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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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| Brooke E. Demos |
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Born 1964, Detroit, MI, USA
Moved to Chicago, 1987. Moved to New York, 2007.
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| About the Artist |
Shortly after graduating from the School of the Art Institute of Chicago in 1990,
I discovered how to weave with plastic bags.
One needs to weave with linear, flexible materials. Plastic bags being bountiful, many of them stuck between the refrigerator and the sink in my kitchen, allowed me to experiment first with weft weaving (the horizontal interlocking of material). The process involved cutting the bags into strips and overlapping their ends to produce a long and continuous length resulting in a fine finished fabric.
I then experimented with using the strips as the warp (the vertical material strung on the loom), tying them together by hand to create continuous length. The only other adjustment needed was to alter the reed and heddles (loom parts) to accommodate the size of a knot. It worked, and I haven't stopped weaving with plastic bags since!
When woven, the seemingly cheap and wasteful bags are transformed into a durable, tactile and sensual fabric. The plastic bag strips bags can be used with all weaving techniques and fiber construction methods, including knitting, braiding, knotting and rope making. The size of the "thread" depends on the density of the plastic and the width that I cut it to. I now use an industrial heat sealer to join the ends together. I work with the inherent color of the bags in design concepts and have experimented with surface treatments that remove and/or add color. Experience has taught me, not many traditional color treatments work on the plastic.
Weaving is a multi-step process central to the expression of my art. Cutting the bags into strips and seaming them into lengths is similar to the process of hand spinning yarn. Collection of raw material to produce my art could be likened to those who raise and shear sheep or harvest flax or cotton plants. My collection process includes gleaning bags from the street, fences and recycling containers at the local Jewel or Copps grocery stores. I have visited a plastic bag recycling operation in Chicago. Friends and family have enthusiastically saved post-consumer bags for me. I think about all the different places around the world the bags could be gleaned from!
My body of work emphasizes both a functional reuse and a critical
expression of the overabundance of plastic bags in our consumer oriented society. Additional relevant information about plastic bag consumption and waste around the world can be found by going to the Website, reusablebags.com.
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Click to enlarge images (if larger image has been loaded) |
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CONSUMER SKIN
2007 post-consumer plastic shopping bags, post-consumer plastic packaging material, wax-crayon, thread 152 c. x 61 c. |
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Collaged plastic using heat to melt together. |
ECOLOGY: FOR THE MASSES
2006 woven post-consumer plastic shopping bags 63 c. x 91 c. |
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Double-weave construction. |
CONSUMER ALLEGIANCE
2005 woven post-consumer plastic shopping bags 63 c. x 117 c. |
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Double-weave construction. |
FILL THE CART AND WATCH IT GROW
2004 woven post-consumer plastic shopping bags 122 c. x 84 c. |
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Double-weave construction. |
WANTIMATIKA FLOORING
2005 woven post-consumer and recycled plastic newspaper sleeves 305 c. Diameter |
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Squares are hand stitched together. |
WANTIMATIKA
2003-2005 woven post-consumer plastic shopping bags, wood 427 c. x 305 c. x 305 c. |
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Created using instructions from, The Indian Tipi Its History, Construction, and Use, by Reginald and Gladys Laubin, 1957. |
POLYETHYLENE PLAY GROUND
2003 post-consumer plastic shopping bags, post-consumer plastic construction fencing 213 c. x 106 c. |
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Knotting technique. |
SHOPPED DOWN
2001-2003 post-consumer plastic shopping bags, post-consumer shopping cart 109 c. x 116 c, x 74 c. |
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TARGET(store) shopping cart. |
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| Education and biography |
ARTIST STATEMENT
I weave discarded plastic shopping bags because of the transformation that occurs when I process this modern waste product, produced in vast quantities on a global scale, into a sensual fabric or textile construction. The material speaks to me about where it comes from and what it is made of, directing me to themes of a universal consumer culture, sustaining the environment, and turning blight into beauty. I work with the inherent colors of the bags in my formal concerns when designing appropriate patterns and textures for individual pieces.
My body of work expresses both a functional reuse and a critical judgment of the over abundance of waste, particularly plastic bags, in our consumer society.
EXHIBITIONS
• Members Show, ARC Gallery and Educational Foundation, Chicago, IL, 2007, 2008, 2009
• RE:FUSE, Group show, Orleans Street Gallery, St. Charles, IL, 2007
• Brooke E. Demos: Thou Shalt Reuse, Solo Exhibition, ARC Gallery and Educational Foundation, Chicago, IL, 2007
• Inspiring Change, Group show, Space 900, Chicago, IL, 2007
• Poetic Dialogue, Group show, Carthage College, Kenosha, WI, 2007
• Poetic Dialogue, Group show, University of Wisconsin-Waukesha, WI, 2007
• North American Exhibition of Paper and Plastic Art, Juried group show, Swope Museum, Terre Haute, IN, 2006
• Chicago Art Open, Curators Choice Award, Group show, Zhou Brothers Studio, Chicago, IL, 2006
• Members Show, ARC Gallery and Educational Foundation, Chicago, IL, 2006
• New Fibers 2006, Fiber Arts Network of Michigan (FAN), Juried group show by Cynthia Shira, Urban Institute for Contemporary Art, Grand Rapids, MI, 2006
• New Fibers 2006, Fiber Arts Network of Michigan (FAN), Juried group show by Cynthia Shira, Urban Institute for Contemporary Art, Northern Michigan University, Marquette, MI, 2006
• New Fibers 2006, Fiber Arts Network of Michigan (FAN), Juried group show by Cynthia Shira, Berkowitz Gallery at University of Michigan-Dearborn, Dearborn, MI, 2006
• Around The Coyote Fall Arts Festival, Curator's Choice Show, Garden Exhibition, Flat Iron Building, Wicker Park, Chicago, IL, 2005
• Harvesting the Urban Landscape: Recycling in Art, Best of Show Award, Juried group show, Prairie State College, Chicago Heights, IL, 1999
• Transfigurations: Attempts at Understanding Existence, Group show, Gallery 7000, Chicago, IL, 1996
• Emerging From the Ivory Tower, Group show, Korean Cultural Center, Foster Bank, Chicago, IL, 1995
Brooke weaves on two looms; Harrisville, 36” 4-harness floor loom and Toika, 60” countermarche rug loom.
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| Future shows |
| TBA |
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Website: arcgallery.org/member-artists_detail.aspx?mem_id=32 |
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| IF YOU ARE INTERESTED IN CONTACTING THIS ARTIST, CLICK HERE |
CLICK HERE TO SEND THIS PROFILE TO YOUR FRIENDS |
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Copyright 2003-2010 © The Saatchi Gallery : London Contemporary Art Gallery
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