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| Jeganathan Ramachandram | |
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Born on 17th July 1962,Malaysia. |
| 关于此艺术家 | |
Jeganathan Ramachandram an established name in the art industry in Malaysia has been an active participant in the local art scene for more than a decade. |
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| 按此以放大图像 (假如你已上传更大的图像) | |
Divine Embrace (Ramayana)
2005 |
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| The Theme of Divine Embrace:
The scene depicted here is the union of Rama, Seetha and Letchumana and their expression of love towards Hanuman as a family.
The characters:
The human image in the background which is blueish green is of Rama. He is painted bluish green to symbolise his nature, a God like warrior; the perfect balance is symbolised by picking the color of the blue sky and the green in grass.
Seetha who is more obvious next to Rama and Hanuman on the left side of the painting is shown embracing Hanuman, whom she has accepted as her own son.
Hanuman who is painted using white and brownish grey texture symbolises purity (white) and his firmness in devotion resembling earth (brownish grey).
Letchumana is shown in devotion with hands in prayer, in the right-end of the painting. His devotion towards his brother Lord Rama is more of a disciple than a brother.
The three birds in three different curvature is done to show the balance in nature, the state of Harmony, Rhythm and Melody and they also represent wind.
The squirrel is known to have helped Lord Rama in building the bridge and is also included in the painting to show the unity between man, animal and nature.
The sun in the background represents the origin of Rama; Surya Vamsam.
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Oneness - I am that, You are t
2004 |
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| The Crucifix , The Shiva Lingam , Yin and Yang and the Pyramid -Symbolic fusion of the major belief system that has moulded human civilization.
However behold of the Plant Kingdom; A force that has sustained the very existence of the human race from time immemorial and is still faithfully doing so....But sadly humankind has robbed off the importance we used to give it...
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Yama ( Time - 12 noon)
2004 |
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| Theme : This painting symbolically illustrates the rich tapestry of moods, modes and manners of the mortal soul under the sway of the fleeting time using the essence of Vasthu Sastra - the ancient Indian Science of Geomancy
12 noon....
Yama, the messenger of eternal slumber,
Sprinkles the spice of sleep
into the womb of the deserving
taking them into a park of silence......
...as Shakti (Energy) once again
shares its purity with the Traders (Organs) within....
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Rest
2004 |
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| "and we come home everytime…
only to rest
and move on to another place
in another time…"
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Kaala Ganesha
2006 |
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| This painting named Kaala Ganesha is done using an ancient method of dabbing, a skill artist Jeganathan Ramachandram has mastered over the years.
Like every painting of his, this painting also has a story to tell.
The painting depicts Ganesha in a playful dancing mode while he gracefully moves with the continuous cycle of life.
He is playing the “tappe” a classical Indian drum that represents Kaala (time).
The three birds dancing in rhythmic harmony signifies the relationship between bhavam (movement), ragam (emotions), and talam (beat of life).
The seven fishes potrays the seven swaras (musical notes) that contributes to a perfect balance in life.
The blue moon partially hidden behind his head symbolizes divine spiritual enlightenment and the squares which construct the whole painting simply show the existence of the different phases in life itself.
As he dances away on the chakram (wheel of life), he magnanimously reveals his control over life itself.
The flower placed on the lower left represents the beginning of life (Brahma’s World). The flower on the middle that is held near his heart depicts preservation of life (Vishnu’s World) and the flower held above on the upper left portrays the epitome of life (Shiva’s World). Thus, the fusion of these three worlds equals the Great Trinity.
Further, if you look closely, you would notice that the three flowers are positioned in a triangular shape that clearly demonstrates the perfect unity of the right brain, left brain and the cosmic force.
Kaala Ganesha is adorned with four hundred and fifty stones which include navaratnams (the nine planetary stones), Jaipur stones and finally a diamond beautifully embedded in the third eye of Ganesha.
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| 教育程度与个人自传 | |
| ART TRAINING BACKGROUND 1982 – 1984 Studied fine Arts and Traditional Painting (Tanjore Art) under Babu Surendar, Chennai, India. Granite Sculpturing under Sthapathi Thangavelu Achari, Principal of Thirupathi school of Temple Architecture, India. Wood Carving under Muthusamy Achari and Classical music (veenai), India. EXHIBITIONS: 1984 - Contemporary Art Exhibition Madras - Malaysian Open Art Show 1985 - Berita Publishing Group Exhibition - Malaysian Open Art Show 1986 - Malaysian Open Art Show 1992 - Malaysian Young Contemporary 1994 - Malaysian Young Contemporary 1996 - Philip Morris 1997 - Philip Morris - Group Exhibition in Mauritus 1998 - Philip Morris (Special Mention) 1999 - Aku, Art Show, Galeri Petronas 2000 - Landscape Beyond Landscape, Galeri Petronas (Multi-media installation) - Malaysia Nature Society (MNS) Art Exhibition 2001 - Face the Act, Galeri Petronas - Bharathi Art Festival 2002 - National Open Art Show - Group exhibition, Mawar Art Gallery, Johor - Bara Hati Bahang Jiwa, National Art Gallery - RAAS Art Gallery, City Square Centre 2003 - Little India, Sutra Art Gallery - Identity, Hyatt Saujana, Kuantan - Nava Raas, Crown Princess, Kuala Lumpur - ‘Renga’ – Japan Foundation’s Exchange Programme ,National Art Gallery. 2004 - Vaastu Windows to time, Sutra Art Gallery (One Man Show) 2005 - Images of Sound (Laman Seni KL), National Art Gallery - National Open Art Show - Nov 23 to Dec 5 “Artist in Residence” at Petronas Gallery, KLCC 2006 - Harmony Exhibition (Kuantan) - Pameran Seni Angin Timur, Galeri Shah Alam - Ganesha Art, Symbols House of Natural Art 2007 - Sacred Structures, Badan Warisan Malaysia - Divine Experience, Sithi Vinayagar Temple, Petaling Jaya - Insights, a journey to the beginning, Symbols House of Natural Art -A Path and a Meeting (joint exhibition with Yeoh Jin Leng), Symbols House of Natural Art 2007-2008 - Dec 1 to Jan 1 “Artist in Residence” at Petronas Gallery, KLCC Collectors: (Organisation) National Art Gallery Galeri Petronas Exxon Mobil (Individuals) Mark R. Brin (UK), Dato G. Palanivel (Mal), Dato Sahadevan (Mal), Ms Rita Elizabeth Iyper (Mal), Dr. Rampal (Mal), Datuk N. Parameswaran (Mal), Datuk Raja (Mal), Ms. Maureen (Mal), Puan Khadijah Abdullah (Mal), Ms. Shanti Ganesan (Mal), J C Rajarao (Mal), Ms. Sarah Nur Haslyn (Mal), Datuk Ravi Menon (Mal), Ms. Rose Ganendra (Mal), Madam Sumangala Pillay (Mal), Mr Venudurai (Mal), Madam Sharmini Navaratnam (Mal), Babu Surendar (India), Shaubajaya (UK), Usharani (Aus), Made Wijaya (Indonesia), Nathan (Singapore), Dr.Shivagurunathan (India), Mr Peter Schweiser (Swiss Ambassador), |
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| 未来的展览 | |
| Stirring Odissi Festival (May 2008) | |
| 网站: www.houseofsymbols.blogspot.com | |
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