萨奇画廊




萨奇画廊






新的画廊虚拟实境之旅
新画廊虚拟实境之旅


画廊赞助商
出版物
学校参观
学校奖项
访客信息
联系方式
会员


  萨奇在线电视 艺术开幕式录影、
访谈、艺术家工作室、
艺术表演及录像、
街头访问、录像日志及博客等…






saatchi间隔号
 
 



现在开放


现在开放





现在开放


现在开放

saatchi spacer 澳洲
画廊指南...
saatchi spacer 奥地利
画廊指南...
saatchi spacer 比利时
画廊指南...
saatchi spacer 巴西
画廊指南...
saatchi spacer 加拿大
画廊指南...
saatchi spacer 中国
画廊指南...
saatchi spacer 捷克
画廊指南...
saatchi spacer 丹麦
画廊指南...
saatchi spacer 法国
画廊指南...
saatchi spacer 德国
画廊指南...
saatchi spacer 希腊
画廊指南...
saatchi spacer 印度
画廊指南...
saatchi spacer 爱尔兰
画廊指南...
saatchi spacer 以色列
画廊指南...
saatchi spacer 义大利
画廊指南...
saatchi spacer 日本
画廊指南...
saatchi spacer 墨西哥
画廊指南...
saatchi spacer 摩洛哥
画廊指南...
saatchi spacer 荷兰
画廊指南...
saatchi spacer 俄罗斯
画廊指南...
saatchi spacer 南非
画廊指南...
saatchi spacer 南韩
画廊指南...
saatchi spacer 西班牙
画廊指南...
saatchi spacer 瑞士
画廊指南...
saatchi spacer 美国
画廊指南...
saatchi spacer 英国
画廊指南...


Saatchi Gallery
Saatchi Gallery


*

陈列您的艺术作品给每天无数的访客观看

 

 


*

 

Hon Khiam Leong
 
 
关于此艺术家

intramedia, video, textual, sharecropping, dreamscaping

 
按此以放大图像 (假如你已上传更大的图像)
 

art imitating life

zero

art imitating life

fly in the duchamp

2006
fly on ointment

fly in the duchamp

do the duchamp

do the duchamp

mutt under underwood

mutt under underwood

happy feet

happy feet

bride of sven

bride of sven

tower of bebel

tower of bebel

expresso experience

expresso experience
 
教育程度与个人自传
college followed by total deconstruction
- autumn exhibition and other seasonal events
-------
Let's Roll™ Out the Rolling Doughnuts Along the Axis™ of Evil™
1. Discourses on Bread Rolls™
"Let's roll™" says Rollins; however, according to Pickett, it is not so much society that is meaningless, but rather the genre of society. The subject is contextualised into a materialist subtextual theory that includes culture as a happy meal™.

If one examines subtextual deconstructivist theory, one is faced with a choice: either reject dialectic feminism or conclude that the purpose of the poet is significant form, but only if predialectic nationalism is valid. Thus, Foucault suggests the use of smoke and mirrors to challenge elitist perceptions of the swoosh™, hence the source of the much misunderstood phrase "smoke them out™". The example of predialectic merrily rolling™ along intrinsic to Madonna™'s Material Girl emerges again in War on Terror™ - the Movie.

"Oh, what a tangled web we weave™," says Sontag. But the subject is interpolated into a subtextual deconstructivist theory that includes consciousness as a reality. The main theme of Finnis's critique of dialectic feminism is the common ground™ between madrassahs™ and roll™ out.

In a sense, the premise of subtextual deconstructivist theory holds that consciousness is used to marginalize the rolling™ masses. Any number of narratives concerning the role™ model paradigm of consensus may be found.

Thus, if predialectic nationalism holds, we have to choose between subtextual deconstructivist theory and the Department™ for Homeland™ Security™. Osama™ uses the term 'Let's bowl™' to denote the economy, and some would say the paradigm, of cultural jihad™ identity. However, von Junz implies that we have to choose between dialectic feminism and neotextual discourse. Lyotard uses the term 'Let's roll™' to denote a self-fulfilling totality.

It could be said that the primary theme of the works of Madonna™ is not, in fact, fatwa™, but ground zero™. Marx uses the term 'axis™ of sublimation' to denote the role™ of the wiseguy™ as pusboy reader during roll™ call..

Thus, Baudrillard's essay on subtextual waste 'management theory'™ suggests that reality is part of the stasis of art peregrinity. Bataille promotes the use of the payroll™ to roll™ back and analyse language.
 
未来的展览
curating a biennale on the north pole
 
 
如果你有兴趣联络此位艺术家, 请按此


按此 传送此个人档案给你的朋友
 
 


back to top   回到上面


回到您的画廊首页


回到首页


The Saatchi Gallery
版权所有 2003-2009 © The Saatchi Gallery : 伦敦当代艺术画廊 : 网页索引