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| Danny Green |
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Born 15th May 1958 in Bristol, UK. Currently resident in Kent, UK. Following a History of Art Degree at University College, London University, spent several dissipated years, finally having a thirteen year stint in Kent Police, before retiring on ill health and taking up a Fine Art Degree at Kent Institute of Art And Design at Canterbury, since when I have been painting and teaching privately with my partner Val from our studio.
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| 关于此艺术家 |
My work deals with notions of the interplay between the past and our childhood, and the present, an important facet to the understanding of which is the role of memory. Our memories help us to make sense of what has gone in the past, and the past is the cornerstone of what gives us our sense of being who we are today. Of crucial importance in helping us to remember the past are old family photographs that we see as helping us to remember the events and people of the past. But how truthful are the photographs to how things actually were and how truthful to our childhood memories of those times, and do they of themselves create another “false” memory – made real in our sub-conscious by the forcefulness of that photographic image. How does this impact on our actual childhood memories and by implication our sense of who we are?
The paintings take as their starting point snapshots taken from the family album, together with found photographs, reconstituted to make yet another image to show up this interaction between false and real memory. It is a concept further enhanced by combining essentially monochrome images with coloured elements, representing the generally black and white source photographs, combined with actual memories of the colours of clothing or things. By further denying any specific reference to a specific time or place from the photograph, in the use of plain, brightly coloured backgrounds, we are able to concentrate on the emotional impact of the figures and the memories they may suggest. Denying these specific references also serves to remove the images from the personal and autobiographical and enables the viewer to relate with his or her own experiences through the narrative implied in the paintings and engage with them on a level personal to them. The painting in this way subverts the role of the photograph as an enabler of memories, in whatever form they may take.
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Pearls
oil on canvas 46 x 46 |
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Devon
oil on canvas 150 x 120 |
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Chilhood memories, weekends at the beach... |
Tea Party
oil on canvas 150 x 120 |
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Five
oil on canvas 183 x 122 |
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Sports Day # 1
oil on canvas 30 x 31 |
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The 99
2005 oil on canvas 46 x 46 |
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Swing # 1
oil on canvas 95 x 140 |
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Ready...Steady...
2007 42 |
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| 教育程度与个人自传 |
Qualifications:
1999 BA [Hons] Fine Art, Kent Institute of Art & Design, Canterbury
1997 Diploma in Fine Art, Kent Institute of Art & Design, Canterbury
1995 Certificate in Fine Art, Kent Institute of Art & Design, Canterbury
1979 BA [Hons] History of Art, University College, London
Exhibitions:
2007 Cabot Finacial, Kings Hill
2006 The Colour Red, Blue Moon Tunbridge Wells
2005 The Art of Love, Oxo Tower Gallery, London
2004 Chichester Open
2004 Daily Mail "Not The Turner Prize", Mall Galleries, London (prize-winner)
2003 'Garrick Milne' Portrait prize, Christies, London
2003 Selfridges windows, London, in collaboration with Britart.com
1999 George's House Gallery, Folkestone
1998 The Metropole Arts Centre, Folkestone
1998 Ashford Library Gallery
1997 Reeves & Neylan, Canterbury
1995 Pfizer Limited, Sandwich
1979 Chateau de Harzé, Liege, Belgium
Publications:
2006 Celeste Art Prize catalogue (Short listed for exhibition)
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网站: www.novusart.co.uk |
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