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Jan Bejsovec
 
 
关于此艺术家

Textile art (Textilkunst) is a very old form of art. Nowadays mostly imagined as hobby for housewives it earns not much attention. One look on the rich cultural heritage of textile art done by our ancestors may change that opinion. Sewing, knitting, embroidery - the material itself is like a third dimension which gives textile artworks a special character. My intention is to express my idea of art with this ageold technique.

 
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Freedom Tower

2007
embroidery on stretcher frame
60x90 cm

Air Argentina

2006
textile application on stretcher frame
100x115 cm

08/11

2006
textile application on board
30x78 cm

Triptychon NVA - Part 3 "Desertion"

2007
textile application on stretcher frame, embroidery
120x80 cm

Part of the triptychon about the Eastgerman National Peoples Army (NVA)

Triptychon NVA - Part 2 "Honour"

2007
textile application on stretcher frame
120x80 cm

Part of the triptychon about the Eastgerman National Peoples Army (NVA)

Triptychon NVA - Part 1 "Subordination"

2007
textile application on stretcher frame
120x80 cm

Part of the triptychon about the Eastgerman National Peoples Army (NVA)

Granddads Ascension

2008
embroidery on stretcher frame
40x50 cm

Granddads Ascension

Textile Installation "Peace Column"

2009
textile applications
255x700 cm

Textile Installation
Textile artist Jan Bejšovec presents his public installation on the prominent fountain column at Mehringplatz. The 166 years old “Peace Column” by Christian Gottlieb Cantain transformes by the textile cover to a “Picture Column”, explaining the eventful history of the Mehrinpplatz by the use of appliqués. Being the last witness of the original surrounding buildings, the columns opens a time-frame from the 64. Anniversary of the destruction of the place by allied bombs on 03.02.2009 till april 2009. Founded as RONDELL the place was later called BELLE-ALLIANCE-PLATZ after the anglo-prussian victory at Waterloo. Renamend in MEHRINGPLATZ in 1947 the place now shows nearly 300 years of Berlin history. Four population groups shaped this qarter most apparently: soldiers, citizen, workers and immigrants. The textile installation shows their traces widely visibly.
 
网站:  www.konfliktstoff.org
 
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