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Mark Prent
 
 
关于此艺术家

Sculptor Mark Prent emerged upon the Canadian art scene as the master of "Extended Realism" at the close of the last great age of populist art that was the 1960s. The decade before his emergence had brought the edgy imagery of Ed Kienholz, Francis Bacon, Daniel Spoerri and Nancy Gross to a receptive public, already seduced by revolutionary attitudes, feminism, globalism, "op" and "pop."

Mark Prent has consistently maintained throughout the years, that his sculptures and installations do not carry intentional messages. Despite the powerfully grotesque imagery that he has employed, interpretation is left to the viewer. Initially working in mixed media, polyester resin and fiberlgass Prent developed his own unique technique of layered coloration which imparts a bizarre impression of heightened realism to his figures; thus giving rise to the label "Extended Realism. When he later became concerned about the toxicity of polyester resin, he began to experiment with other materials, developing innovative techniques for recreating that trademark quality of virulent realism. This venture into new materials led him in many new directions in his own work and ultimately, to become a technical resource for other artists as well.

In 2005, Prent's work took another new direction, when he began a series of video-taped performance pieces in collaboration with videographer/son Jesse Real Prent. In this series, Prent's own body becomes a living, interacting component of his nightmarish scenarios. He continues to produce new sculptures in his Vermont studio.

 
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For Harry

1984
45 X 45 X 120cm

For Harry

Arms of the Psychopomp

1990
Approx. 92 X 75 X 27cm

Arms of the Psychopomp

Death in the Chair

1973
335 X 427 X 305cm

Death in the Chair
Kinetic environment, in which the viewer looks through a small window and pulls a lever that activates the electric chair. The figure convulses violently.

Where Had Possessor Been Possessed/ Confusing One With Innocence/ The Other With Design

1977
304.8 X 731.5 X 244cm

Where Had Possessor Been Possessed/ Confusing One With Innocence/ The Other With Design
Kinetic Environment; Sound and bubbling in water-filed cross and tanks.

Vanishing Point

2005
Silicone Rubber
33cm X 53.5cm X 48.3cm

Vanishing Point

Trust Me/I Trust You

1990
Height approx. 274cm (four life-size figures)

Trust Me/I Trust You

Man in the Moon

2007
Silicone Rubber & Doll
Approx. 18cm

Man in the Moon
Erotic piece that can be placed in 3 different positions.

Bondage

1975
Resin

Bondage
Life-size figure hanging on steel cable.

Hanging is Very Important

1972
Resin
244 X 244 X 244cm

Hanging is Very Important
Environment. Viewer looks through a small window into the butcher room, where body parts hang on hooks.

Hanging is Very Important (detail)

1972
Resin
244 X 244 X 244cm

Hanging is Very Important (detail)
Environment. Viewer looks through a small window into the butcher room, where body parts hang on hooks.

Ichthymorph

1986
Resin
48.3 X 27.9 X 94cm

Ichthymorph

Reptilarium

1990
Resin
Height approx. 183cm (life-size figure)

Reptilarium

The Last Supper

2006
Silicone Figure on Antique Flax Hackle
Approx. 45cm high

The Last Supper

Thawing Out

1974
Resin
122 X 76.2 X 183cm

Thawing Out

Imago Ignota

1985
Resin
187.9cm high (including base)

Imago Ignota

The Garden

2008
Mixed Media
198 cm high X 101.5 cm wide X 33 cm deep

The Garden
Mixed Media Diorama: Forton and fiberglass, silicone, and bronze. There are centipedes, enlarged leeches of many different sizes, an iguana, some nereises, a gaboon viper, an enlarged frog, grasshoppers, locusts, a turtle belly, enlarged and natural size pomegranates and figs, and a large variety of beetles and other insects.
 
教育程度与个人自传
Mark was educated at Sir George Williams University in Montreal, earning a Bachelor of Fine Arts degree.

Since his public career began in 1970, Mark Prent has had thirty-one solo exhibitions, including the Stedelijk Museum in Amsterdam, the Akademie der Kunste in Berlin and the Musee d'art Contemporain in Montreal, as well as participating in an extensive list of group exhibitions. He has been the recipient of numerous awards including many Canada Council Senior Arts Grants, the Guggenheim Foundation Fellowship, the Ludwig Vogelstein Foundation, and Art Matters.

A complete resume of the exhibitions, awards and other achievements of Mark Prent is available at: http://www.pinkhouse.com/Markp.html
 
未来的展览
Mark Prent regularly has work on display at the gallery "USINE 106U" in Montreal.
 
网站:  markprent.com
 
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