapes" are visions of real nature: they are reality beyond the World of Evidence, a hidden "Info-somatic Reality" (with no time, matters or measures in it, just "knowledge of formation or in-formation"). The special ability of the artist is to "see through the evidence". According to the quality of the "Info-somatic Reality", the Mystical Landscapes are not images, they a r e Reality, and inasmuch they feature an attitude to "shine through" (that is why the name "Art Of Shining"). Through the energy of the artist they obtain power to materialize evidence, to fulfil things.
It is not always possible that the artist "see through the evidence". It depends of his inspiration and condition. (The artist strictly rejects any psychedelic drugs, he believes that only natural human view - without any chemically effected deformation - can afford a person to "see through". Even a singular experience with any psychedelics can destruct this ability.) Condition and inspiration determine the "view" and though the technical quality of a certain art work Any draft, painting or installation is produced according to the certain "View". |
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Click to enlarge images (if larger image has been loaded) |
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Tunnel Of Shadeless Evidence
1992 oil on panel 80 x 70 |
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An example for the third "Shadeless Light Evidence", lightfull landscape structures. |
Density Of Time Evidence
2004 mixed acrylic techniques on canvas 90 x 75 |
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denced structures, higher energetic intensity. |
Land of Golden Dawn
1995 mixed (alchemical) techniques on canvas 95 x 75 |
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Another example for "Golden Evidence" period, landscape (mainly densed and timeless or detimed) structures. |
Figural Afro Evidence (Serial Work)
2007 acrylic on self-made paper 40 x 30 |
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A characteristical example for graphical collages, which demonstrate both magic and decorative attitude. |
Emergence of View (Fragment)
2006 alchemical techniques on panel 60 x 50 |
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"Emergent Evidence" period, densed time structures. |
Density Of 6 Dimensions
2003 mixed oil techniques on canvas 90 x 75 |
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An unique example for the crossover of multiple dimensions. |
Sabotage 1 (Illustration)
2002 paper, japanese touche 200 x 280 mm |
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An original drawing for a novel illustration, published 2002 in Germany (Scheffler Publishing, Herdecke 2002. 111 pages, ISBN 389704255X). |
Sabotage 2 (Illustration)
2002 japanese touche on aquarell paper 200 x 280 mm |
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An original drawing, used as a novel illustration. The Novel "Sabotage" was published 2002 in Germany (Scheffler Publishing, Herdecke 2002. 111 pages, ISBN 389704255X). |
Sabotage 3 (Illustration)
2002 japanese touche, paper 200 x 280 mm |
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An original drawing for a novel illustration, published 2002 in Germany. |
Sabotage 4 (Illustration)
2002 paper, japanese touche 200 x 280 mm |
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Another novel illustration, published 2002 in Germany. |
Worlds [of Hell] II, as illustration in magazine
1993 Oil on Canvas 120 cm x 120 cm |
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An example of the "Dark Worlds Period" 1993-1995, showing one of the "Wolds of Hell" (or "Horror Vacui"), pressing with its enormous dimensions and emptiness. |
Secular Industry
1990 oil on treated paper A4 |
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One of the smaller oil works. |
Talk To Marginal Thinker
1993 alchemical technics/mixed media on panel ca. 80 x 60 cm |
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Highly reflective substancy. |
Tunnel Of Empire
2001 alchemical technics on canvas ca. 90 x 75 cm |
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One of the Dark Evidence Tunnels. |
First Reference of Light
2007 alchemical technics on structured paper 120 x 50 cm |
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One of the latest graphical experiments. |
Dark Skyline I
2000 mixed oil & pigments on metal 40 x 80 cm |
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one of the 6 pieces of the "Dark Skyline" in sofisticated techniques (for open air exhibitions). |
Dark Waterfalls
2001 oil on wooden panel 90 x 50 cm |
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massive monumental touch |
Feminine Statue (Fragment)
1995 oil, lack on massive pressed wood panel ca. 130 x 60 |
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massive monumental |
Red Utopia Landscape (Mars Pyramides)
1992 oil on panel 80 x 60 cm |
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fiction fantasy landscape |
Great Waters Castle
2001 acrylic on canvas (on panel) 50 x 40 cm |
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brilliant shining expression |
Ethno Evidence, Black Sun Graphic Series
2007 A3 |
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Ethno (African) Evidence, Black Sun Graphic Series, mixed media on self-made organic paper. |
Worlds of Shining: Hidden Worlds of Kabbalah, 1
2009 Mixed Media on Panel 15 x 21 |
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Worlds of Shining: Hidden Worlds of Kabbalah, 1 |
Worlds of Shining: Hidden Worlds of Kabbalah, 2
2009 Mixed Media on Panel 15 x 20 |
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Worlds of Shining: Hidden Worlds of Kabbalah, 2 |
Worlds of Shining: Hidden Worlds of Kabbalah, 3
2009 Mixed Media on Panel 15 x 20 |
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Worlds of Shining: Hidden Worlds of Kabbalah, 3 |
Worlds of Shining: Hidden Worlds of Kabbalah, 4
2009 Mixed Media on Panel 15 x 20 |
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Worlds of Shining: Hidden Worlds of Kabbalah, 4 |
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| Education and biography |
Learned classical paining techniques, paints since 7 years old. Numerous Exhibitions, Peformances and Installation in Russia, Germany, Switzerland, Israel.
The paintings fascinate with their metaphysical precision; the individually developed art technics are actually very sophisticated. The paintings seem both expressionistically and impressionistically visualized. |
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| Future shows |
Open for offers & experiments.
http://www.flickr.com/photos/kunstbonn/sets/72157623217330733/ |
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Website: www.mindempire.com |
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