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| Henrique Hammler | |
H. HAMMLER, plastic artist from Pernambuco (Brazil), born in October, 1955; studied architectonic, industrial, mechanical and artistic design at “Liceu de Artes” in Recife (capital of Pernambuco). |
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| 关于此艺术家 | |
PROJECTS AND PUBLIC WORKS |
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| 教育程度与个人自传 | |
| EXHIBITIONS AND PRIZES BY CHRONOLOGICAL ORDER 1985 –First individual exhibition under the title “Flagelados da Paixão” at the Academy of Letters of Pernambuco with the support of FUNDARPE – The Arts Foundation of Pernambuco, and with the presentation of the academic Audálio Alves and the plastic artists Wellington Virgolino and Sérgio Lemos. His first painting honorably belongs to the collection of that foundation. Participation in the Plastic Arts Auction II on behalf of the Social Movement Drive conducted by the local government of Pernambuco. 1986 – Plastic Arts Auction III on behalf of the Social Movement Drive conducted by the local government of Pernambuco. Grand Art Auction at Miramar Hotel – Recife (Pernambuco) 1987 – Art Ritual Exhibition (collective exhibition of 13 artists) held at Nordeste do Brasil Bank (Recife branch – in Pernambuco). 1988 – Plastic Arts Auction I of “FESP” (Pernambuco). Individual exhibition at ABA (Brazil-America Association) in Recife (Pernambuco), under the title “Bares da Cidade” (City Bars). 1989 – Individual exhibition at the Brazil- United States Cultural Society in Recife (Pernambcuco). Collective exhibition at the Sabor & Arte cultural and gastronomic court house in Recife (Pernambuco). Individual exhibition at the Sabor & Arte cultural and gastronomic court house in Recife (Pernambuco). 1990 – Collective exhibition, “Releitura I – Arte afro-brasileira” series (African-Brazilian art) at the Núcleo Henfil (São Bernardo do Campo Board of Culture – São Paulo). Collective exhibition, “Releitura II – Van Gogh” series at the Núcleo Henfil (São Bernardo do Campo Board of Culture – São Paulo). Collective, “Art in Christmas Cards” – Christmas in the view of nine artists, at the Núcleo Henfil (São Bernardo do Campo Board of Culture – São Paulo). 1991 – Individual exhibition at the Brazilian Society of English Culture in São Paulo. 1994 – Semi-individual exhibition at the Cacilda Becker Theater Hall, during the São Bernardo do Campo Town Hall annual program of exhibitions held by the local Culture Department (São Paulo). “IV Salão de Arte Contemporânea de São Bernardo do Campo” (contemporary art exhibition) – São Bernardo do Campo Board of Education and Culture. Selection and award commission: Aracy Amaral, Ivo Zanini and Rodrigo Naves. 1995 – “V Salão de Arte Contemporânea de São Bernardo do Campo” (contemporary art exhibition) - São Bernardo do Campo Board of Education and Culture. Selection and Award Commission: Aldemir Martins, Enock Sacramento and Maria Bonomi. 1997 – “XII Salão de Artes Plásticas Benedito Calixto” – held by the Itanhaém Town Hall (São Paulo)- Golden medal for contemporary art. Selection and Award Commission: Antonio Cesário, Flávio Milstein Huschnaroff, Jô Takahashi, José Henrique Fabri Rolim and Simony Rego Barros. 2000 – Collective exhibition in celebration of the 500th year of the discovery of Brazil in the Santa Filomena Church Square in São Bernardo do Campo, inaugurating the restoration work of the church building - the historical monument of the town (a 12-square meter panel). Individual exhibition for the opening of the art gallery at the Lauro Gomes Theater in São Bernardo do Campo. 2001 – Participation in exhibition celebrating the 20th anniversary of the São Bernardo do Campo Art Gallery – São Paulo. Three pieces of the series “Brincadeira de Infância” (Childhood Play) belong to its collection. Individual street exhibition on Cunha Promoções Street, Vila Madelena – São Paulo. Collective exhibition – “Ramos do Rugde” at the Lauro Gomes Theater Hall in Rugde Ramos, São Bernardo do Campo – São Paulo. 2002 – Collective exhibition – “Porta –Passagem” at the Mali Villas-Boas Art Gallery in São Paulo. 2003 – Participation as invited artist in the “XV Mostra Almeida Junior” held at the Piracicaba Shopping Mall. 2004 –Invited artist to a collective exhibition at the Mauá Art Gallery – São Paulo, in celebration of the town’s 50th anniversary. During the event the artists painted on porcelain dishes supplied by Schimidt Industry, which is established in that town. The painted dishes were donated to the collection of the gallery. 2006 – Individual exhibition – “Cara do Brasil” (The Face of Brazil) at the Methodist University of São Paulo, in celebration of the folklore month. Collective exhibition – “São Francisco em São Bernardo” with the participation of local artists and sculptures from MUBE – Antônio Assunção Culture Chamber. Collective exhibition - “As cores do Brasil” (The Colors of Brazil), Ward Nasse Gallery, New York, USA. 2007-"Primitivos"- Individual exhibition at the Cultural Center of Taboão – Diadema – São Paulo - Brazil |
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| 未来的展览 | |
| O festival de cores de H. Hammler As cores vivas em tonalidades quentes são uma das principais características do pintor brasileiro H. Hammler. Ao tomar algumas temáticas nacionais, como o folclore, atinge resultados plásticos caracterizados pela justaposição de imagens, em conjuntos marcados pelo dinamismo, com diversos temas originários de suas raízes nordestinas. Nascido em Limoeiro, Estado de Pernambuco, em 9 de outubro de 1955, oriundo de uma família com nove irmãos, ele começou a desenhar aos sete anos e, aos 20, pintou uma paisagem que seria seu primeiro quadro a óleo. A partir daí, nunca deixou de pesquisar novos caminhos e técnicas, chegando ao estilo atual, em que representa festas populares brasileiras e o universo do cangaço com um olhar bastante especial. Residente no Bairro Rudge Ramos, em São Bernardo do Campo, SP, desde 1989, Hammler apresenta alguns elementos marcantes. Um deles são as pequenas casas que surgem na parte superior das telas, em diversas cores, com antenas parabólicas apontando em várias direções. Trata-se da visão artística de uma imagem que o artista captou em Itabuna, Estado da Bahia. Perplexo com o fato de casas uniformes de pessoas de poucas posses terem, em sua maioria, antenas parabólicas, ou seja, elos de conexão com o mundo globalizado, solucionou plasticamente a força motriz que o motivou ao pintar residências construídas a partir de simples formas geométricas, edificadas com linhas de contornos bem definidos. Um dos assuntos bastante presentes é o bumba-meu-boi. A festa popular é trabalhada com cores bem contrastantes, transmitindo dois sentimentos importantes: o dinamismo e a alegria. O uso do preto revela-se fundamental, já que a cor funciona como suporte de todas as outras, colaborando para o equilíbrio do quadro. Outra imagem muito presente é a de cangaceiros. Símbolos da cultura nordestina e da valentia de um povo, assim como da rebeldia e busca por justiça, essas figuras surgem geralmente como uma forma de homenagem a alguma pessoa de renome público ou das relações pessoais do pintor. A predominância de elementos ímpares nos quadros é um dado curioso. Seja nas figuras, casas, antenas parabólicas, cães, carrinhos de venda de raspa-raspa, galinhas que homenageiam o Porto de Galinhas, em Pernambuco, ou outros elementos, o número homenageia a própria família do artista, composta dele, da esposa e de uma filha. O desafio de unir a composição equilibrada com a multiplicidade de cores constitui a base da pintura de H. Hammler. Cada vez que sai vitorioso, leva com sucesso aspectos da cultura brasileira para a sua pintura. Isso é feito pelas cores vivas e alegres e pela mescla de pessoas brancas, morenas e negras, vestidos coloridos das mulheres e, principalmente, pela liberdade cromática nos adereços de cada bumba-meu-boi que retira do seu imaginário para colocar, com vida renovada, em suas telas. Oscar D’Ambrosio, jornalista e mestre em Artes Visuais pelo Instituto de Artes da UNESP, integra a Associação Internacional de Críticos de Artes (AICA). The Festival of Colours of H.Hammler. Bright colors and hot tones is one of the main characteristics of the Brazilian painter H.Hammler. When he takes some of the national themes from the Brazilian rich folklore, he is capable to achieve plastic results that are distinghished by the use of overlayed images, in sets determined by dynamics, and with various themes taken from his northeastern roots. H.Hammler was born in Limoeiro, Pernambuco state, on October 9th, 1955, in a family with 9 brothers and sisters. He started painting at 7 and when reached his 20s painted a scenery that would become his first oil canvas. From that on he never gave up searching for new paths and techniques until his present phase, where he represents the Brazilian popular festivals and the “cangaço universe” (outlaws of the remote interior of Brazil) in a very especial look. He has been living in Rudge Ramos, neighborhood of São Bernardo do Campo, in São Paulo state, since 1989 and this is why his work presents some special elements of São Bernardo. One of them is the small houses that appear in the upper part of his canvases, colorful, with numberless parabolics pointing at the sky. It is the artistic image captured by the eye of the artist in Itabuna, Bahia state. Although astonished by the regular landscape provided by the small popular houses constructed in simple geometric forms, built with very well-defined contours, connected to the globalized world through those parabolics, he could solve, plastically, the driving force that motivated him to paint those houses. One of the subjects very present in his work is the “bumba-meu-boi”, the traditional and principal character of the pageant in northeastern Brazil in which the townsfolk take part. The pageant is represented with many bright colors, communicating two important feelings: dynamics and joy. The use of black is fundamental, since this color works as support for all others and cooperates to the balance of the picture. Other image very recurrent is the “cangaceiro”. He is the symbol of the northeastern culture and valor as well as of the rebellion and search for justice. These figures appear usually as a way to honor some well-known public name or someone from the painter’s personal acquaintances. The predominance of odd elements in his paintings is a curious point. The number honors the artist’s own family: himself, his wife and one daughter. It can be in the figures, rows of houses, parabolics, dogs, carts selling the sweet “raspa raspa”, chickens paying homage to Porto de Galinhas city, in Pernambuco, or other elements. The challenge to combine a balanced composition with the multiplicity of colors is the basis of H.Hammler’s work. Each time he succeeds, he takes aspects from the Brazilian culture to his paintings. This is accomplished by the lively and cheerful colors and by the mix of white, brown and black people, women in colourful dresses and, mainly, by the liberty of colors that he uses in the adornments of each “bumba-meu-boi” that he takes from his imaginary to return, renewed, to his paintings. Oscar D’Ambrosio, newspaperman and master in Visual Arts by the Arts Institute of UNESP and member of the International Association of Critics of Arts (AICA). |
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