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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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| Andrea Amelung |
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Place and date of birth: Cologne (D), February
14, 1961.
Address: Spanische Allee 138, 14129 Berlin
(D), tel. +49/(0)160.90.27.14.54.
Main activity: painter.
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| About the Artist |
German-born artist Andrea Amelung is deeply devoted to the experimentation of process. She has developed a special method that incorporates a variety of mediums to produce intense colors that shimmer and radiate from the canvas.
Amelung is a traveler at heart, with journeys and extended stays in many locales around the world. These experiences have served her well as an artist, collecting ideas, materials, and skills along the way. Since 1995, she has studied and painted in various artist studios, master classes, and workshops, efforts that have broadened her understanding of experimental processes and the practice of painting as a whole.
The extraordinary results of Amelung’s diligent efforts are easy to discern. Her work, completed in a contemporary abstract expressionist style, is stunning to behold. Her achievements with texture produce a weathered, time-tested appearance to the application of paint. Other works are approached with gradations of a particular hue, to allow for the richest expression of the dominant color. Geometric forms and gestural lines are scrawled into or on top of the paint, evoking both modern and ancient art forms. Amelung will often employ raw pigments combined with unusual painting media such as modeling plastic, sand, ash, and marble dust. Her superb layering effects are also achieved by applying washes of beeswax and then scraping sections to reveal the layers below, providing a potent sense of texture and depth.
Beyond testing the limits of the painting process, art for Amelung is a means to express emotions that are not easy to verbalize or represent. Abstract art is a visceral, instantly accessible plane of discourse with her audience. “Art is a means for me to capture different moods and situations from my life,” she states. “My paintings hope to inspire, make curious, deliver surprises and radiate optimism, positive associations and joy of life.” Amelung has exhibited and sold to private collectors around Europe and she has recently acquired representation in New York. She lives and works in Berlin.
ARTisSpectrum Magazine New York, Vol. 17, page 4 |
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London
2008 145 x 105cm |
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Acrylic and mixed media on canvas, with frame |
New York and East River
2007 145 x 105cm |
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Acrylic and mixed media on canvas, with frame |
Chicago
2008 145 x 105 cm |
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Acrylic and mixed media on canvas, with frame |
"Luna"
2004 raw pigments on canvas 33 x 33 cm |
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raw pigments on canvas |
The rider and the dancer
2001 raw pigments on canvas 120 x 120 cm |
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raw pigments on canvas |
Red Pigments
2001 raw pigments on canvas 110 x 110 cm |
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raw pigments on canvas |
Illuminated Darkness
2007 raw pigments on canvas 65 x 65 cm |
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raw pigments on canvas |
Orange play of colors
2007 raw pigments on canvas 65 x 65 cm |
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raw pigments on canvas |
Circle
2007 raw pigments on canvas 105 x 105 cm |
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raw pigments on canvas |
Irritation
2007 raw pigments on canvas 110 x 110 |
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raw pigments on canvas |
verwitterte Mauer
2009 mixed media 100 x 100 cm |
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disruption
2009 mixed media 110 x 130 cm |
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rien ne vas plus
2009 mixed media 100 x 100 |
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strong
2009 raw pigments on canvas 65 x 65 cm |
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retro
2008 raw pigments on canvas 65 x 65 cm |
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stripes
2008 raw pigments on canvas 65 x 65 cm |
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| Education and biography |
Art training/art academies: ArtCenter South Florida, Miami, Freie Universität Berlin, Akademie für Malerei Berlin, Freie Akademie für Kunst Berlin and self-taught.
Main subjects: abstract compositions.
Usual techniques: acrylic, raw pigments,
mixed media on canvas.
Techniques:
Acrylic- and Pigmentpaintings
Into my large-sized acrylic paintings I use different materials, like paper, fibers, gypsum or plastic-modelling masses, etc. Everything is applied on in several layers, is washed off partially again and then applied again. On this relief-like structure form will form on which the acrylic colours are then applied. Coloured, luminous paintings with various layers and overlapping structures emerge. Since 2000 I work with pigments that lend a radiant coloured powdered sugar effect to the paintings. I partly process the pigments with modelling mass, sand, ash or marble dust and apply them in relief-like layers to give the paintings materiality. I use the pure pigment as a colour body, powdery and granular.
Encaustik
It is a very varied form of creation and goes back to a 3000 year-old tradition. In my works bleached beeswax acts as a carrier material of the pigments and at the same time as a protection. The valuable gloss has a long durability. By scraping, scratching, lining, dotting, etc. the Encaustik offers a singular variety to the creation of the painted surface. In my works a constant interplay results from applying numerous layers of wax and partially scraping it off in the constant process of preserving and destroying the work. With the Enkaustik I generate animate thermo-sculptural processes which produce tangible coloured pictures with relief-like structures.
Sand paintings
On my journeys I found that sand from different places in the whole world is different in colour and granulation. I combine the different sand types with iron, copper, wood, etc. to create a harmonious whole. The granulation and colour of the sand give an individual atmosphere to each painting.
Press
» Ico Gallery New York, Curator Eugene Hwang
"02/10/2008 Amelung's meditative paintings are chromatic experiments,
which ambitiously rely heavily on color and simple forms to relate the artist's themes. One gets the sense that all is gingerly placed, though there is a good amount of extemporaneity.
Once the paint is brushed on, there is a confidence that it was meant to be, though it might not have come out as planned. There is no such thing as a rehearsal. There is no need for them because there are no mistakes, and so these pieces, while containing a melancholic element,
embrace optimism. Any simplicity in good art is only apparent. Amelung takes on the challenge of maximizing expression
while keeping color and forms simple. Her solution is texture and allowing her quadrilaterals to have "imperfections." There were never any rulers involved. The result is something that appears simultaneously primitive and modern, ..."
Eugene Hwang
Books
-"International Contemporary Masters 2008", Omma Center of Contemporary Art, CA, USA
– "2008 International Encyclopaedic Dictionary of Modern and Contemporary Art", Casa Editrice Alba.
– "2009 International Encyclopaedic Dictionary of Modern and Contemporary Art", Casa Editrice Alba.
Articles
-ARTisSpectrum Magazine New York, Vol. 17, page 4
-Artfairs International: www.artfairsinternational.com
-New York Arts Magazine: www.nyartsmagazin.com
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| Future shows |
2010
January 2 - 30: Broadway Gallery, 473 Broadway, New York, NY 10013
February/March: works will also be shown at different New York locations in March concurrent with NYC Art Fair’s week including The Armory Show.
February 20 - April 1: Southern Nevada Museum of Fine Art, Las Vegas
March: NY Arts Beijing Gallery, Beijing, China
April 22 - 25: Tease Art, Cologne
Mai 8 - 21: Galleria De’ Marchi Bologna, Italy
October 7 - 10: Berliner Liste, Berlin
Exhibitions 2009:
Berliner Sparkasse, Adenauerplatz, Berlin (04.10.2008 - 31.03.2009)
– Stiftung Wissenschaft und Politik, Ludwigkirchplatz 3-4, Berlin (03.02. - 29.05.2009)
– Art Innsbruck (19. - 22.02.2009)
– Atelier Chris Ehlers, Goethestrasse 83, Berlin (01. - 31.03.2009)
– "works on paper" at NY Arts Venice Pavillon, Venedig-Biennale, Italien, (07.06. - 22.11.2009)
– Art Bodensee (23. - 26.07.2009)
– TiasNimbas Business School, Tilburg, The Netherlands (September - Dezember 2009)
– Atelier Sadik Uslu, Berlin-Charlottenburg (01.11. - 31.12.2009)
– Luxemburg, Theatre des Capucins (21.11. - 04.12.2009)
– Bundesverband Managed Care: wechselnde Ausstellungsreihen
Exhibitions 2008:
Icosahedron Gallery, New York, USA, 05. – 29. 02. 08
Art Innsbruck, Österreich, 08. 11. 02. 08
Signal-Iduna Business Tower, Mannheim, 14. 03. – 01. 09. 08
Kassenärztliche Vereinigung Bayern (KVB), München, 15. 04. – 06. 06. 08
Galleria d´Arte Spazio 6, Verona, Italien, 16. – 29. 08. 08
Galerie Bertrand Kass, Innsbruck, Österreich, 10. 10. 08 – 20.10.08
Icosahedron Gallery, New York, USA,02. - 31.10.08
Kunst auf dem Kudamm, Berlin, 04. - 12. 11. 08
Hotel InterContinental Berlin, Budapesterstrasse 2, 8.12.08 - 19.01.09
Bundesverband Managed Care:
Wechselnde Ausstellungsreihen
Exibitions: 2007, Agora Gallery, Chelsea, New York (USA); Internationale
Kunstmesse Salzburg; Biennale Internazionale
dell’Arte Contemporanea, Firenze. |
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Website: www.artvonamelung.com |
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Copyright 2003-2010 © The Saatchi Gallery : London Contemporary Art Gallery
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