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Sarah H Jameson
 
 
About the Artist

Women’s periodicals have influenced generations of women in their body image and the concept of a female ideal. As Wolf states in The Beauty Myth (1990)

“The voice of the magazine gives women an invisible female authority figure to admire and obey…. which women are rarely offered anywhere else but in their glossy magazines. That voice encourages that trust… and sharp eye as to how thoroughly ad revenue influences the copy. It is easy to misread the whole thing – advertisement, beauty copy, images of models – as if it were a coherent message from the editors telling women, “You should be like this.” Some of the harm done by the magazines to women comes out of that misunderstanding.”

This body of work of 32 images unpacks the visual portrayal of women in periodicals such as Australian Women’s Weekly, Cleo and Dolly by comparing selected images contained in these periodicals to photographs that document my personal history. The ideals portrayed in these women’s periodicals is examined to establish the possible connection and influence of the effect of the female ideal on my past and present.
My current body of work since 2002 is again investigating identity and the effects of family artefacts and immigration.

 
Click to enlarge images
(if larger image has been loaded)
 

What is woman's role? 1955

2002
laser print, metal poster frame
69x43cm

From the series "Lip Service"

Pretty smocked party frock 1957

2002
laser print, metal poster frame
69x43cm

From the series "Lip Service"

How to get a man 1960

2002
laser print, metal poster frame
69x43cm

From the series "Lip Service"

The Ideal Girl 1963

2002
laser print, metal poster frame
69x43cm

From the series "Lip Service"

Crochet a Bikini 1976

2002
laser print, metal poster frame
69x43cm

From the series "Lip Service"

Melbourne Central

2002
laser prints, metal poster frames
247x222cm

"Lip Service" in situ at Melbourne Central Swanston St. Melbourne

Raising the Bar and Lip Service

2002
laser prints, metal poster frames, digital print on polyester
size variable

Raising the Bar and Lip Service in situ Gossard Project space RMIT, Melbourne
 
Education and biography
2003-2009: PhD, Fractured Portraits:Mapping the Faultlines, RMIT Vic.Australia
2002: Master of Arts by Research, Lip Service:Exploring Women's
Identity, RMIT Vic.Australia
1985: Graduate Diploma of Education, Hawthorn Institute of Education, Vic, Australia
1983:Bachelor of Art(Fine Art),Victorian College of the Arts, Vic, Australia
1980:Dip.Fine Art (Distinction) Sculpture Claremont Technical College, WA, Australia
SOLO EXHIBITIONS
2006 Fractured Portraits VisCom 9 Gallery RMIT Vic, Australia
2002 Lip Service Gossard Project Space RMIT Vic, Australia
1999 “when she was bad…” first site RMIT Union Gallery Vic, Australia
1995 ‘Dare to be Bare’ Katie Smith Gallery Vic, Australia
GROUP EXHIBITIONS
2002/03 Masters Exhibition Arts Victoria Gallery Southbank Vic, Australia
2001 A Woman’s Place Gabriel Gallery, Footscray Vic, Australia
2001 Artists Who Teach Australian Catholic University, Fitzroy, Vic, Australia
2000 HE-a-Rt Walker St. Gallery, Dandenong, Vic, Australia
1999 SHE-The Cat’s Mother Walker St. Gallery, Dandenong, Vic, Australia
1998 Formally Known as Prints RMIT Graduate Exhibition Gallery 101, Vic, Australia
1991,93,94,98 ‘Unwrapped Again’ ROAR Gallery, Fitzroy, Vic, Australia
992 ‘Outside/Inside’ Charles Nodrum Gallery, Richmond, Vic, Australia
1991 ‘Yellow Hat’ Clifton Pugh Gallery, Cottlesbridge, Vic, Australia
1983 Graduate Exhibition V.C.A. Vic, Australia
1980 Graduate Exhibition Claremont College, Perth, Western Australia
1979 ‘Tri-Art’ University of WA Gallery, Western Australia





 
Future shows
2009 PhD completion exhibition
 
 
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