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陈列您的艺术作品给每天无数的访客观看

 

 


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Stephen Anderson
 
 
关于此艺术家

Statements:


Material Issues series (current)
Reinterpreting mass media. Tearing off the fake veils of humanity,
to expose hidden truths.



The Burned Fingers series of 1,000 (1997-2002)
A 5-year project starting in 1997 till December 2002. A single piece consisting of one thousand pieces, each 3.5 x 4 inches, together forming a mosaic. It is a self-portrait over time, dealing with philosophical, psychological, critical and personal observations of life.

 
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What Not To say at the Dinner

2006
video, doors

What not to Say At the Dinner Table (The Four Doors To The Apocalypse) This project is derived from the book of revelations; the four horsemen of the apocalypse, and the traditional taboo subjects to bring up in a conversation at a dinner table. The irony being does anyone actually sit down at a dinner table, much less actually converse with each other. 99.9% of the video and information shown here, was researched and obtained by using the internet. This information however is increasingly controlled bought and filtered to the masses. Without intervention of ones free will to see various viewpoints from sources other than corporate owned media, will further lead to history repeating but for how much longer. Navigation: Text walls: are read left to right, top to bottom please feel free to use the highlighters to ‘highlight’ passages of interest to you Doors: on the inside of the doors (non-projected side) feel free to answer any or all of the following: A) what you remember growing up that was not to be said at the dinner table... B) what you think should not be said at the dinner table... C) what you would like to say at the dinner table... Video Durations: 1. conquest/ politics 5:06 2. war / religion 5:27 3. famine / money 4:55 4. death / sex 4:55 dinner talk 4:22

All I Want is To Be A Happy Ma

2005

Video, interactive installation, mobile, 3d collage, pendullum, custom post-it-notes Incorporating video, interactive installation and 3D collage, Stephen explores what is supposed to make one happy. Sarcastic, introspective, disturbing, an uncensored look at society and the state of the world. He invites one to write (provided questions on post-it-notes) what makes them; happy, angry, fearful, and what one wishes for, and ‘post’ their comments directly onto the installation. Videos: SMILE: 25' AMERICAN ALTER: 6'26" post-it-notes: Questions: How are you? What makes you angry? What makes you happy? What do you wish For? What are you afraid of?

Burned Fingers Series of 1,000

1997-2001

Install shot of the entire series

#982, from the Burned Fingers

Pyrography, oil, collage on wood
10.16cm x 8.89cm

#987, from the Burned Fingers

Pyrography, oil, collage on wood
10.16cm x 8.89cm

#782, from the Burned Fingers

Pyrography, oil, collage on wood
10.16cm x 8.89cm

Whats Not To Love

2006
shapped collage on wood

We Can Do What Others Cant

2006
shapped collage on wood

We Can Do What Others Cant
 
教育程度与个人自传
Education:
1997 Pre-press/Digital Output, extension course, California State University Fullerton

1996 Certificate Program: Computer Graphic Design Specialization in Digital Imaging, UCES, CSULB

1993 B.F.A., Drawing and Painting/Intermedia, California State University, Long Beach, California

Selected Exhibitions:

What Not to Say at the Dinner Table (The Four Doors To THe Apocalypse) Orange County Center For Contemporary Art, Santa Ana, Ca

Configurations, artSPACE@16, Malden, MA

Abstraction and Concept!, Inferno Gallery, Oakland, CA

Mixed Bag , Gallery 825, Los Angeles, CA. Juror: Kimberly Light

All I Want Is To Be A Happy Man, OCCCA Santa Ana, CA.

Crushed Crushes, Arc Gallery Chicago, Illinois. Kristina Gosh, curator

By Any Means UnNecessary, Mission 17 Gallery, San Francisco, Ca

Visual-Text: The Other, Fulton Street Gallery Troy, NY. Juor: Kevin Thayer

Mean Times...Back At Home, BC Space Laguna Beach, CA


In America Now, Dan O'Melveny Gallery.West Hollywood, CA. Juror: Peter Frank

LA Metro, Clarion Gallery, University of Pennsylvania. Clarion, PA

Living & Dying , The Second City Council, Long Beach, California, Juror; Michael Darling, MOCA

Art Heals, Art Works, Palos Verdes Art Center, Rancho Palos Verdes, CA

Scene / Unseen, Eastern New Mexico University, Portales, NM. Juror: Larry Giacoletti, Guggenheim Museum

Beefcake, Cheesecake; Sex, Flesh, Money, Dreams, OCCCA. Santa Ana, CA. Juror; Tyler Stallings, Laguna Art Museum.

Violence, The Second City Council, Long Beach, CA. Todd Gray Juror. 1st place.

Small Works, Top Priority, The Stage Gallery, Merrick, NY. Len & Marge Nezin, Jurors

Pyrography Expo, West Gippsland Arts Centre, Gippsland, Australia. Curated.

Peek-a-boo... Artifacts of Disappearance, San Francisco State University, San Francisco, CA.

Discovering Darkness Beyond Light, Gallery 825, Los Angeles, CA, Tyler Stallings Juror.

Inclusion/Exclusion, Blackfish Gallery, Portland, Oregon.

Artists Guild All California Exhibition, San Diego Museum of Art, San Diego, CA. Wolf Kahn juror.

Works on Paper, Deming Cultural Center, Deming, New Mexico.

Works on Paper Invitational, Musée Adzak. Paris, France.


 
未来的展览
Portland Oregon
Milan Italy
 
网站:  www.mixedmediaexpressions.com
 
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