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| David Lawter | |
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I was born in 1961 in Maryland at Patuxent River Naval Air Station. My dad was in the navy and we moved around the country a lot. I get my artistic interests and talents from my mother. |
| 关于此艺术家 | |
I am a painter with a studio in Peekskill, NY, one hour north of Manhattan. I've created many abstract paintings, but I have also been working on representative works focusing on sections of known paintings as new compositions. |
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| 按此以放大图像 (假如你已上传更大的图像) | |
Young Woman with a Water Pitcher
2008 |
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| After Vermeer's painting from 1665. I enjoy the details of paintings that appear in art books. The detail takes on a new and interesting composition as in this example of my rendition of a section of Young Woman with a Water Pitcher. |
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Self Portrait: Between the Floor and the Ceiling, Living Room One (detail)
2008 |
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| This is a rendering of a floor section in a house where my wife and I used to live. It was a large Victorian house with rooms in interesting configuration and sizes. I created color pencil studies for each room with views on both the ceiling and the floors. Above is a section rendered in actual size of a section of the living room floor.
The concept was inspired by Edvard Munch's "Self Portrait: Between the Clock and the Bed". Where Munch represented himself horizontally between two objects, I represented my self vertically between floor and ceiling. One's personal environment sometimes reveals their life story. |
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New Beginning
1994 |
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Abstract Painting 23
1994 |
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| This abstract work has a natural mood. The natural brown aura is accented with a splash of copper metallic pigment running down the middle. |
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Abstract Painting 16
1994 |
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Abstract Painting 21
1994 |
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Abstract Painting 79
1994 |
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| This small abstract work on stretched canvas has bright colors with accents of fine gold metallic pigment. |
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Artistic License
2002 |
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| Created for the Drawing Center's 25th Anniversary exhibition. Having participated in one of their Selections shows, it was my honor, along with 750 other artists, to be invited to submit a drawing to this special exhibition. |
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Apples
1990 |
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| This beautiful piece has a realistic basket of apples in the center with flowing drapery in front of a wall and wood room trimmings. The piece is executed at an interesting angle adding excitement to the piece. This beautiful piece, ready for hanging, is framed and covered in glass. |
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Art News/Art In America (cover)
1988 |
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| This is a cover-to-cover weaving of copies of Art News and Art In America. An art collector once said that one could only understand about 20% of art criticism. In this piece words become worthless, but it is a much better read.
This piece was included in The Drawing Center (Wooster St, NYC) exhibit - Selections 43.
See open view of this piece in this on-line gallery. |
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Art News/Art In America (open view)
1988 |
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| This is a cover-to-cover weaving of copies of Art News and Art In America. An art collector once said that one could only understand about 20% of art criticism. In this piece words become worthless, but it is a much better read.
This piece was included in The Drawing Center (Wooster St, NYC) exhibit - Selections 43.
See cover view of this piece in this on-line gallery. |
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Van Gogh's Ear
1990 |
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| This piece illustrates how media hype can outlive the artist. Here Jean-Michel Basquiat's obituary is woven together with wrappers from mixed fruit and nuts. A story concerning dried fruit and nuts and Basquiat's actions toward an art dealer was mentioned in his obituary. The title - Van Gogh's Ear - speaks for itself. |
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Mona Washington
1990 |
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The Commerce of Art
1991 |
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| This unique piece is two paintings executed in acrylic on clear mylar. The two paintings were executed on the backside of the mylar so that, when viewing from the front, the piece has a gloss surface. The two paintings were then cut into strips, then woven together to make one painting. The concept of this piece is art as commodity. |
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Raushenberg/Clemente
1991 |
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| 教育程度与个人自传 | |
| Fine Art Exhibitions The Drawing Center, New York, N.Y.- Selections 43, 1988 Federal Plaza, New York, N.Y. - In Search of the American Experience, 1989 Stedman Art Gallery, Rutgers University, Camden, N.J. - Rutgers National ’90 Works On Paper, 1990 Upper View Gallery, The Paramount Center, Peekskill, N.Y. - Small Works, 1992 The Bruised Apple Book Store & Cafe, Peekskill, N.Y. - David Lawter - New paintings, 1994 One Station Plaza, Peekskill, N.Y. - Lethal Injection 1, 1995 SUNY Purchase Art Gallery, Purchase , NY - The Death Penalty: Loss of Conscience, 1995 One Station Plaza, Peekskill, N.Y. - Solo Exhibit - New Paintings, 1997 Upper View Gallery, The Paramount Center, Peekskill, N.Y. - World Trade Center Memorial Exhibit, 2002 The Drawing Center, New York, N.Y. - 25th Anniversary Benefit Selections Exhibition, 2002 Grants National Endowment for the Arts, Exhibition Grant, 1989 The Drawing Center, Exhibition Stipend, 1989 Artists Space, Exhibition Grant, 1989 Awards Honorable Mention, 2002 NYTimes.com Ad Innovations Awards Contest Work Experience In addition to his work in the Fine Arts, David has experience in the casting and fabrication of sculpture, graphic design and production, and design & fabrication of staircases. While working at the Tallix Art Foundry, he assisted such artists as Willem de Kooning, Jasper Johns, Julian Schnabel, Roy Lichtenstein, Frank Stella, Francesco Clemente, Nancy Graves and Jeff Koons. David, in conjunction with Tallix Foundry and Xavier Fourcade Gallery, worked with the estate of Pablo Picasso in the completion of sculpture left unfinished at the time of Picasso’s death. |
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| 网站: www.davidlawter.com | |
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