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Jacqueline Rush Lee
 
 
关于此艺术家

I work decisively between the borders of craft and fine art to create sculptures informed by personal and art historical ideas.
For almost twelve years I have worked specifically with the book form and methods in which to transform used books and paint into sculptures in ways that create new narratives. I am interested in how these materials or objects come with their own histories of use and meaning.

 
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Petrified Book

Petrified Book

Absolute Depth

Petrified Book shedding text in Water

Absolute Depth

Shrunken Encyclopedia

Petrified Book

Shrunken Encyclopedia
Ex Libris 1997 - 2000 "Petrified Books" In Ex Libris I developed a process to fire books in a kiln without clay slip so that they would be preserved in their pure, transformed state, unmasked by a clay surface additive. Hundreds of used books were fired in experimental controlled kiln environments and transformed into fragile, though stable art forms that were reminiscent of scholar's rocks, coral or skeletal remains. Once fired the books were no longer recognizable in their usual context, but were transformed into poetic remnants of their former selves, suggesting a trajectory of time, transformation and memory. I t was through this series that I saw the poetics in using the book form as my primary medium and have continued to work with the book form with integrity and a fascination of exploration that has not yet tired me.

Core Slice

Transformed Books
H 24 x W24 x D12 inches

Core Slice
Sculpture made out of books

Inside Outside Slice

Transformed Books
H 24 X 2 5 X D9 inches

Inside Outside Slice
Sculpture made out of used books

Stack

Transformed Used Books
Dimensions Variable

Stack
Transformed book chunks

Short Stories

2003
Transformed Books
H4 x W4 x D3 inches

Short Stories
Miniature Book Sculpture

Volumes Solo Exhibition Overview

Book Sculptures

Volumes Solo Exhibition Overview
Solo Exhibition of Book Sculptures. This work was made originally in 2001 in which I used water to transform the materiality of the books (creating beautiful striated, curled edges) that also made the inks on the book edges bleed into beautiful colour palettes. I see these themes still present in my current works in which I continue to manipulate the materiality of the books and the pages and use inks to transform further--always working with the pure components of the books, but scrambling the formal and conceptual arrangement.

Epic: VII Biennial of Hawaii Artists

2003 - 2005

Epic: VII Biennial of Hawaii Artists
Bas Relief Panels of Book Stain Imprints in Gysum Cement (called Imprescoes)

Detail of Impresco Panel

2003 - 2005

Detail of Impresco Panel
Book Stain Imprint in Gypsum Cement

Detail of Impresco Panel

2003 - 2005

Detail of Impresco Panel
Book Stain Imprint in Gypsum Cement. Epic 2003 - 2005 Book covers, fore edges and spines have been embedded into gypsum cement; then removed, leaving behind permanent colour stains. I call each of the panels from this installation Imprescoes; a merging together of the words "imprint' and "fresco." This work was created as a response to my Mother's death in 2003. Upon reflection, the marginalia and hand-worn discarded books that I came across in my work were symbolic of what was intimate, precious, and forever lost. As a body of work some themes carried over from Volumes in which the dyes of the books were manipulated to create an instant paint palette of sorts. Although not clear to me at the time Epic continued with this theme, which I interpreted as a happy accident. Stripped book covers, spines and fore edges when cast into gypsum cement, left soft, painterly stains when removed from the gypsum. Specifically, within this process, a heat transfer takes place when pigments and dyes from the book covers, edges and spines naturally "bleed" into the curing gypsum. In my mind, an almost animistic transference of the hands and spirits of those who had previously possessed the books; moments frozen in time within the permanent medium of the bas-relief fresco.

Devotion Series

2007-present

Devotion Series
Used Books, Hand-painted Inks "I like to think of these books as having been engulfed by the inks of their inner texts."

Unfurled 2 Detail

2008
H5

Unfurled 2 Detail
Used Book, Hand-Painted Ink In the Collection of Elizabeth Grossman HI

Unfurled

2008
H 5.5 xW3.5 xL6 inches

Unfurled
Used Book, Hand-Painted Ink

Anthologia

2008
Assembled, inked, sanded, burnished used books
H 9 x W9 x D6 inches

Anthologia
I like to think of this work as having been engulfed by the inks of its inner texts

Antholgia Detail

Antholgia Detail
 
教育程度与个人自传
MFA in Art University of Hawaii at Manoa 2000
 
未来的展览
The Book Borrowers: Contemporary Artists Transforming the Book, Bellevue Arts Museum, WA February 24-June 14 2009

INTROspective, Center for Book Arts, New York. Jan 15 -March 28 2009

 
网站:  www.jacquelinerushlee.com
 
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