| Fran Morey |
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I was born in Boston Massachusetts grew up on the waterfront in my family’s Chandlery business. Trained in engineering and architecture, then in yacht design working professionally with some of the most famous designers of fine yachts in America.
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| About the Artist |
I have lived and worked in New England and on the Atlantic Ocean most of my life and spent considerable time at sea. I have witnessed a full spectrum of it's beauty and overwhelming force. So this is the focus of my work, the interaction of the sea and man. Art should generate emotion and I hope my art conveys the heart pounding drama of wind-taut sails and flying boats. |
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Click to enlarge images (if larger image has been loaded) |
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Genesis of the Cup
1982 copper plate etching/giclee print 45.7 x 61 cm |
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This copper plate etching is the second and one of the two largest in my series on the yachts of the America’s Cup. The collage is based on the power and grace of “America” and “Reliance”. America was the winner of the "One Hundred Sovereign Cup" for the around the Isle of Wight, UK race in 1851 to establish a new race open to all yacht clubs of the world as “The America’s Cup”. As the sport grew so did the excitement and yachts. The Yacht “Reliance” was the largest America’s Cup defender ever built.
Giclee print signed w/ margin sketch |
The Americas Cup Trophy
2006 etching remarque in watercolour/giclee 10.2 x 15.2 cm |
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This Zinc plate etching was the first in my series to commemorate the America’s Cup race. signed w/ margin sketch. |
Swordfisher
2002 pencil sketch/giclee print 15.2 x 20.3 cm |
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This sketch is of the less known sailing “long liners” whos work was hard catching one fish at a time.
Signed w/ margin sketch
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The Rescue
2006 copper plate etching remarque 7.6 x 12.7 |
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This is the first copper plate in a new series of prints of the life saving stations along the east coast of America through the early 20th century.
Artist original print, hand colored signed |
Genesis of the Cup Remarque
2005 Painted etching/ Giclee print 45.7 x 61 |
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This copper plate etching is the second and one of the two largest in my series on the yachts of the America’s Cup. The collage is based on the power and grace of “America” and “Reliance”. America was the winner of the "One Hundred Sovereign Cup" for the around the Isle of Wight,
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Ahead at the Mark
2007 Remarque of original etched print 20.3 x 25.4 cm |
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This is a remarque in pastel of an original print showing 12 Meter class boats racing. This depicts the first boat to round the first weather mark. The two boats in the background are coming up to the turning mark just out of range to the right. |
Schooner crossing
2007 copper plate etching 7.6 x 17.8 |
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View of two Grandbank fishing schooners passing by Ten Pound Island in the outer harbor. One man hailing the other.
artist original print |
Rose Island Lighthouse
2007 Zinc Plate Etching 25.4 x 20.32 |
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Rose Island Lighthouse in Newport Harbor Rhode Island USA on a calm afternoon with weather approaching. Artist original print |
Reliance reaching off
1989 hand painted etching/ giclee print 61 x 45.7 cm |
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Reliance was the largest Americas Cup yacht built. This is a hand painted etching under full sail.
signed w/ margin sketch |
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| Education and biography |
I have no formal art training, which I have come to consider as an asset. Sketching has always come natural so renderings of architecture, ships and yachts was part of my profession as a designer and engineer for over 30 years. In 1980 I was invited to a friend’s studio to study the art of intaglio printing working with copper and zinc plates and created my first series depicting the genesis of the Americas Cup yacht racing. Over the past many years I have worked on perfecting the art of the print and remarque some with a definitive style.
Member of the American Society of Marine Artist (ASMA), The Newport Art Museum, The Artists Guild.
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| Future shows |
Sept 8,9 2007
Newport Art Museum, Art on the Lawn Newport,RI USA
October 10,2007
Rag and Bone Gallery Newport,RI USA |
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Website: www.franmorey.com |
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