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MARINE WORKS - In the last works artistic of Trevisan are the will to create episodic images that, during the frequent walks on the sea, are picked in persons who take a walk, in gulls that fly on the waves, in objects and piece of wood find on the beach. To paint a picture is like composing a puzzle of lived situations; inside the mind it is already all compound, but during the act the painting creation it must put order trying to create something that to tell alone, in an armony that it remains “minimalista” and novellistic at the same time.
He is attempted to arrive to a consonance and homogeneous in his work, in order to codify, in the painting performance, the topics of one correct and valid image. In composing a painting often considers before the dimension of the canvas and its shape. The long and low canvas can be a challenge with if same because the story of the painting must find its fluidity and its harmony in its tonalities, in its colors, the light, etc, so that carries to a “eufonia” of together. In the last works artistic of Trevisan the monochromium plated paintings are numerous us in the tonalities of the gray of Payne and the tawny Van Dyke.It exists a hypothesis for which in the dreams there would be a dominant color that of it would influence the tone and its shadings (from the greek chromatismos = coloration).Such surreal color is sure a callback to the truth, to the important of sure situations already lived, but that in the dream they live of emotional and deep memory filtering in a “monocromatismo” the lived scenes, the met persons, the perceived situations.The painter wants to arrive to that trying a surreal filter in the artistic creations. Little figures are gone around as ghost in these static stuffed with wadding marine atmospheres and, in calm and silent winter days, the lights of the dawn in which the shadows they cast long while the gulls flight of and the far white sails slow navigate. In the reading of the painting a sure suspension that helps the observer to remain free and light in order to identify itself in an inner landscape of the mind, able to find in extended and solitary winter navy the breath of one poetics life and more true exists.
THE PAINTING - The painting of Trevisan is in kind expression of a will of colour simplification to flat drawings up, framed from precise and substantial signs: small personages delineate to you with vertical signs, their long shadows obtained with horizontal paint-brushed. This type of painting, than is led back nearly always to a descriptive “minimalismo” and to the semplicity of all, it is fruit of a synthesis of contained and experiences, continuations to dispel to us and extemporaneous designs to pencil or water colour it realizes to you during escapes to the open for extended and solitary walks on the beach the winter ones, putting to fruit a personal poetry baggage and culture. The natural truth becomes therefore poetica or surrealistic creation in one simbiosi of elements and contained that they find in the shapes, the colors, in the tonalities, in the compositions all the substance of the truest painting topic. The mark of the paint-brush ones are not never accidental, indeed there is often a search of the complete of the sign, the continuity and the harmony of the subject.
THE POETRY AND THE CONTENTS - An intimate relationship in the painting of Trevisan with the poetry exists broadly speaking and often it happens that in the fields of color of burlaps, in soothed atmospheres or impulsive, the free lyrical in the truer and sincere way. The Sea is not ispiratore of poetry. It’s poetry. And this marine truth appears in that key in every painting work. Therefore the man, the nature, Hush, the life, the sea constitute one unit in a harmonious complex. The pittorica writing of this artist, immediate, strongly takes advantage of a language of a present expressive colours, in detail, in every work, an essential language, never elaborated, that it testifies passion for just the job, humble and simple opening to the real life, love for subjects and objects that are materialized suspended in the sky or is shipwrecked on the river of the sea or that protagonists of daily scenes appear. The contents are coherent with the topics of humility, Hush, the infinite. In the three horizontal bands they repeat sky continuously, sea, beach in a scenery that stimulates imaginary the affective one immediately and speeds up the observer to dip itself in seas soothes to you, to stretch themselves on desert beaches and you clean up, to suspend themselves in warm skies and you live. And to the base of all there is Hush of this painting world that get involved in every angle, every object, every personage, rendering human justice to the largeness of the truest values and principles.

Marine with children (792)

2006
oil on canvas
cm 20 x 50

Marine with two wood-boats (825)

2007
oil on canvas
cm 20 x 40

Marine with toys (830)

2007
oil on canvas
cm 25 x 70

Golf n°12 (833)

2007
cm 40 x 40

Golf n° 13 (834)

2007
cm 40 x 40

Rino in the sky

2008
oil on canvas
50 x 50