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I'm working on a series of landscape drawings from photographs taken from my local area. Part of the drawing is a reference to a famous impressionist painting written like the 'title' part of an illustration found in an art book. This is to complicate and confuse the viewing process in order to reveal my own disorientation, and also to emphasise the link between the history of representation and 'natural' beauty. I also paint abstract pictures which are colourful and tranquil and, because they are painted with an airbrush, can have a 'digital' look. This is deceptive however, because they are painted in an improvised, ad-hoc way, and undergo many re-paintings and revisions, reflecting my concerns with balancing the formal elements in a traditional abstract-art way, i.e., concerns regarding colour, tone, line and rhythm.

Detail of Fig. 63

2008
pencil on paper
120 x 80 cm

Martin

2009
pencil on paper
80 x 60 cm

Plate 62

2008
pencil on paper
60 x 80 cm

Every Mouthfull

2009
acrylic and oil on canvas
100 x 80 cm

Plate 61

2008
pencil on paper
60 x 80 cm

Plate 60

2008
pencil on paper
80 x 60 cm

Untitled Landscape

2009
sepia on paper
80 x 58 cm

Blank

2008
acrylic on canvas
101 x 152

Disorganise

2007
acrylic on canvas
100 x 80 cm

Disengage

2007
arylic on canvas
80 x 100 cm