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| Stephen Conway | |
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Irish, born in Englewood, New Jersey. Lives & works in New York City |
| 按此以放大图像 (假如你已上传更大的图像) | |
photo A
2008 |
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| Using digital photographs of New York City, this is one in a series of work that uses utility and xacto blades as a mode of drawing into layered photographs. The process of cutting and peeling is used to subvert the two-dimensional and pictorial qualities of photography.© 2008 stephen conway
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photo A (3/4 view)
2008 |
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| Using digital photographs of New York City, this is one in a series of work that uses utility and xacto blades as a mode of drawing into layered photographs. The process of cutting and peeling is used to subvert the two-dimensional and pictorial qualities of photography.© 2008 stephen conway
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photo B
2008 |
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| Using digital photographs of New York City, this is one in a series of work that uses utility and xacto blades as a mode of drawing into layered photographs. The process of cutting and peeling is used to subvert the two-dimensional and pictorial qualities of photography.© 2008 stephen conway
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photo B (3/4 view)
2008 |
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| Using digital photographs of New York City, this is one in a series of work that uses utility and xacto blades as a mode of drawing into layered photographs. The process of cutting and peeling is used to subvert the two-dimensional and pictorial qualities of photography.© 2008 stephen conway
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photo platter A
2008 |
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| Using digital photographs of New York City, this is one of a series of works that investigate the power of photographs juxtapositioned to create alternate meanings for the viewer, or not. © 2008 stephen conway |
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photo platter B
2008 |
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| Using digital photographs of New York City, this is one of a series of works that investigate the power of photographs juxtapositioned to create alternate meanings for the viewer, or not. © 2008 stephen conway |
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photo platter C
2008 |
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| Using digital photographs of New York City, this is one of a series of works that investigate the power of photographs juxtapositioned to create alternate meanings for the viewer, or not. © 2008 stephen conway |
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photo B (3/4 view)
2008 |
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| Using digital photographs of New York City, this is one in a series of work that uses utility and xacto blades as a mode of drawing into layered photographs. The process of cutting and peeling is used to subvert the two-dimensional and pictorial qualities of photography.© 2008 stephen conway |
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Chinese Exclusion Act
2009 |
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| This, and subsequent work below embraces the "noise" or "corrupted image file" appearance as a final "work", these images are the result of the interpolation/interpretation (or lack of ) that occurs when a Microsoft Word document is forced to open in Adobe Photoshop on an Apple computer.
The process for this work starts with mining the internet for transcriptions of historical documents that are simply copied and pasted into Microsoft Word documents. Photoshop is then used to "force" open the electronic documents, and the respective gray noise image generated. MSWord documents are saved as .docx, .rtf, and .txt formats since it seems to vary which files Photoshop is able to interpolate from document to document.
More and more paper based books and documents are rapidly making their way into various digital forms, or "green technologies". This process of making information easily accessible to many has obvious positive democratizing aspects, many of which important historical documents have made possible especially in the United States. However, the typical contemporary citizen (myself included) has either forgotten, is apathetic to, and/ or is ignorant of critical concepts and ideas held in these documents that have shaped contemporary life as we know it. This series of work further calls attention to their absence from cultural knowledge by further denegrating the information in these very documents as a visual noise generating resource. Titles of the original source documents are provided as a reference so that they may also be used as a starting point for further cultural and historical inquiry. |
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Genesis
2009 |
','Image'))
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Voting Rights Act
2009 |
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Roe v. Wade
2009 |
','Image'))
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I Have a Dream
2009 |
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Magna Carta
2009 |
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Irish Declaration of Independence
2009 |
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U.S. Declaration of Independence
2009 |
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The Emancipation Proclamation
2009 |
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Pendleton Act
2009 |
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Louisiana Purchase
2009 |
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| 教育程度与个人自传 | |
| Elizabeth Foundation for the Arts: Studio Subsidy 2008-09 2000-4 The Art Students League of New York 1993 School of Visual Arts, B.F.A. Exhibitions: 2007 Tribeca Open Studio Tour 2007 Group exhibition; "Sweet Dreams", School of Visual Arts Awards Elizabeth Foundation for the Arts Studio Subsidy 2008-2009 2001-3 Monitor Scholarships, The Art Students League of New York 2003 Honorable Mention, The Art Students League of New York 2002 Honorable Mention, The Art Students League of New York Experience 2006 Teaching Assistant, New York Academy of Art. 2001-4 Monitor/Teaching Assistant, The Art Students League of New York 1994-2004 Publications include:The Nation, The New York Times, Newsday, The Philadelphia Inquirer,Scenario Magazine, Prison Life Magazine. 1993-2000 Bass guitarist for a local nerd-core rock band. 1995-7 Monument Designer 1990-6 Metropolitan Museum of Art |
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| 网站: www.afonline.artistsspace.org/preview_artist.php?area=artwork&aid=4167 | |
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