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陈列您的艺术作品给每天无数的访客观看
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| Sarah Carter | |
I was born in Toronto, Canada in 1982. |
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| 关于此艺术家 | |
My work often blurs the lines between painting, sculpture, drawing and printmaking. I believe drawing is the fundamental foundation of great art. The energy that line can create is incredible. I use paint for its visceral effects of color and wetness. There is a tactile, sculptural effect that can be created through the physical layering of different materials. I often play with printmaking techniques and imagery in an exploratory attempt to grapple with how the mass production of images in pop culture has effected art and the way we view it. This way of making art is largely derrived from printmaking methods learned in school. |
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| 按此以放大图像 (假如你已上传更大的图像) | |
Can you separate history, authority, pop culture, feminism and your personal life?
2007 |
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| $1800USD |
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Electrical Storm
2007 |
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| This piece has dark bruding energy created with lines and the simple dramatic power of black and white.
$800USD |
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ART
2003 |
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| It is impossible to go through Art School and not feel the weight of the cannonical tradition. It is hard to separate Art from the gallery context. |
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Wilderness
2004 |
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| This piece is a giant woodcut. It is impossible to grow up and study Art in Canada and not know about "The Group of Seven." They are the stars of the Canadian cannon of Art. The design for the pannels in this piece is derrived from several Group of Seven pieces.
It was printed on the largest printing press in North America in North Adams Mass.
The imagery is evocative of one of my favorite poems:
the grand highway
is crowded with
lovers and leavers
and searchers
so eager
to please
and forget.
wilderness.
unframed- $2000 |
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Portrait of a Woman
2005 |
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| This piece is the result of several months of printing portraits on a variety of materials in a multitude of colors. It subtly explores female identity. |
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Monk
2007 |
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| An abstract painting largely inspired by older jazz music.
$900USD |
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The Good Fight
2005 |
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| During the time of the creation of this piece I was consumed with the situation for the Women of the Congo.
framed- $1200USD
unframed- $900
unframed- $800USD |
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a pannel from "Can you separate history, authority, pop culture, feminism and your personal life?"
2007 |
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a detail from "can you separate history, authority, pop culture, feminism and your personal life? |
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Can you separate history, authority, pop culture, feminism and your personal life?
2007 |
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| This work melts together painting, drawing and sculpture through the mixing of media. I used acrylic paint, pencil, charcoal, graphite, neocolor crayon, paper, mylar on wod and canvas. The intellectual concepts mirror the process. I am interested in how the categories we impose on the world around us can fail us, yet we are so dependant on them. |
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| 教育程度与个人自传 | |
| Sheridan College, Canada. Advance drawing class (2000) Sienna Art School, Italy. (2001) Glasgow School of Art, Scotland. (Winter semester 2004) Queens University, BFAH, printmaking major, Art History minor (2005) |
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| 未来的展览 | |
| Currently working and exhibiting at the Gladstone Hotel in Toronto, Canada. | |
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