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Jeph Gurecka
 
 
关于此艺术家

Gurecka uses an array of materials that host his ideas of transience, reflection, and transcendental states. Many of the materials are temporary mediums that evoke historical permanence. Jeph uses simplistic and organic materials to ground the world of illusion to the physical. Much like Mandela paintings and street graffiti murals,Gurecka’s work exists to reflect on the absurdity of the moment, the preciousness of the past and the impermanence of the world.

Symbolisms throughout the ages have illustrated the superstitions and desires of a society. Development of cultures have grown with these beliefs that have been about desire, necessity and fear. Family and civil life was completely dependent upon these beliefs for progress and a homogeneous people.

In the modern world traditional symbolism and superstition have become pop-ritual kitsch, far removed from their original intentions. It is far easier today to live without a social/religious need for these old motifs and myths, but how is it improving upon modern culture?

 
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Selfish

2006
Shellfish,flocking,pigmented resin on board
88.9 cm X 63.5

A portrait of the artist was created by using a collage of shellfish parts.

Selfish Too

2007
Shellfish,faux pearls,flocking,pigmented resin on board.
88.9 cm X 63.5

A portrait of the artist's girlfriend was created by using a collage of shellfish parts and faux pearls.

Memento Mori

2005
Bread
457. cm X 305

1000 Anatomically correct human skulls cast in various types of bread.

Memento Mori

2005
detail

Study of Movements In the Air When Meeting Bodies of Different Shapes

2005
Salt,soil,ash,charcoal and concrete powder.
122 cm X 183

A temporary floor drawing comprised of Salt, soil, ash, charcoal and concrete powder.

While I Slept the Sky Emptied

2007
Salt, soil.ash, charcoal and concrete powder
287 cm X 213

A temporary floor drawing comprised of Salt, soil,ash,charcoal and concrete powder

G-N-R

2007
Poured concrete,steel rebar,wire, attached to a live tree.
610 cm X 305 X 213

After being lost in the Tatry Mountains of Eastern Europe I was pleasantly alarmed to find a tree engraved with G-N-R (Guns-N-Roses) I recreated the tree in Western Pennsylvania.

G-N-R

2007
detail

 
教育程度与个人自传
1968
born in Pittsburgh, Pennsylvania. USA
1996
Master of Fine Arts. Pratt Institute of Art And Design. Brooklyn, New York.
1991
Bachelor of Fine Arts. Clarion State University of Pennsylvania, Clarion, PA.

FELLOWSHIPS/GRANTS/RESIDENCIES:
The Pollock-Krasner Foundation Grant (2004)
The Adolph and Esther Gottlieb Foundation Emergency Assistance Grant (2004)
Artists’ Fellowship Inc., Grant (2003)
Change Inc. Grant (2003)
Futura artist residency, Trebesice, Czech Republic (2005)
The Artist In The Marketplace Program. Bronx Museum of Art, Bronx, NY. (1997)

PROFESSIONAL AFFILIATIONS:
Gallery representation; 31Grand Gallery, Brooklyn, NY.

SELECTED EXHIBITIONS:
2007
No New Tale to Tell,31Grand Gallery, Curated by Heather Stephens and Megan Bush, NY NY.
The Field, Jamaica Center for Arts and Learning, Curated by Hen Gil Han, Jamaica, NY.
2006
Love Will Tear Us Apart, National Art Club, curated by Heather Stephens and Megan Bush, NY,NY.
Harlem Art Project, hosted by Philips de Pury & Co. Saatchi and Saatchi, New York.
BAMART Silent Auction, Brooklyn Academy of Music. Brooklyn, NY.
Salt, Soil, Ash, 31GRAND Gallery, solo, Brooklyn, NY.
Young American Artists of Today, Museum of Arts and Sciences, Newark, NJ.
2005
American Autumn In Moscow "Young American Artists of Today"
Central House of Artists (Krymsky val, 10) Moscow, Russia. curator; Natalia Kolodzei
Superfat, Brooklyn Fireproof, curated by Joshua Altman, Brooklyn, NY
Bread, Salt, Water, Futura Gallery, Prague, Czech Republic.
Young Americans, curated by Heather Stephens and Megan Bush, Wake Forest University,NC.
2004
The Armory; New York, Futura Gallery; Czech Republic
Scope Art Fair; New York, 31 Grand Gallery; New York City
Flash Art Fair; Futura Gallery;Czech Republic, Milan,Italy
Backwards Glance, Metropolitan College; New York City.
Castle Trebesice; Czech republic
Vilnius Art Festival; Lithuania
2003
Scope Art Fair; Miami. Florida 31 Grand Gallery; New York
Garden fresh Gallery, Illinois Art Week Chicago,Illinois
Dealers Choice, 31Grand Gallery, Brooklyn, NY.
Scope Art Fair, 31Grand Gallery,Los Angeles, CA.
2002- 1999
Ecco Vanita, Gallery_the.org, ASCI;Curated by Koan-Jeff Baysa Brooklyn, NY.
White Wave, DUMBO arts festival Brooklyn. NY.
Corporeal, 450 Gallery, New York, NY
Violence Online festival, Czech Republic
Dining Haul, Meat Packing Cooler New York, NY.
Mortal, 31Grand Gallery, Brooklyn, NY.
Mutations, 31Grand Gallery Brooklyn, NY.
The Show; Studio-Visit.com 31Grand Gallery Brooklyn, NY.
Good Business is The Best Art, The Bronx Museum of the Arts. Bronx, NY.
Performance Space 122. FOOCHOPS ll. (Dean Street F.O.O.) New York, NY
Hanging Instructions, Kingsborough Community College; Cuny. Brooklyn, NY.
Hanging Instructions, Longwood Arts Center, Bronx. NY.
Performance Space 122. I Got lost I. (Dean Street F.O.O.) New York, NY.
Making It Up, Wake Forest University, Winston-Salem, NC.



1996-1998
Here. Bone, Skin, Cloth. New York, NY.
Performance Space 122. Avant-garde Arama. (Dean Street F.O.O.) New York, NY.
The Lower East Side Tenement Museum. Inhabited. New York, NY.
The Bronx Museum of the Arts. The Artist In The Marketplace program. Bronx
MTV's Oddville. (Dean Street F.O.O.) New York, NY.
The Coney Island Mermaid Parade. (Dean Street F.O.O.) Coney Island USA.
Kenkeleba Gallery. Reflecting Pool. New York, NY.
The Knitting Factory. (The Dean Street F.O.O.) New York, NY.
Exit Art. Sweat. New York, NY.
Exit Art. Ambient Theater. (Dean Street F.O.O.) New York, NY.

BIBLIOGRAPHY

2006
Atrium Magazine (Slovak Republic edition), November
Art and Antiques(Czech Republic edition), Futura; Sarka Koukalova, September
Clarion State University of Pennsylvania, Gurecka Achieves International Success. Tom Schott.
NYArts Magazine; Colleen Becker; June/July
Esquire Magazine, The New Rogues, May edition.
The Financial Times, Not Just Another Fine Mess, Constance Wyndham. Thur. March 09.
“Theres a Chef In My World”, Emeril Lagasse, Harper Collins.
2005
Prague post; “Fast Tracks” Lizzie Le Quesne, July 6-12 vol.15. no. 27
Czech Business Weekly “Straight Out of Brooklyn” Vincent Farnsworth. Oct. 03, issue 39
Affari Italiani “Segnali” David Migliori
Relish, “Images At A Flash Point” Tom Patterson
Prague television, CT1 news-culture events, Bibiana Benova
Winston-Salem Journal, Images At a Flash Point” Tom Patterson.
2004
Prague television, CT1 news-culture events, Bibiana Benova
TIME Global Advisor; “Fly and Buy”, Nick Eason. May
WFMU Radio, October 2004
ArtNet, Feature Artist.
CNN Traveler, June 2004
1996-2003
BRIDGE Magazine; Jan. 02, Art review; John Keene
NEWSDAY; April 26 “Portrait of A Neighborhood” Ariella Budick
ADDICT magazine; “Mutations”; Issue #15-Winter, “When Worlds Collide”
NY Arts; Simply Grand, Winter.
The New York Times; Nine Voices From Off Broadway Past and Present.
Time Out New York; Masked Man
The Village Voice; Techno Madness. Charles Mcnulty JUNE 1, 1999. VOL.XLIV NO. 21
The Winston-Salem Journal; New York Explorers March 05, Tom Patterson
Wake Forest University; Making It Up. Catalogue
The Village Voice; Bridge Work. Dec.9-15 Stephen Nunns





 
未来的展览
Solo; September 2008, 31Grand Gallery NY., New York.
 
网站:  www.jephgurecka.com
 
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