陈列您的艺术作品给每天无数的访客观看

The physical reality of being human represents a great divide from the external world. It is limited, a scene that is internally closed, entirely insulated.
In my recent works, I make use of a single figure within a painting. This approach draws parallels with the powerful religious paintings and iconography of the past.
However, I divide the format, dissecting parts of the body in order to break down the narration.
By making use of alternative perspectives and manipulating distance, I attempt to create human hybrids. In a sense, I am re-constructing an icon. As this process of re-assembling the body occurs, the meaning and significance of the “icon” becomes obscured. I try to suppress the obsession of the concept to find an intuitive knowledge. Even though everything is mapped out, within keeping of a structured logic, I allow myself complex freedom of interpretation. Nothing should be forbidden. An artwork doesn’t necessarily need to be comprehensible, its success can be a direct result of being built on obscurity (in the titles as much as in the figures). The outcome, could perhaps, be the creation of a personal mythology.

eikona.i

2006
80x80 cm

eikona.2

2006
80x80 cm

cyclope.3

2005
70x150 cm

cortex

2004
80x120 cm

monster.4

2005
76x122 cm

ophelie.5

2003
80x80 cm

rubicube

2004
100x120 cm

cyclope.2

2003
80x116 cm