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陈列您的艺术作品给每天无数的访客观看
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| Ying Mui Tang | |
Born in Hong Kong. Lived & worked in England for over ten years. Currently living in Hong Kong. |
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| 关于此艺术家 | |
She uses un-advanced technology, unsophisticated skills and materials (wire and packaging tape, plastic wrapped wire, textile fur, etc) from the industry to build up works and explores the fragile condition of human’s existence, the external and internal boundaries built around people. |
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| 按此以放大图像 (假如你已上传更大的图像) | |
Clothing from the prehistoric time
2005 |
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| when mothers no longer made clothings for the children
mothers don't need to cook.
they don't need to raise their babaies
Coz they are forced to pay maids to take care of all these
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Party dress
2007 |
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Shawl with Gloves and nails
2007 |
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shelter from prehistoric time
2007 |
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| In the second stage, the artist used wire and packaging tape to build shelters – an important issue in Hong Kong, hoping to reflect some imagined prehistoric accommodations.
Housing has always been closely knitted with Hong Kong people. Some love it and some hate it. Some have become rich and some committed suicide.? Housing has become so dominant in one’s life that it has got a grip on one’s future.
Hong Kong people always have these mystical feelings about their housing. The shelters series hope to reflect some kinds of accommodations from the pre-historic time, hopefully they will let people rethink the relationship of housing and themselves!
In the project, the artist has tried to use un-advanced technology, unsophisticated skills and materials from the industry to create works. These fragile works shifted viewers’ attention to the high technology of building houses. The modern ways of building can bring us a more secure living space, but it also burdens us financially and trapped us into four-walls.
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shelter from prehistoric time
2007 |
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| as above |
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Dreamscape of prehistoric time
2008 |
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| In the prehistoric time there were animals that were the guardians of the earth.
They protected the earth by flying around the globe.
One day, one of the animals took a small stroll on the ground but was captured by a pre-historic man.
From then on, the guardian animals decreased in numbers and finally they disappeared from the face of the earth.
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In search of Sheung Ngor, * ( the first woman who flied to the moon in a chinese legend)
2008 |
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| From searching of Sheung Ngor to searching for oneself through our daily pursuing. Are we really pursuing what we really hope for? |
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In search of Sheung Ngor, * ( the first woman who flied to the moon in a chinese legend)
2008 |
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| as above |
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In search of Sheung Ngor, * ( the first woman who flied to the moon in a chinese legend)
as above |
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| as above |
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The captors and the captive
2008 |
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| In an archaeological site, there excavated some sorts of remains with tongues and mouths still stuck into the skin of an unknown creature. It is believed that this creature was the guardian of the earth in the prehistoric time.
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The captors and the captive
as above |
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| as above |
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The captors and the captive
as above |
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| as above |
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Clothing from the prehistoric time - three
2007 |
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Clothing from the prehistoric time - four
as above |
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| 教育程度与个人自传 | |
| Received BA fine art in Goldsmiths College, University of London & MSc in Westminster University in London. Selected Group Exhibitions: 2008 Art ascends to the moon, Metro City Plaza II Atrium, Po Lam, Hong Kong 2008 Art Containers Project, Departure Exhibition, West Kowloon Cultural District, Hong Kong 2008 Art Walk, Hong Kong 2008 Walk Humbly With God, The 3rd Chung Chi Christian Festival, The Chinese University of Hong Kong 2008 AC Pre-Opening Festivity, Thematic Exhibition Series III: My Developmental Path, The Gallery, Lam Woo International Conference Centre, Hong Kong 2007 Art To Wear, Benten 17, Hong Kong 2007 The Making of Art Fashion, Too Art, Hong Kong 2007 Ten years of images-a gift to Hong Kong, Too Art, Hong Kong Art Centre, Hong Kong 2007 Till the End of The World, 1a Space, Hong Kong 2007 Small Action, Too Art, Hong Kong Art Centre, Hong Kong 2006 Artiple – An Artist Products Project, Hong Kong Art Centre, Hong Kong 2006 LEAP – Local East-Kowloon Art in Progress, Shing Win Industrial Building, Hong Kong 2006 ‘To smell and to realize lightness’, at ‘Local East-Kowloon Art in Progress, LEAP’, Shing Win Factory Building Studios open, Hong Kong 2003 The Re-telling of Drawing –Story of Peach Flower Garden, Hong Kong Visual Arts Centre, Hong Kong. 1998 The Retelling of Drawing – by Twelve Hong Kong Woman Artists, Hong Kong Visual Arts Centre, Hong Kong. |
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| 未来的展览 | |
| The Annual City Festival 2009, Jan |
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| 网站: hk.geocities.com/hkwindow/ | |
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