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Seth Carnes
 
 
关于此艺术家

[sic] is a conceptual media artist whose works focus on the creation of emotive narrative architectures. His immersive and interactive installations cull influence from a hybrid terrain of theory and culture, informed by the moving image, pop, technology, the public/street, performance and music.

[sic] has shown or performed work at Ars Electronica, Oberhausen Film Festival, Resfest, South by Southwest (SXSW), Pirineos Sur, Cinema Paradise.

Exhibitions include P.S. 1 MOMA, The Chicago Museum of Contemporary Art, New York Digital Media Salon, Fountain Art Fair (Miami), Lund 2014 (Sweden), Culture Cache Gallery (SF), StartSOMA (SF), Punch Gallery (SF), 39 Hotel (Honolulu), John Hope Franklin Center for Interdisciplinary & International Studies (Duke University), and BLD (Columbus, Ohio).

Panel Appearances include Resfest, South by Southwest, Streaming Media, DV Expo, and at UC Berkeley’s “Art, Technology, and Culture Colloquium”.

Past work includes collaborations with: Paul Miller (DJ Spooky), Shepard Fairey, The Roots, Thierry Geoffrey, David Ellis, Abe Burmeister, Polar, Gary Breslin, and Daniel Perlin.

 
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i heart poetics

2007
220cm X 200cm

the "iheart poetics" series explores mutable texts as interactive visual poetry. an original poem is written; its language is split apart and produced as large-scale magnets, then re-assembled on a steel wall installation. these temporal writings are time-specific; each morning, the original poem is composed on the wall, with an encouragment to rearrange the text. additional vocabulary related to the poem's framing is available within the installation setting. the next morning, the poem is reset to its original state and the process begins anew. with "iheart poetics", the personal world and vocabulary of each poetics project is established by [sic], then evolves over time through the hand of its audience. "iheart poetics" imagines the code of reality as an organic, chaotic I/O matrix, where nothing is fixed and the line blurs between individual and group. in this scenario, the recipient of structure is also its producer. The narrative frame is establisehd yet flexible; within a temporary and often collaborative creation network, the observer may witness and participate in its transmogrifications across time.
 
教育程度与个人自传
EDUCATION

1997 Bachelor of Arts, History, Additional emphasis on Media & Technology. Pomona College, Los Angeles CA, USA

2006 Masters of Science, Integrated Digital Media. Polytechnic University, New York, NY, USA

MEDIA ART PROJECTS

IHEART : 2007-present. A pop subversion project merging installation, sculpture, performance, film, and new media. Sponsored by the Independent Film Project (IFP). Shown at Lund, 2014, Sweden and Fountain Art Fair, Miami, FL, USA.

THE CENTER CANNOT HOLD : 2004-5. A live political cinema narrative mix, including original and curated audio and video works. Sponsored by IFP, with support from the LEF Foundation. Performed at Peace, Not War 2004 in Madrid, Pirineos Sur Festival in northern Spain, and The Tank in NYC.

PROPAGATE : 2003. a guerilla semiotics propaganda film by [sic] and Shepard Fairey, designed to shatter the spectacle of mediated experience. Premiered during the “Metataggers” show at Culture Cache Gallery in San Francisco, also at the Shore Club Lounge, Art Basel.

THE SATURATION ENGINE : 2002. A collaboration with DJ Spooky. Shown and performed at: Version02:Chicago Museum of Contemporary Art, SXSW, Duke University, US Department of Art & Technology, Flashforward, KillthePresident.org, Cartoombria (Italy).

SHOWS

2007

P.S.1 MOMA : “Aether” project created for Thierry Geoffrey’s “Emergency Room” exhibition, New York City, NY, USA.

LUND 2014 : “iheart poetics” installation in European Capital of Culture Competition, Lund, Sweden.

MIAMI ART BASEL : “iheart poetics” installation at Fountain Art Fair, Miami, FL, USA

2006

MIAMI ART BASEL : Shore Club Art Lounge, Live Cinema with Shepard Fairey (Obey Giant), Miami, FL, USA.

2005

39 HOTEL : “Collab” show with David Ellis, Kiku Yama, Joseph Pa’ahana, Honolulu, HI, USA

2004

OBERHAUSEN : author of video in a David Levine curation
DOWNTOWN 4 DEMOCRACY : participant in touring art curation throughout USA

2003

NEW YORK DIGITAL MEDIA SALON, “The Saturation Engine”,10th Anniversary “Vectors : Digital Art of Our Time”, New York, NY, USA
ART OF DESIGN, Punch Gallery, San Francisco, CA, USA
OPENING, StartSOMA, San Francisco, CA, USA

2002

METATAGGERS : DIGITAL GRAFFITI, Culture Cache Gallery, San Francisco, CA, USA
SATURATION STATION, The John Hope Franklin Center for Interdisciplinary & International Studies at Duke University, Durham, North Carolina, USA
 
网站:  www.sic.ph
 
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