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陈列您的艺术作品给每天无数的访客观看
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| Chris Millette | |
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Born: January 17, 1986 in Northampton, Massachusetts, U.S. |
| 关于此艺术家 | |
I am amazed by the intricacy of decomposition. As objects/things/matter return to the earth, they break apart in such beautiful ways: the forms, colors, lines, and textures in a rotted trunk, a decaying carcass, a crumbling mountain, and a dilapidated building. Beauty here is twofold: it lies in the past, and in the potential of these things. |
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Dryrot
2008 |
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| This image was derived from a small, rotten piece of wood - dry and very delicate. I enjoyed carving an image of rotten wood into a block of pristine birch plywood. |
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Untitled (Self Portrait)
2007 |
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| This was a breakthrough painting for me, in which I rectified personal concerns about the combination of figurative and abstract painting. I worked furiously on this piece for only one afternoon and knew that it was finished. |
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Emblem
2007 |
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| This print was hugely influential for my most recent series of woodcuts. The carving techniques that I used in all of my displayed prints stemmed from this first serendipitous print. The design was drawn from the marks on the bottom of a friend's ceramic cup- so I owe him a debt of inspiration. |
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Ruins
2007 |
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Chair
2007 |
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| I built this chair completely from salvaged and gathered materials- both natural and manmade. I add new parts whenever I visit it. |
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Ship
2007 |
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| In this painting I was exploring the possibilities of combining oil paint with other materials on paper. I like the painterly-graphic quality that this painting has. |
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La Mandorla
2007 |
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| I spent the summer of 2007 volunteering at farms in Tuscany. I painted this mural on a farm/outdoor theater, above the main stage.
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La Mandorla
2007 |
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| (Detail of the mural) |
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Ziggurat
2008 |
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| In this woodcut I attempted to use my common carving technique in a much more delicate scale. The marks are almost imperceptible on the plywood itself, but translated beautifully onto the Arches Cover paper. |
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Fungus/Airship
2008 |
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| After printing 'Emblem' I immediately began carving this block, which is a little less than human size. The process of carving these sinuous lines was very important to me. |
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| 网站: www.chrismillette.com | |
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