陈列您的艺术作品给每天无数的访客观看

在我的创作中,我所追求的是一种意境,一种画面的平衡美.而绘画和展出的作品之间和它们本身有联系.艺术家不需要求助于其他东西,例如艺术家的人格、传说或艺术史等来表现自己.作品就是作品,中间只有实用性的对话,而不存在任何脱离作品本身的幻想.画面隔断了造型和色彩的运用,就是为了避免观看者在欣赏时把自己虚幻的胡思乱想附加在作品上.绘画是自己的实体,我们只能提出属于它自身的问题.这是对禁欲的挑战.非几何、非物质的形式成为我作品的主题.在我的创作工作中不再依赖于实体性的中国当代绘画史、以及对中国绘画的认知史.我所感兴趣的并不是我们文明语言的精致、考究和技术.而是关注人性探索的初步阶段,也是关注“纯粹实在”的原始回归.我想艺术家最好把艺术作为一种必需品,就象呼吸一样.呼吸没有文化上的意义,但它确实是最重要的.
In my creations, I pursued is a mood, a scene balance the United States. The paintings and works on display and between the links themselves. Artists do not need to resort to other things, such as the artist's personality, legends such as art history or to express themselves. Work is work, the dialogue among the only practical, rather than from the work itself there is no illusion. screen cut off the use of shape and color, that is, in order to avoid the viewer to appreciate their own illusory when attached to the works of the imagination. painting is its own entity, we can only make the problem of belonging to its own. This is the challenge of abstinence.
Non-geometric, non-material form of becoming the subject of my works. In my creative work is no longer dependent on the physical nature of the history of contemporary Chinese painting, as well as awareness of the history of Chinese painting. I am not interested in the delicate language of our civilization , research and technology. but concerned about the human exploration of the initial stage, is also concerned about the "pure it" return to the original. I think the best artists to art as a necessity, like breathing. breathe no cultural significance, but it is indeed the most important thing.

生肖

2008
综合媒介
4开

生肖 Chinese zodiac

2008
Acrylic on Canvas
140cmx170cm

Chinese zodiac Manuscript NO1-20

2009
Mix Media on Carton
39cmx50cm

Drift NO5

2009
Mix media on Carton
39cmx50cm

Dunhuang NO20

2007
Acrylic on carton
39cmx50cm