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陈列您的艺术作品给每天无数的访客观看

 

 


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Spiros Margaris
 
 
关于此艺术家

ABOUT MY WORKS

In each of my works, I am the primary material, the sole actor, as well as the historian of the performance. Each of my works consists of at least two images, identical but for the fact that I appear in the second and any subsequent images. I have always been inspired by old cinema, and for that reason, when possible, I gravitate toward producing my work in a larger-scale format that approaches the big screen of the cinema.

I include myself in the images so that I can step into, experience and explore the spaces depicted in my images myself, and then document my performance in the space through photography. All of the spaces that I photograph were created for the purpose of human use and occupation, and my entrance into the frame represents the humanization of the space and allows me to express my specific interpretation of how the space might be experienced.

In each case where I appear in the work, I try to melt into the worlds I portray, but, simultaneously, the insertion of me into the space also completely alters the meaning of the image of the unoccupied space. I believe that the interpretation of the spaces that I invade changes completely through my presence. I replace the viewer's interpretation of the image with my own. I resume control and force the viewer to participate in the story that I am telling, reminding the viewer that interactivity is merely an illusion of control. To understand my work, like any work of art, the viewer must suspend that illusion and surrender to my vision.

This is just as in everyday life, where we are forced to deal with constantly changing realities. The entrance of any of us into a space creates a new reality. And each new reality is different from any one that came before it, as no reality can be recreated identically a second time.

 
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Spurensuche A Brazil

2007
cybachrome
80x100

Spurensuche A Brazil

Spurensuche B Brazil

2007
cybachrome
80x100

Spurensuche B Brazil

Do Not Touch The Marble A

2006
cybachrome
100x120

Do Not Touch The Marble A

Do Not Touch The Marble B

2006
cybachrome
100x120

Do Not Touch The Marble B

Deutsche Bank T

2002
black and white
100x120

Deutsche Bank T

18 October 1977 A - Full Circle

2001/2002
cybachrome
100x120

18 October 1977 B - Full Circle

2001/2002
cybachrome
100x120

Deutsche Bank T 2

2002
black and white
100x120

Deutsche Bank T 2
 
教育程度与个人自传
2003

Feb. 24 - Mar. 8 KUNST AN DER ETH HAUPTHALLE, Zurich, Switzerland, curated by Daniel Marzona
Included a Silent Benefit Art Auction to benefit the Kunsthalle Zurich, Switzerland

A selection of works of the series Lost in Taunusanlage 12 (T12), Mein Spielplatz (My Playground), Schulträume (Dreams of School Days) and and Die Turnhalle(The Gym)

2002

Nov. 19 – Dec. 20 University of St. Gallen, Switzerland
Oh My Darlin' Clementine(C) and Schulträume (Dreams of School Days)


January - March Swiss Institute - Contemporary Art, New York
Schulträume (Dreams of School Days)


January 24 Andy Avini Studio, New York
Mein Spielplatz (My Playground) and Schulträume (Dreams of School Days)
 
网站:  www.margaris.com
 
如果你有兴趣联络此位艺术家, 请按此


按此 传送此个人档案给你的朋友
 
 


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