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Fran Morey
 
 
About the Artist

I have lived and worked in New England and on the Atlantic Ocean most of my life and spent considerable time at sea. I have witnessed a full spectrum of it's beauty and overwhelming force. So this is the focus of my work, the interaction of the sea and man. Art should generate emotion and I hope my art conveys the heart pounding drama of wind-taut sails and flying boats.

 
Click to enlarge images
(if larger image has been loaded)
 

Genesis of the Cup

1982
copper plate etching/giclee print
45.7 x 61 cm

Genesis of the Cup
This copper plate etching is the second and one of the two largest in my series on the yachts of the America’s Cup. The collage is based on the power and grace of “America” and “Reliance”. America was the winner of the "One Hundred Sovereign Cup" for the around the Isle of Wight, UK race in 1851 to establish a new race open to all yacht clubs of the world as “The America’s Cup”. As the sport grew so did the excitement and yachts. The Yacht “Reliance” was the largest America’s Cup defender ever built. Giclee print signed w/ margin sketch

The Americas Cup Trophy

2006
etching remarque in watercolour/giclee
10.2 x 15.2 cm

This Zinc plate etching was the first in my series to commemorate the America’s Cup race. signed w/ margin sketch.

Swordfisher

2002
pencil sketch/giclee print
15.2 x 20.3 cm

This sketch is of the less known sailing “long liners” whos work was hard catching one fish at a time. Signed w/ margin sketch

The Rescue

2006
copper plate etching remarque
7.6 x 12.7

The Rescue
This is the first copper plate in a new series of prints of the life saving stations along the east coast of America through the early 20th century. Artist original print, hand colored signed

Genesis of the Cup Remarque

2005
Painted etching/ Giclee print
45.7 x 61

Genesis of the Cup Remarque
This copper plate etching is the second and one of the two largest in my series on the yachts of the America’s Cup. The collage is based on the power and grace of “America” and “Reliance”. America was the winner of the "One Hundred Sovereign Cup" for the around the Isle of Wight,

Ahead at the Mark

2007
Remarque of original etched print
20.3 x 25.4 cm

Ahead at the Mark
This is a remarque in pastel of an original print showing 12 Meter class boats racing. This depicts the first boat to round the first weather mark. The two boats in the background are coming up to the turning mark just out of range to the right.

Schooner crossing

2007
copper plate etching
7.6 x 17.8

Schooner crossing
View of two Grandbank fishing schooners passing by Ten Pound Island in the outer harbor. One man hailing the other. artist original print

Rose Island Lighthouse

2007
Zinc Plate Etching
25.4 x 20.32

Rose Island Lighthouse
Rose Island Lighthouse in Newport Harbor Rhode Island USA on a calm afternoon with weather approaching. Artist original print

Reliance reaching off

1989
hand painted etching/ giclee print
61 x 45.7 cm

Reliance reaching off
Reliance was the largest Americas Cup yacht built. This is a hand painted etching under full sail. signed w/ margin sketch
 
Education and biography
I have no formal art training, which I have come to consider as an asset. Sketching has always come natural so renderings of architecture, ships and yachts was part of my profession as a designer and engineer for over 30 years. In 1980 I was invited to a friend’s studio to study the art of intaglio printing working with copper and zinc plates and created my first series depicting the genesis of the Americas Cup yacht racing. Over the past many years I have worked on perfecting the art of the print and remarque some with a definitive style.

Member of the American Society of Marine Artist (ASMA), The Newport Art Museum, The Artists Guild.
 
Future shows
Sept 8,9 2007
Newport Art Museum, Art on the Lawn Newport,RI USA

October 10,2007
Rag and Bone Gallery Newport,RI USA
 
Website:  www.franmorey.com
 
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