 |
||||||||||||
  画廊赞助商 出版物 学校参观 学校奖项 访客信息 联系方式 会员
|
||||||||||||
|
| ||||
 |
||||
 |
||||
 |
||||
 |
||||
陈列您的艺术作品给每天无数的访客观看
|
||||
|
| Jacqueline Cope | |
','Image'))
|
Born 1963 Carshalton, Surrey |
| 关于此艺术家 | |
My first series of work developed around the theme of emotions and states of being (eg ‘Too Open Too’) and led towards looking at how past memories influence present thinking (eg Long Shadows). This in turn has spurred me on to think about beliefs, memories and behaviours shared by communities (eg Noughts and Crosses), perhaps passed down or evolved and to look at events that have on one level are seen to have shaped society but on another level are typical human, sociological behaviour. |
|
| 按此以放大图像 (假如你已上传更大的图像) | |
Too Open To
1998 |
','Image'))
|
| Vulnerability, sensitivity
|
|
Long Shadows 1
2000 |
','Image'))
|
| Long Shadows 1 and 2
Unframed, first format 82 x 82cm
Unframed, second format 21 x 164cm
This piece is based on how past experience can affect the present, the long shadow being the memory of past experience.
The work is painted on 4 canvases that can be arranged and joined together to make two different formats of the same painting. This is done to reflect how the mind moves from one thought to another, making connections and bringing different thoughts to mind, past and present.
|
|
Long Shadows 2
2000 |
)
|
| Long Shadows 1 and 2
Unframed, second format 21 x 164cm
Unframed, first format 82 x 82cm
This piece is based on how past experience can affect the present, the long shadow being the memory of past experience.
The work is painted on 4 canvases that can be arranged and joined together to make two different formats of the same painting. This is done to reflect how the mind moves from one thought to another, making connections and bringing different thoughts to mind, past and present.
|
|
Noughts and Crosses
2006 |
','Image'))
|
| War is often seen as complex and strategic – a game of chess. But with our sociological understanding of how war develops from an imbalance of power, I’ve have likened it to a game of noughts and crosses. I wanted to make those who died in the July bombings in London look ‘alive’ and full of the ‘zest’ for life and the protagonists of war to look mask-like ie unable to see beyond their ideals.
|
|
Battersea Heliport
2007 |
)
|
| I was attracted by the speed and noise of the helicopters against the serenity of a river view. |
|
Battersea Power Station
June 2008 |
)
|
| View along the river showing what is left of the working Thames landscape. |
|
Houseboats, Battersea
2008 |
)
|
| Old houseboats on the river Thames. |
|
St Pietro, Roma
2009 |
','Image'))
|
| Based on St Pietro Piazza, Roma |
|
| 如果你有兴趣联络此位艺术家, 请按此 | |
按此 传送此个人档案给你的朋友 |
|
下一位艺术家
回到上面
回到您的画廊首页
回到首页
|
|
)
)
)