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Marjan Wouda
 
 
关于此艺术家

The anatomical exactness that comes from accurate observation imbues Marjan Wouda's sculptures of animals with disconcerting physical veracity, yet their skin, hair, feathers, claws and projecting bones show how the clay was impressed with a range of disparate materials and shaped before casting. Much, though not all, of her work is concerned with exploring the nature and burden of the role of the mother. Her stoic she-goat passively accepts the alien presence of the laughing/barking dog and the calm drake that carries the terrified cat will, one feels, get them both safely to their destination. She explores the inherent tensions between the two sets of animals by the dynamic of the composition, and revels in the different qualities of fur and feathers.

Ultimately however, the most powerful aspect of her art is its ability to engage each viewer on a personal imaginative and emotional journey through sympathetic identification with the creature depicted. If all this gets too serious, then her maddening dogs, whether playing dead, dancing or doing a headstand surely liberate the mischievous child in us all. Such potential for identification shows us an artist who is no mere animalier but one for whom the subject of animals allows for the exploration of the human predicament.

Mary Sara, writer and critic

 
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Laughing Dog

1999
39 x 60 x 17 cm

One of a series of sculptures based on the traditional English Nursery Rhyme of Mother Hubbard and her dog. This is how mother Hubbard finds her dog on her return home - besides dead (or pretending to be), dancing, standing on his head or riding a goat. In this curved form he could indeed be rocking with laughter.

TFT

2002
Bronze, unique
167 x 270 x120 cm

Commissioned by publisher, poet and former editor of Oz magazine, Felix Dennis, this the first and only (?) public sculpture on the Caribbean island Mustique. Based on a small indigenous species sporting red scales on its legs, the sculpture is about 10 times life size. To people living on the island the sexual activities of the tortoise do not go unnoticed because of the accompanying sound effects. To see them portrayed thus brings a smile to many.

Zachte Kracht (gentle strength

1997
stonedust-resin for bronze
130x120x70 cm

The unicorn symbolises feminine, healing energy. I drew her from observations of a deer, a foal and a goat. Although she is an elusive creature I emphasised her physicality with fleshy skin and trembling muscles. (The title is taken from a Dutch poem about the gentle strength of women) Currently on show at Broomhill Sculpture Garden, Barnstaple, North Devon

Roll-up II

2006
bronze, edition: 9
45 x 48 x 25 cm

A sleeping squirrel monkey, enlarged to apelike dimensions. The artist: “I was drawn in the first place by the perfectly circular form of the monkey’s pose. However, as I started exploring the piece further through small clay maquettes, I was astounded by the power of our association and identification with it. It is as though we remember how we were: fearful in a hostile world. Currently on show at Broomhill Sculpture Gardens, Barnstaple, North Devon

Stork

2002
bronze, edition: 9
97 x 37 x 24 cm

Created while pregnant with her 3rd child, “ a magical visitor from distant places and distant times, a bringer of possibly unsettling cargo”. Currently on show at Newby Hall Sculpture Park, Ripon, Yorkshire

Mothermonkey

2006
Ceramic Sculpture, unique
84 x 49 x 32 cm

One of a series of sculptures featuring in the Wagging Tongues exhibition-currently touring the UK- this piece is inspired by a proverb from Martinique: “The monkey smothers its young by hugging it too much.” The artist: "I remember thinking, when my youngest child was only hours old (primitive and monkey-like as newborns are), that the monkey would make a good subject for a new series of sculptures. And so it is that this piece fits into another line of enquiry – besides that of proverbs – namely that of the exploration of ourselves at our most primitive. It is a dark proverb; a negative comment on motherhood. It interests me because it makes us feel uncomfortable; clearly there are ideas here that we need to look in the eye. Mothers fail sometimes to be good mothers. A mother’s love – or her need to be loved - can be crushing, her devotion overwhelming, her protection stifling. The sculpture is based on a simple image of mother and infant. It could a tender picture, and it is only when you read the proverb that it occurs to you that all may not be well. The sculpture does not illustrate the proverb; instead it alters the meaning.

Big Fish (eat little fish)

2005
Welded steel and various scrap metals
82 x 210 x 35 cm

One of a series of sculptures featuring in the Wagging Tongues exhibition-currently touring the UK- this piece is inspired by a great English proverb; so visual, so simple, so direct and so true. The sculpture is both a mobile and a “drawing in space”. The little fish are based mainly on images of fish skeletons; they are already part digested by Mr. Big Fish.

About Beauty

2006
bronze, unique
17 x 45 x 9 cm

One of a series of sculptures featuring in the Wagging Tongues exhibition-currently touring the UK- this piece is inspired by a Middle Eastern proverb: “Being slim is the property of the gazelle, being corpulent the property of the big horse.” How do we define beauty in a man or woman? Is it not becoming ever more problematic for our young people to fit into perceived ideals of beauty? The proverb reminds us that beauty can be found in many different things and that bulky can be as beautiful as slim.
 
教育程度与个人自传
1983-84: Visual Arts, Foundation Course, Manchester Polytechnic
1984-87: BA Hons Fine Art (Sculpture), N.E. London Polytechnic
1987-88: MA Fine Art (Sculpture), Manchester Polytechnic

1997
Curwen Gallery, London: Solo Exhibition
Art ’97, Contemporary Art Fair, London
Brook Gallery, Preston
Courcoux & Courcoux, Hampshire
Atkinson Art Gallery, Southport

Chanticleer Tours to:
· Promenade Hotel Gallery, The Hague, NL
· Royal Netherlands Embassy, London
· Wilbee’s Kunstwerken, Alkmaar, NL

1998
Art ’98, Contemporary Art Fair, London

Chanticleer tours to:
· Dingle Festival, Dingle, Co. Kerry, Ireland
· Royal Netherlands Embassy, Dublin, Ireland

1999
Full Circle, Curwen Gallery, London; Solo Exhibition
Dukes Oak Contemporary Art Gallery, Sandbach, Cheshire
Broomhill Sculpture Garden, Barnstaple, North Devon
Platform Gallery, Clitheroe, Lancashire

2000
Royal Cambrian Academy, Conwy, Wales; sculptures by 3 new members
Kunst Om Kunst, Amsterdam, exhibition of work by gallery artists

Launch of The Mare’s Tale, an exhibition initiated by M Wouda, exploring
Traditional Nursery Rhymes from around the world, at Bury Museum & Art
Gallery. The exhibition tours to: The Haworth Art Gallery, Accrington,
Stockport Art Gallery and Williamson Art Gallery, Birkenhead

2001
The Mare’s Tale continues its tour to: Huddersfield Art Gallery, Salford Museum & Art Gallery, Towneley Hall Art Gallery & Museum, Burnley,
Wakefield Art Gallery, Broomhill Art Gallery & Sculpture Gardens, North
Devon

Beastly, major solo exhibition at Blackburn Museum & Art Gallery
Oriel Pendeitsh Gallery, Caernaefon, prints and sculptures by Craddock & Wouda

2002
New Work, Solo exhibition at Curwen Gallery, London
Duke’s Oak, Sandbach, Cheshire, sculptures, prints and paintings by 3 women artists
Leeds Art Fair
National Jubilee Sculpture Festival, Belvoir Castle, Grantham, Lincolnshire,
Peter Scott Gallery, Lancaster

The Mare’s Tale continues its tour to: Drumcroon Education Art Centre, Wigan,
Hereford Art Gallery, Derby Museum & Art Gallery, Borough Museum & Art Gallery, Newcastle-u-Lyme, Bristol Museums & Art Gallery, The Grundy Art Gallery, Blackpool

2003
The Mare’s Tale continues its tour to: Rochdale Art Gallery, Blackburn Museum & Art Gallery,
Kirkcaldy M & Art Gallery, Scotland, and Shire Hall Gallery, Stafford.
The Mare’s Tale tours to: Natuurhistorisch Museum, Groningen, The Netherlands
Represented by Red Gallery, Marlow, at The Affordable Art Fair, Battersea Park, London
Solo Sculpture Exhibition at the Buckenham Galleries, Southwold, Suffolk
Newby Hall and Gardens, Ripon, N Yorkshire; 3 sculptures in Sculpture Park

2004
Broomhill Sculpture Gardens, North Devon ongoing
ARTSPACE 2004, Barn Galleries, Aston, Henley on Thames.15 May-16 June The Garden Gallery, Stockbridge, Hampshire, from 8th May.
Newby Hall Sculpture Park, Ripon, North Yorkshire, June - September
The Pride of the Valley Sculpture Park, Churt, Farnham, Surrey, ongoing
Brighton Art Fair, the Corn Exchange, 19-21 November; featured artist

2005
Edinburgh Festival featuring in the International Book Festival, August
Newby Hall Sculpture Park, Ripon, North Yorkshire, June – September
Imagine, an ARTEACH exhibition of work produced in the studio and in schools, at Mid Pennine Arts Gallery, Burnley, Blackburn Museum and art Gallery, and Astley Hall, Chorley
Minster Fine Art, York, a selection of sculptures

2006
Chelsea Flower Show, represented by Sotheby's
Tenfold Launch, Brand New Bronze Sculptures by 10 figurative artists working in diverse styles, at Broomhill Sculpture Gardens, Barnstaple, North Devon
Blackburn Museum and Art Gallery: making Connections
Newby Hall and Gardens: Summer Sculpture Show
 
未来的展览
Wagging Tongues, a touring exhibition and education initiative inspired by proverbs from around the world, with artists Shellie Byatt and Adrienne Craddock at:

Royal Albert Memorial Museum and Art Gallery, Exeter: 19 May-3 July 06
Blakesley Hall, West Midlands: 9 July-16 August 06
Nuneaton and Bedworth Museum and Art gallery: 20 August-6 October 06
Stockport Art Gallery, Gtr. Manchester: 14 Oct-14 November


2007 Wagging Tongues tours to Wakefield Art Gallery, Yorkshire: 12 January-9 April 07


 
网站:  www.marjanwouda.co.uk
 
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