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Skyscapes
I often wonder; if you could see CO2, how would the earth appear as the ecosystem adjusts to the pollutants caused by human activity? Contemporary skies contain contrails, multiple layers of clouds, and exotic colors—light refracted by pollutants.

I collect imagery: photographs on my travels or scavenged from current media. I use technology as a tool to assemble, manipulate, distort, and alter lighting. This is the prism I apply to represent man’s impact. Viewers subtly detect the emanating effects, often reporting a fairy-tale or surreal response.

Often, buildings are superimposed: nostalgic buildings denote my human history, and new buildings my choices for the future. They cling tentatively to the lower edge of the painting leaving the impression that both could be sucked up into the maelstrom that is developing overhead in the clouds as nature self-corrects.

Sea An Option

2004
Acrylic on Canvas
120 x 120

Seismic Citrine

2007
Oil on canvas
121 x 121 cm