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| C J Phillips |
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Born and raised in California, C. J. Phillips began her first forays into painting while working as an editor and translator at the National Museum of History in Taipei, Taiwan. Many of the greatest Chinese masters of that period gave demonstrations of their skills, and C. J. then went home to imitate what she had seen. As a result, she began to paint in the Chinese style with inks and traditional colors on paper and silk.
After she returned to the States in 1985, she began to experiment with other water-based media in combination with the traditional ones, and painted a series of koi, horses, and landscapes that blended ancient styles with a modern sensibility. This work was shown in a number of galleries and museums, and commissions were also done for private collectors. Her first solo exhibition was at the Rosicrucian Museum in San Jose in 1990, and her work has been shown in many solo and group exhibitions since then.
Between 1997 and 2005, she was unable to paint due to a variety of reasons, and so became a Mandarin Chinese interpreter in the federal and state courts. However, during this interlude she also turned her attention to photography as an artistic outlet and became entranced by the myriad forms in Nature. She returned to painting professionally in 2005 and spent a year endeavoring to master oil painting.
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| 关于此艺术家 |
Two of my most recent series – Waking Dreams and Portals – deal respectively with the dream world and the passage between this world and the next. My home and studio are on cemetery grounds, an unusual choice that perhaps has served to augment my interest in otherworldly matters.
Over the past few months, following a couple of trips to tropical lands, where wild parrots, lush landscapes, exotic personalities, and stunning museum collections left a deep mark on my psyche, I expanded into other areas, including Nabi-style paintings of birds, numinous landscapes, and both satirical and stylized portraits.
All these paintings are sensual and philosophical responses to the age-old questions of who we are and where we eventually go. While highly decorative, they are also lucid and contemplative. Inspired by Chinese and Buddhist philosophies and other mystic traditions, I have attempted to create images where realities overlap and insistent inquiry seeps out of the edges.
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Sycamores
2008 mixed oil media on canvas 152.4 x 71.44 |
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Dream Forest
2008 mixed oil media on canvas 121.92 x 91.44 |
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Mao as Qianlong
2008 mixed oil media on canvas panel 60.96 x 50.8 |
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Study in Crimson
2008 mixed oil media on canvas 91.44 x 121.92 |
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May 17, 12:00 am
2007 mixed oil media on canvas 91.44 x 137.16 (three panels) |
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July 24, 6:45 pm
2007 mixed oil media on canvas 91.44 x 60.96 |
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Study in Gray
2008 mixed oil media on canvas 121.92 x 91.44 |
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Eve
2007 mixed oil media on canvas panel 50.8 x 40.64 |
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Study in Yellow
2008 mixed oil media on canvas 50.8 x 50.8 |
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October 3, 5:15 pm
2007 mixed oil media on canvas 91.44 x 45.72 |
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Lavender Dawn
2008 mixed oil media on canvas 91.44 x 152.4 |
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Koi Triptych, central panel
1997 mixed media on silk stretched over canvas 91.44 x 91.44 |
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| 教育程度与个人自传 |
Undergraduate work at the University of Hawaii and in China. Studied painting under three masters in Taipei.
C. J. has exhibited widely throughout California and the world, both in group and solo shows. Her paintings have been shown in such diverse galleries, museums, and showrooms as the Los Angeles Art Expo, the New York Art Expo, the Rosicrucian Egyptian Museum, the National Museum of History in Taiwan, New Masters Gallery, the Zen Center of San Francisco, Fireside Gallery, Jeffry James Galleries, and St. Supéry Vineyards & Winery. Her works are in both private and corporate collections.
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网站: www.cjphillips.com |
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