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Andrea Amelung
 
 
About the Artist

German-born artist Andrea Amelung is deeply devoted to the experimentation of process. She has developed a special method that incorporates a variety of mediums to produce intense colors that shimmer and radiate from the canvas.
Amelung is a traveler at heart, with journeys and extended stays in many locales around the world. These experiences have served her well as an artist, collecting ideas, materials, and skills along the way. Since 1995, she has studied and painted in various artist studios, master classes, and workshops, efforts that have broadened her understanding of experimental processes and the practice of painting as a whole.
The extraordinary results of Amelung’s diligent efforts are easy to discern. Her work, completed in a contemporary abstract expressionist style, is stunning to behold. Her achievements with texture produce a weathered, time-tested appearance to the appli­cation of paint. Other works are approached with gradations of a particular hue, to allow for the richest expression of the dominant color. Geometric forms and gestural lines are scrawled into or on top of the paint, evoking both modern and ancient art forms. Amelung will often employ raw pigments combined with unusual painting media such as modeling plastic, sand, ash, and marble dust. Her superb layering effects are also achieved by applying washes of beeswax and then scraping sections to reveal the layers below, providing a potent sense of texture and depth.
Beyond testing the limits of the painting process, art for Amelung is a means to express emotions that are not easy to verbalize or represent. Abstract art is a visceral, instantly accessible plane of discourse with her audience. “Art is a means for me to cap­ture different moods and situations from my life,” she states. “My paintings hope to inspire, make curious, deliver surprises and ra­diate optimism, positive associations and joy of life.” Amelung has exhibited and sold to private collectors around Europe and she has recently acquired representation in New York. She lives and works in Berlin.
ARTisSpectrum Magazine New York, Vol. 17, page 4

 
Click to enlarge images
(if larger image has been loaded)
 

London

2008
145 x 105cm

London
Acrylic and mixed media on canvas, with frame

New York and East River

2007
145 x 105cm

New York and East River
Acrylic and mixed media on canvas, with frame

Chicago

2008
145 x 105 cm

Chicago
Acrylic and mixed media on canvas, with frame

"Luna"

2004
raw pigments on canvas
33 x 33 cm

raw pigments on canvas

The rider and the dancer

2001
raw pigments on canvas
120 x 120 cm

The rider and the dancer
raw pigments on canvas

Red Pigments

2001
raw pigments on canvas
110 x 110 cm

Red Pigments
raw pigments on canvas

Illuminated Darkness

2007
raw pigments on canvas
65 x 65 cm

Illuminated Darkness
raw pigments on canvas

Orange play of colors

2007
raw pigments on canvas
65 x 65 cm

Orange play of colors
raw pigments on canvas

Circle

2007
raw pigments on canvas
105 x 105 cm

Circle
raw pigments on canvas

Irritation

2007
raw pigments on canvas
110 x 110

Irritation
raw pigments on canvas

verwitterte Mauer

2009
mixed media
100 x 100 cm

verwitterte Mauer

disruption

2009
mixed media
110 x 130 cm

disruption

rien ne vas plus

2009
mixed media
100 x 100

rien ne vas plus

strong

2009
raw pigments on canvas
65 x 65 cm

strong

retro

2008
raw pigments on canvas
65 x 65 cm

retro

stripes

2008
raw pigments on canvas
65 x 65 cm

stripes
 
Education and biography
Art training/art academies: ArtCenter South Florida, Miami, Freie Universität Berlin, Akademie für Malerei Berlin, Freie Akademie für Kunst Berlin and self-taught.
Main subjects: abstract compositions.
Usual techniques: acrylic, raw pigments,
mixed media on canvas.
Techniques:
Acrylic- and Pigmentpaintings
Into my large-sized acrylic paintings I use different materials, like paper, fibers, gypsum or plastic-modelling masses, etc. Everything is applied on in several layers, is washed off partially again and then applied again. On this relief-like structure form will form on which the acrylic colours are then applied. Coloured, luminous paintings with various layers and overlapping structures emerge. Since 2000 I work with pigments that lend a radiant coloured powdered sugar effect to the paintings. I partly process the pigments with modelling mass, sand, ash or marble dust and apply them in relief-like layers to give the paintings materiality. I use the pure pigment as a colour body, powdery and granular.

Encaustik
It is a very varied form of creation and goes back to a 3000 year-old tradition. In my works bleached beeswax acts as a carrier material of the pigments and at the same time as a protection. The valuable gloss has a long durability. By scraping, scratching, lining, dotting, etc. the Encaustik offers a singular variety to the creation of the painted surface. In my works a constant interplay results from applying numerous layers of wax and partially scraping it off in the constant process of preserving and destroying the work. With the Enkaustik I generate animate thermo-sculptural processes which produce tangible coloured pictures with relief-like structures.

Sand paintings
On my journeys I found that sand from different places in the whole world is different in colour and granulation. I combine the different sand types with iron, copper, wood, etc. to create a harmonious whole. The granulation and colour of the sand give an individual atmosphere to each painting.

Press
» Ico Gallery New York, Curator Eugene Hwang
"02/10/2008 Amelung's meditative paintings are chromatic experiments,
which ambitiously rely heavily on color and simple forms to relate the artist's themes. One gets the sense that all is gingerly placed, though there is a good amount of extemporaneity.
Once the paint is brushed on, there is a confidence that it was meant to be, though it might not have come out as planned. There is no such thing as a rehearsal. There is no need for them because there are no mistakes, and so these pieces, while containing a melancholic element,
embrace optimism. Any simplicity in good art is only apparent. Amelung takes on the challenge of maximizing expression
while keeping color and forms simple. Her solution is texture and allowing her quadrilaterals to have "imperfections." There were never any rulers involved. The result is something that appears simultaneously primitive and modern, ..."
Eugene Hwang

Books
-"International Contemporary Masters 2008", Omma Center of Contemporary Art, CA, USA
– "2008 International Encyclopaedic Dictionary of Modern and Contemporary Art", Casa Editrice Alba.
– "2009 International Encyclopaedic Dictionary of Modern and Contemporary Art", Casa Editrice Alba.

Articles
-ARTisSpectrum Magazine New York, Vol. 17, page 4
-Artfairs International: www.artfairsinternational.com
-New York Arts Magazine: www.nyartsmagazin.com
 
Future shows
2010
January 2 - 30: Broadway Gallery, 473 Broadway, New York, NY 10013
February/March: works will also be shown at different New York locations in March concurrent with NYC Art Fair’s week including The Armory Show.
February 20 - April 1: Southern Nevada Museum of Fine Art, Las Vegas
March: NY Arts Beijing Gallery, Beijing, China
April 22 - 25: Tease Art, Cologne
Mai 8 - 21: Galleria De’ Marchi Bologna, Italy
October 7 - 10: Berliner Liste, Berlin

Exhibitions 2009:
Berliner Sparkasse, Adenauerplatz, Berlin (04.10.2008 - 31.03.2009)
– Stiftung Wissenschaft und Politik, Ludwigkirchplatz 3-4, Berlin (03.02. - 29.05.2009)
– Art Innsbruck (19. - 22.02.2009)
– Atelier Chris Ehlers, Goethestrasse 83, Berlin (01. - 31.03.2009)
– "works on paper" at NY Arts Venice Pavillon, Venedig-Biennale, Italien, (07.06. - 22.11.2009)
– Art Bodensee (23. - 26.07.2009)
– TiasNimbas Business School, Tilburg, The Netherlands (September - Dezember 2009)
– Atelier Sadik Uslu, Berlin-Charlottenburg (01.11. - 31.12.2009)
– Luxemburg, Theatre des Capucins (21.11. - 04.12.2009)
– Bundesverband Managed Care: wechselnde Ausstellungsreihen

Exhibitions 2008:
Icosahedron Gallery, New York, USA, 05. – 29. 02. 08
Art Innsbruck, Österreich, 08. 11. 02. 08
Signal-Iduna Business Tower, Mannheim, 14. 03. – 01. 09. 08
Kassenärztliche Vereinigung Bayern (KVB), München, 15. 04. – 06. 06. 08
Galleria d´Arte Spazio 6, Verona, Italien, 16. – 29. 08. 08
Galerie Bertrand Kass, Innsbruck, Österreich, 10. 10. 08 – 20.10.08
Icosahedron Gallery, New York, USA,02. - 31.10.08
Kunst auf dem Kudamm, Berlin, 04. - 12. 11. 08
Hotel InterContinental Berlin, Budapesterstrasse 2, 8.12.08 - 19.01.09
Bundesverband Managed Care:
Wechselnde Ausstellungsreihen

Exibitions: 2007, Agora Gallery, Chelsea, New York (USA); Internationale
Kunstmesse Salzburg; Biennale Internazionale
dell’Arte Contemporanea, Firenze.
 
Website:  www.artvonamelung.com
 
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