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Leon Tsvasman
 
 
About the Artist

According to the concept of the author, the "Mystical Landscapes" are visions of real nature: they are reality beyond the World of Evidence, a hidden "Info-somatic Reality" (with no time, matters or measures in it, just "knowledge of formation or in-formation"). The special ability of the artist is to "see through the evidence". According to the quality of the "Info-somatic Reality", the Mystical Landscapes are not images, they a r e Reality, and inasmuch they feature an attitude to "shine through" (that is why the name "Art Of Shining"). Through the energy of the artist they obtain power to materialize evidence, to fulfil things.
It is not always possible that the artist "see through the evidence". It depends of his inspiration and condition. (The artist strictly rejects any psychedelic drugs, he believes that only natural human view - without any chemically effected deformation - can afford a person to "see through". Even a singular experience with any psychedelics can destruct this ability.) Condition and inspiration determine the "view" and though the technical quality of a certain art work Any draft, painting or installation is produced according to the certain "View".

 
Click to enlarge images
(if larger image has been loaded)
 

Tunnel Of Shadeless Evidence

1992
oil on panel
80 x 70

Tunnel Of Shadeless Evidence
An example for the third "Shadeless Light Evidence", lightfull landscape structures.

Density Of Time Evidence

2004
mixed acrylic techniques on canvas
90 x 75

Density Of Time Evidence
denced structures, higher energetic intensity.

Land of Golden Dawn

1995
mixed (alchemical) techniques on canvas
95 x 75

Land of Golden Dawn
Another example for "Golden Evidence" period, landscape (mainly densed and timeless or detimed) structures.

Figural Afro Evidence (Serial Work)

2007
acrylic on self-made paper
40 x 30

Figural Afro Evidence (Serial Work)
A characteristical example for graphical collages, which demonstrate both magic and decorative attitude.

Emergence of View (Fragment)

2006
alchemical techniques on panel
60 x 50

Emergence of View (Fragment)
"Emergent Evidence" period, densed time structures.

Density Of 6 Dimensions

2003
mixed oil techniques on canvas
90 x 75

Density Of 6 Dimensions
An unique example for the crossover of multiple dimensions.

Sabotage 1 (Illustration)

2002
paper, japanese touche
200 x 280 mm

An original drawing for a novel illustration, published 2002 in Germany (Scheffler Publishing, Herdecke 2002. 111 pages, ISBN 389704255X).

Sabotage 2 (Illustration)

2002
japanese touche on aquarell paper
200 x 280 mm

An original drawing, used as a novel illustration. The Novel "Sabotage" was published 2002 in Germany (Scheffler Publishing, Herdecke 2002. 111 pages, ISBN 389704255X).

Sabotage 3 (Illustration)

2002
japanese touche, paper
200 x 280 mm

An original drawing for a novel illustration, published 2002 in Germany.

Sabotage 4 (Illustration)

2002
paper, japanese touche
200 x 280 mm

Another novel illustration, published 2002 in Germany.

Worlds [of Hell] II, as illustration in magazine

1993
Oil on Canvas
120 cm x 120 cm

Worlds [of Hell] II, as illustration in magazine
An example of the "Dark Worlds Period" 1993-1995, showing one of the "Wolds of Hell" (or "Horror Vacui"), pressing with its enormous dimensions and emptiness.

Secular Industry

1990
oil on treated paper
A4

One of the smaller oil works.

Talk To Marginal Thinker

1993
alchemical technics/mixed media on panel
ca. 80 x 60 cm

Highly reflective substancy.

Tunnel Of Empire

2001
alchemical technics on canvas
ca. 90 x 75 cm

One of the Dark Evidence Tunnels.

First Reference of Light

2007
alchemical technics on structured paper
120 x 50 cm

First Reference of Light
One of the latest graphical experiments.

Dark Skyline I

2000
mixed oil & pigments on metal
40 x 80 cm

Dark Skyline I
one of the 6 pieces of the "Dark Skyline" in sofisticated techniques (for open air exhibitions).

Dark Waterfalls

2001
oil on wooden panel
90 x 50 cm

Dark Waterfalls
massive monumental touch

Feminine Statue (Fragment)

1995
oil, lack on massive pressed wood panel
ca. 130 x 60

Feminine Statue (Fragment)
massive monumental

Red Utopia Landscape (Mars Pyramides)

1992
oil on panel
80 x 60 cm

Red Utopia Landscape (Mars Pyramides)
fiction fantasy landscape

Great Waters Castle

2001
acrylic on canvas (on panel)
50 x 40 cm

Great Waters Castle
brilliant shining expression

Ethno Evidence, Black Sun Graphic Series

2007
A3

Ethno Evidence, Black Sun Graphic Series
Ethno (African) Evidence, Black Sun Graphic Series, mixed media on self-made organic paper.

Illustration for a Novel by Leon Tsvasman

2002

japanese touche on paper

Illustration for a Novel by Leon Tsvasman (2)

2002

japanese touche on paper

Illustration for a Novel by Leon Tsvasman (3)

2002

japanese touche on paper

Illustration for a Novel by Leon Tsvasman (4)

2002

japanese touche on paper
 
Education and biography
Learned classical paining techniques, paints since 7 years old. Numerous Exhibitions, Peformances and Installation in Russia, Germany, Switzerland, Israel.
The paintings fascinate with their metaphysical precision; the individually developed art technics are actually very sophisticated. The paintings seem both expressionistically and impressionistically visualized.
 
Future shows
Open for offers & experiments.
 
Website:  www.mindempire.com
 
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