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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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| Sara Spizzichino |
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Rome, September 15th 1980.
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| About the Artist |
WONDERLAND
The beam of a floodlight is aimed at the human being, protagonist of a comedy, half way between parody and pathos. Wonderland becomes a magic trip through the conscious mind, where one’s reflection in a mirror and the floodlight that illuminates oneself become metaphors for the same thing. The soul is seized by the body and confined in a box comparable to the theatre: wrapped in obscurity, the den of the rabbit becomes the bridge that connects real and imaginary, metaphor for a longed for yet unreachable transition. Suspended inside a void that, as a result of ironic tautology, makes every logical conclusion bereft of any content, Sara Spizzichino draws a fairy self-portrait in which each onlooker is able, as in a mirror, to be reflected.
BLOOD
The theme is of body and deformity, and also a body that takes on the function of a technological device, and the idea that the capability of a machine can totally replace our functions: all this arouses attraction and repulsion at the same time, instigating a sort of dizziness and instability that end by upsetting our imagination. Then suddenly that which perturbs us returns to instigate anguish because of a hypothetical change in our identity, through the instigating event. The metamorphosis, from where we would not be able to return back. Everything that we desire resides in what we don't have: it is in the missed realisation of our dreams that these continue to lodge in our souls in expectation, in the hope that everything will be fulfilled before death. In Nobody the violence of the soft and pulpy material of the animal flesh signals the inevitable association with the fact that we are made of flesh, which has little to do with the substance of Shakespearian dreams. The flesh is the place where intellect doesn't exist, and is indeed an emblem of our mortality, in a search that becomes aesthetic and confines it to the territory of the icon: even if it does not have a real relationship with the human body, it establishes with it a sacred link and an indecipherable bond.
No part of this work may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the holders of copyright and the publisher.
@ All rights reserved
Sara Spizzichino 2007
Rome, Italy |
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Click to enlarge images (if larger image has been loaded) |
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Blood
2007 digital print cm.30x30 |
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The theme is of body and deformity, and also a body that takes on the function of a technological device, and the idea that the capability of a machine can totally replace our functions: all this arouses attraction and repulsion at the same time, instigating a sort of dizziness and instability that end by upsetting our imagination. Then suddenly that which perturbs us returns to instigate anguish because of a hypothetical change in our identity, through the instigating event. The metamorphosis, from where we would not be able to return back. Everything that we desire resides in what we don't have: it is in the missed realisation of our dreams that these continue to lodge in our souls in expectation, in the hope that everything will be fulfilled before death. In Nobody the violence of the soft and pulpy material of the animal flesh signals the inevitable association with the fact that we are made of flesh, which has little to do with the substance of Shakespearian dreams. The flesh is the place where intellect doesn't exist, and is indeed an emblem of our mortality, in a search that becomes aesthetic and confines it to the territory of the icon: even if it does not have a real relationship with the human body, it establishes with it a sacred link and an indecipherable bond. |
Blood
2007 digital print cm.30x30 |
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Blood
2007 digital print cm.30x30 |
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Blood
2007 digital print cm.30x30 |
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Blood
2007 digital print cm.30x30 |
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Wonderland
2007 lambda print cm.15x15 |
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The beam of a floodlight is aimed at the human being, protagonist of a comedy, half way between parody and pathos. Wonderland becomes a magic trip through the conscious mind, where one’s reflection in a mirror and the floodlight that illuminates oneself become metaphors for the same thing. The soul is seized by the body and confined in a box comparable to the theatre: wrapped in obscurity, the den of the rabbit becomes the bridge that connects real and imaginary, metaphor for a longed for yet unreachable transition. Suspended inside a void that, as a result of ironic tautology, makes every logical conclusion bereft of any content, Sara Spizzichino draws a fairy self-portrait in which each onlooker is able, as in a mirror, to be reflected. |
Wonderland
2007 lambda print on gatorfoam cm.50x50 |
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Wonderland
2007 lambda print on gatorfoam cm.50x50 |
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Wonderland
2007 lambda print cm.15x15 |
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Wonderland [Not allowed]
2007 Lambda print on gatorfoam 100X100 |
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| Education and biography |
Academy of Fine Arts, Rome. Ensad, Ecole Nationale Supérieure des Arts Décoratifs, Paris.
EXHIBITIONS
July 2002. Actress in the short film “I was waiting for you”, directed by Gaia Adducchio.
“Donne in corto”, 1st Edition, Rome. 1st Prize.
“Exground Filmfest” 16th Edition, Wiesbaden, Germany. 1st Prize.
“Fano Internacional Film Festival” 14th Edition, Italy.
“Cellu l’art, das 4° jeaner Kurzfilmfest”, Jena, Germany.
“Six Days Sonic Madness”, 2nd Edition, Guardia Sanframondi, Italy.
“Corto Fiction Chianciano Terme”, 3rd Edition, Italy.
“Festival de Cinema de Girona”, 15th Edition, Spain.
“Festival Opere Nuove”, 35th Edition, Bolzano, Italy.
“Braunschweig International Film Festival”, 17th Edition, Braunschweig, Germany.
“XXXII Festival der Nationen”, Kino Ebensee, Austria.
Immaginaria - Festival Internazionale del Cinema Libero, Italy.
September 2002. “Notte Bianca”. Academy of Fine Arts, Rome.
May 2004. “La tentazione della ricerca”. Il Narvalo Art Gallery, Velletri.
June 2004. “Settimana della cultura”. Academy of Fine Arts, Rome.
September 2004. “Notte Bianca”, Academy of Fine Arts, Rome.
March 2005. “Dissertazioni sull’incisione”, Centro per l’incisione e la grafica d’arte, Formello.
September 2005. “Notte Bianca”, Academy of Fine Arts, Rome.
October/November 2005. Personal exhibition. Naboo, Rome.
December 2005. “La metropoli”, Associazione culturale Anticaja e Petrella, Rome.
June 2006. “Villa Celimontana Jazz Festival 2006”, Rome.
October 2006. “Arteinterrazza”, Academy of Fine Arts, Rome.
April 2007. “Slot”, Galleria Stella, Rome.
June 2007. Personal exhibition, Artintype project, Teramo.
September/October 2007. Personal exhibition, “Wonderland”, La Magnolia Contemporary Art Gallery, Casa Internazionale delle Donne, Rome.
October 2007. “Acca2video”, Academy of Fine Arts, Rome.
October 2007. “Se il pensiero si fa vuoto”, Academy of Fine Arts, Rome.
February 2008. “Transeuropaexpress 2008”, La Magnolia Contemporary Art Gallery, Casa Internazionale delle Donne, Casa delle Letterature, Assessorato alle Politiche Culturali di Roma, Fondazione Antonio Ratti di Como, Rappresentanza in Italia della Commissione Europea, Rome.
March 2008. “Forme d’arte contemporanea”, Scuderie Estensi, Tivoli.
July 2008. Permanent exhibition, Studio VP, Livorno.
September 2008. "International Film Festival Abstracta 2008", Casa del Cinema, Rome.
September 2008. "Quasi Nero", S. Annunziata's Church, Tivoli.
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| Future shows |
| March 2009. "Nero", Scuderie Estensi, Tivoli. |
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Website: www.saraspizzichino.co.uk |
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| IF YOU ARE INTERESTED IN CONTACTING THIS ARTIST, CLICK HERE |
CLICK HERE TO SEND THIS PROFILE TO YOUR FRIENDS |
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Copyright 2003-2009 © The Saatchi Gallery : London Contemporary Art Gallery
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