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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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| Marina Nash |
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Click to enlarge images (if larger image has been loaded) |
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Crossing Paths I
1988 marble & oak 122 x 152 x 61 |
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Spacially, the arms of the cross in each peice represent the axis of the world. The crossing of the vertical axis (symbolizing spirtuality and hope) and the horizontal axis (sybolizing humanity and pain) creates a formidable tension that also refers to the four elements and thier properties. The Paths refer to the Journeys of Life: the eternal searches for Truth, Happiness and Purpose. The paths also refer to communication throughout these Journies: Paths that parallel eachother in determined directions that rarely conviene or connect. The spiritual reference to the cross juxtiposes the human loss of connection. |
Beyond Barriers
1990 Oak Beams, plaster, drywall, 2x4s, marble wheel and cable/motor 335 x 274 x 198 |
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A kinetic sculpture in oak, plaster and marble.
We must go 'Beyond Barriers' when questions arise which can no longer be addressed within a current frame of reference. The breaking down of barriers has been continuous throughout history; 1990 has become a pivotal year for this concept.
Structures (walls, fences, etc.) that bar passage are weakened so that the crossing of paths and free interchange of ideas and movement are encouraged. An unestricted, unbouded space is the objective. 'Beyond Barieres' symbolizes a renaissance; a bonding of before and after, indoor and outdoor, the individual and society, creative activiy and intellectual inquiry, east and west, the terrestrial and the sublime.
In this project, I deny the indoor wall's function. It is no longer a means of separation or support. The wall is withheld between two crosses (TAU) or four croses, including side views; it is also transversed by a bridge linking both sides of the wall. A break in the wall initiates the passage of light and the crossing path within which form (Continuity) olls freely from one side to another. |
Phidippides
1989 stainless steel 488 x 152 x 244 |
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The durability and strength of stainless steel are characterised by the first marathon runner in history, Phidippes. The masculinity of Animus dominates the femine Anima and envelopes her, creating the Hero between the two of them, Phidippides. |
Psyche & Eros
2003 Mahogany 55 x 43 x 13 |
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Psyche's heart is being pierced by Eros' love, the Hero within is a back diver. |
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Website: www.marinanash.com |
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Copyright 2003-2010 © The Saatchi Gallery : London Contemporary Art Gallery
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