陈列您的艺术作品给每天无数的访客观看

Mr. ZHU Xuanxian (1927--2002), a prominent master of traditional Chinese paintings and woodcut paintings in 20 Century of China, and also an educationalist in China art.

During more than his half-century art career, Zhu has created a lot of excellent Chinese style art works, such as traditional Chinese paintings, woodcuts paintings and caricatures.... Many of his works are among the collections of notable art galleries and museums home and abroad, in particular, National Art Gallery of China, The British Museum, Qinghua University, and European Woodcut Fund, as well as the collection of several notable publications, such as Chinese Almanac, Chinese paintings of China's 20 Centenary, Woodcuts of China's 20 Centenary etc.. Since 1946, his works were often selected for many influential exhibitions, and his art style arrested the attention of many major and professional media, and other overseas presses. Zhu had a series of collections published, including Selected Collection Chinese Paintings of Flower and Bird, Collection of Woodcuts,Selected Collection of Landscape Woodcuts. Six art and media organizations co-sponsored an exhibition, Works in Zhu Xuanxian's 55-Year Art Career. His biography has been on several notable biography collections and art dictionaries, including Chinese Art Dictionary, World Artists (Volume of Chinese Artists), and A Dictionary to Famous Contemporary Chinese Painters.

Zhu Xuanxian, member of China Artists' Association, plunged into the art cause of the Republic in his youth. He joined in his early years in Shanghai City the New Culture Campaign and the New Woodcut Culture Campaign initiated by Lu Shun, a famous litterateur in Chinese history, and was thus arrested. After the emancipation of Shanghai, Zhu, together with other famous artists (Liu Kaiqu, Zhang Leping), publicized a declaration on Communique. and after a short stay with the Shanghai Office of the newly established National Association for Art, Woodcut and Caricature, he joined the People Liberation Army, and went to Chongqing with the army in 1949. He was later selected as the standing vice-chair and secretary general of Chongqing Artists' Association. Zhu was also founder of Chongqing Artists' Association, Chongqing Academy of Chinese Paintings, and Chongqing Art School. Zhu was a person of integrity and a competent leader of selflessness, and was certainly a great contributor to the prosperity and development of China's art, especially Chongqing's art. Zhu was also once rewarded the Medal for the Founder of the Republic by the government of P. R. China. Completion Ceremony of Zhu Xuanxian Statue was held at the South Mountain in Chongqing in 2003. An album, ZHU Xuanxian, A Master of Brush Evergreen, was published in 2004. China Art by ZHU Xuanxian Web (http://www.zhuxuanxian.com/

http://zhuxuanxian.com/), was established in 2006.
---------
朱宣咸(1927年浙江--2002年重庆)，中国画画家、木刻版画家与美术教育家；二十世纪四十年代初起就在上海从事中国画与中国新兴木刻版画创作。中国美术家协会会员，重庆市美术家协会首任常务副主席兼秘书长。是成立重庆市美协的筹备人、成立重庆国画院的发起人、重庆美专校的创始人，并任校长。
　　半个多世纪来朱宣咸先生创作了不少中国画、版画等作品，并被中国美术馆、大英博物馆，清华大学及各地美术馆博物馆等机构收藏；被《中国年鉴》、《20世纪中国画》、《中国百年版画》等大型文献收录；1946年起多次入选一系列国内外重要美展(1946年中华美展，1948年中华全国美展，1952年全国中国画展，1959年全国美展，1962年纪念延讲20年来全国优秀美术作品展等)，发表作品数千次；艺术风格被《美术》、《人民日报》等海内外多种主要与专业媒体多次专题评介；出版有《朱宣咸花鸟画选辑》，《朱宣咸木刻版画集》，《朱宣咸风景木刻版画选辑》与《艺术常青--美术家朱宣咸》等；由文化、新闻、出版等六单位曾联合主办“朱宣咸从艺五十五年画展”；生平被载入《中国美术辞典》、《世界美术家传》和《中国文艺家传记》等国家级辞书。
　 年轻时就投身人民美术事业的朱宣咸，早年在上海直接参与鲁迅先生的新文化运动与新兴木刻版画运动，并被捕，后与刘开渠、张乐平共同代表上海美术界在《大公报》发表迎接解放的联合宣言；在中华全国美术协会工作后，参加中国人民解放军，1949年进军到重庆。 长期以来，朱宣咸也正直无私的担任各系统的美术领导工作，作为建国后重庆美术事业的主要开拓者，对于推动和促进尤其是重庆在二十世纪中期与后期美术事业的繁荣与发展方面作出了重要的贡献。曾获党和政府颁发“共和国创立者”勋章。2006年朱宣咸艺术网建成开通(网址: http://www.zhuxuanxian.com/

http://zhuxuanxian.com/)。
---------------
朱宣咸先生历经半个多世纪的艺术创作走的是一条由革命斗士而到抒情诗人，由投枪匕首而到纯美艺术之路。而这点，又恰恰和20世纪我国艺术发展之路同步。从这个角度去考察朱宣咸先生的艺术作品，或许也正是其艺术时代价值之所在。
---------林木(著名美术史论家)

以情如画,大画取势，小品求趣也是朱宣咸作品的悉心追求和体现出的特征。
---------李可染(著名中国画家，中国美术家协会副主席)

朱宣咸的木刻版画过去我看过，其中包括《夜》（1959年）等，这些应算是中国版画的精品。 朱宣咸是解放前白区新兴木刻版画在西南地区的代表。
---------力群(著名版画家，美术评论家，中国美术家协会顾问)

朱宣咸1947年的作品《今天是儿童节？！》反映那个时代是何其深刻。解放后的《入迷》(1962年)令人激动，太有味了。朱宣咸的花鸟之作，别有风致，当以《南风》(1990年)、《苍松》(1992年)一路为最佳。
---------王伯敏(著名美术史论家，中国美术学院博士生导师)

Night 夜

1959
Woodcut painting 木刻版画
31x23cm

Let A Hundred Flowers Blossom 百花齐放

1998
Chinese painting 中国画
300x450cm

Wintersweet Greeting the Sun 旭日红梅

2000
Chinese painting 中国画
135.5x328.5cm

Today is Children’s Day?! 今天是儿童节？!

1947
Woodcut painting 木刻版画
8.5x6cm

Peaches of Longevity 人长寿

1987
Chinese painting 中国画
80x59cm

The Banyan-tree Lake in Dripping Green 榕湖滴翠

1960
Woodcut painting 木刻版画
38.8x28cm

Hongyan in Early Summer 红岩初夏

1961
Woodcut painting 木刻版画
38x27.5cm

Flying Windward 迎风

1983
Chinese painting 中国画
131x66cm