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Garry Nichols
 
 
关于此艺术家

"My paintings are landscapes of symbols collected from direct observations of nature, and from specific memories of my childhood in Tasmania. I employ cherished retreived objects from this landscape, its temperate rain forest (which is a rare thing on our planet), its scattered animal bones, ancient paths and intense dry heat. I have developed a symbology of color - ochres, reds, greens, yellows. This symbology forms the structure for the work, combined with pattern, rhythm and repetition. I have transformed this remembered landscape into a personal landscape. Weaving through this landscape, are images derived from convict carvings on the Ross Bridge and from the time honored tradition of water-divining (which I practice).

It is important to me to visit these sites of inspiration, to understand the history of Tasmania much closer and the peoples who were displaced from it, and through my own vision make new artworks.”

- Garry Nichols

 
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1_Snakes and Ladders

2007
oil on linen
66"x126"

1_Snakes and Ladders
This painting idea is originally formed after the children's game and expanded to incorporate symbols from landscape.

2_Rescue up the Creek

2007
Oil in linen
82"x120"

2_Rescue up the Creek
One day when I was in my motorboat I heard someone screaming "Help! Help!" I knew there must be a man drowning on the other side of the swamp. I went to the rescue as fast as I could.

3_Ross Brigde Portraits

2007
Oil in linen
90"x50"

For this tall paintings' composition I utilized a tight compression of portrait images to convey the feeling I wanted of the sandstone carvings by the convict sculptor Daniel Herbert on Ross Bridge, Tasmania.

4_Fifty Mile Puzzle

2007
Oil in linen
96"x42"

If you do this puzzle correctly, you will have taken a Fifty Mile hike through this tall painting. Go on a journey with these ships.

5_Transatlantic

2007
Oil in linen
96"x42"

The industrial towers like the one in this painting are all around the urban landscape, conveyers of energy, supporting and transporting - in this case the transatlantic cruise liner.

6_Lost in the Caves

2007
Oil in Canvas
62"x56"

I once had a friend named Jimmy Scraggles. One summer while Jimmy was on vacation, he wandered away from the beach. He found some caves in the cliffs below the lighthouse. The caves were connected to each other to make a sort of maze. When it was time for Jimmy to go home to supper, he found he was lost in the maze.

7_ Ross Bridge Excavation

2006
Oil in linen
84"x58"

In this painting I tried to convey a feeling of an excavation of layered earth, uncovering buried history, symbols and plant forms at the site in Ross, Tasmania.

8_ Ross Bridge heads

2006
Oil in linen
60"x97"

8_ Ross Bridge heads
These heads are portraits of people familiar to the convict sculptor Daniel Herbert who carved them in stone on the panels framing the arches of the Ross Bridge in Tasmania.

9_Large leaf

2006
Oil in Canvas
24"x18"

Playing with oversized scale I composed this generic leaf diagonally on the canvas to address fore-ground, middle-ground and back-ground in an awkward space.

10_Ship of Fools

2007
Oil in linen
84"x60"

Daniel Herberts' Ross Bridge carvings become revelers, metaphorically from all walks of life on a voyage to God knows where. Inspired by the 16 th century wood cut image by Sebastian Brant titled "The Ship of Fools". This image opens up pathways to memories, childhood fears, delights, ecstacies, horrors, grotesque fantasies and other foolish musings. I find it resonates deeply with our times.

11_Fire Train

2006
Oil in linen
30"x50'

11_Fire Train
This painting was aptly titled by a child when it was in its initial difficult state. It transformed into its current, final state over a period of a decade. The title stayed.

12_The Last Collection

2006
Oil in linen
86"x66"

Peter the popular postman set out from the Post Office to make the last collection of the day. He had to empty six boxes and deliver the letters to the sorting office. People who rush to the mailbox to catch the last collection usually have very important letters to send.

13_Feast

2006
Oil in linen
85"x54"

Still-life arrangements become part of a landscape, viewed through a border of Tasmanian native flora. The subject recalls my families back yard fruit growing attempts.
 
教育程度与个人自传
1979-1985
New York Studio School

SELECTED EXHIBITIONS

2007
-War is Over (Again), Sideshow Gallery, Brooklyn, New york

2005
-Span, Collaborative Concepts, Beacon, New York

2004
-Artist of the Week, Pierogi Gallery, New York
-Brooklyn Gravity Racers: Pierogi a Go-Go, Pierogi Gallery, NY
-Selected Works: Seven New York Artists, Bickett Gallery, Raleigh, NC
-The UFO Show, Yarra Sculpture Space, Melbourne, Australia
-Merry Peace, Sideshow Gallery, Brooklyn, NY
-Study, Curated by James Hyde, Parker’s Box, Brooklyn, NY

2003
- Alumni Show, curated by Bill Jensen, New York Studio School Gallery,
NY, NY
- Merry Peace, Sideshow Gallery, Brooklyn, NY

2002
- 20/02, Rotunda Gallery, Brooklyn, NY
- 25 th Anniversary Selections Exhibition, The Drawing Center, NY, NY
- Night of a 1,000 Drawings, Artists Space, NY, NY
- to SCALE, Rotunda Gallery, Brooklyn, NY

2001
- Picturing, Gallery Korea, NY, NY
- Beckoning Vision, New York Studio School Gallery, NY, NY
- Summer Exhibition, The Painting Center, NY, NY

2000
- Garry Nichols and Arthur Simms, Sideshow Gallery, Brooklyn, NY
- Raw Seeing: Alumni Drawings - Celebrating a Decade of Alumni
Exhibitions, 1988-1998
New York Studio School Gallery, NY, NY

1999
- Drawings, Amarin Cafe, Brooklyn, New York, NY

1998
- PIEROGI 2000 Flat-files Exhibition, Travels England and Europe,
Continuous Exhibition, Pierogi flat-files, Brooklyn, NY
- Seeing Money: Five & Ten, Rotunda Gallery, Brooklyn NY
- Painting and Drawing from Nature, Abby Goldstein and Garry Nichols,
Open Studio,
Brooklyn, NY
- Garry Nichols: Charcoal Drawings and Watercolors,
Exhibition Window, Atlantic Avenue, Brooklyn, NY
- Chautauqua Faculty Exhibition, Chautauqua Institution, Chautauqua, NY

1997
- Current Undercurrent: Working in Brooklyn, Brooklyn Museum of Art,
Brooklyn, NY
- Some Artists We Like, Robert Steele Gallery, New York, NY
- Intimate Universe (Revisited): curated by Michael Walls, James Howe
Fine Arts Gallery,
Kean University, Union, NJ and Robert Steele Gallery, New York, NY

1996
- Closed and Open Form: curated by Michael Brenson, New York Studio
School Gallery, NY

1995
- Coming to Form: British and Australian Artists in New York,
MMC Gallery, Marymount Manhattan College, NY, NY

1994
- Paint, Rotunda Gallery, Brooklyn, NY
- Artists Select, Artists Space, New York, NY
 
网站:  www.garrynichols.com
 
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