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陈列您的艺术作品给每天无数的访客观看
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| lauren kalman | |
I was born in Cleveland Heights, Ohio in 1980 and grew up with my parents, an industrial designer and photographer, and younger brother. I completed my MFA in Art, from the Ohio State University and received my BFA, with a focus in metals, from Massachusetts College of Art. My professional experience includes employment at the Johnson Atelier Technical Institute of Sculpture and the New Jersey State Council on the Arts. |
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| 关于此艺术家 | |
Much of my work takes the form of installations comprised of images, sculptural objects, and video that blur the boundaries between adornment, dress, and disease. The jewelry objects take the form of tumors or cysts. These works investigate the often-corrosive relationship between jewelry, commodity objects, the imaged body, and the physical body. The format of the images draws from methods employed in medical and advertising imagery. The videos draw from historical medical etchings and lithographs that are allegorical in their approach to describing disease and the body. |
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| 按此以放大图像 (假如你已上传更大的图像) | |
Hard Wear (Tongue Gilding)
2006 |
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| Hard Wear is an installation and performance. The installation consists of three sections. One is a main gallery space that houses images, objects and is the live performance space. The second is a dark video corridor leading to the open, light gallery space. The third section is an exterior space with an LCD screen connected to a surveillance camera next to a mirror in the main space. From this screen the performance can be viewed from a remote, detached location. |
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Hard Wear (Canal Cap)
2006 |
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| Hard Wear is an installation and performance. The installation consists of three sections. One is a main gallery space that houses images, objects and is the live performance space. The second is a dark video corridor leading to the open, light gallery space. The third section is an exterior space with an LCD screen connected to a surveillance camera next to a mirror in the main space. From this screen the performance can be viewed from a remote, detached location. |
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Hard Wear (Aural, Oral, Digital Gems)
2006 |
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| Hard Wear is an installation and performance. The installation consists of three sections. One is a main gallery space that houses images, objects and is the live performance space. The second is a dark video corridor leading to the open, light gallery space. The third section is an exterior space with an LCD screen connected to a surveillance camera next to a mirror in the main space. From this screen the performance can be viewed from a remote, detached location. |
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Hard Wear (main space and detail: Oral Rims)
2006 |
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| Hard Wear is an installation and performance. The installation consists of three sections. One is a main gallery space that houses images, objects and is the live performance space. The second is a dark video corridor leading to the open, light gallery space. The third section is an exterior space with an LCD screen connected to a surveillance camera next to a mirror in the main space. From this screen the performance can be viewed from a remote, detached location. |
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Hard Wear (Oral Rims)
2006 |
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| Hard Wear is an installation and performance. The installation consists of three sections. One is a main gallery space that houses images, objects and is the live performance space. The second is a dark video corridor leading to the open, light gallery space. The third section is an exterior space with an LCD screen connected to a surveillance camera next to a mirror in the main space. From this screen the performance can be viewed from a remote, detached location. |
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Hard Wear
2006 |
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| Hard Wear is an installation and performance. The installation consists of three sections. One is a main gallery space that houses images, objects and is the live performance space. The second is a dark video corridor leading to the open, light gallery space. The third section is an exterior space with an LCD screen connected to a surveillance camera next to a mirror in the main space. From this screen the performance can be viewed from a remote, detached location. |
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Corpus, Figure, Skate
2008 |
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| Corpus, Figure, Skate is an installation of videos and sculptural objects that investigates the subconscious desire to reunite physicality with the body despite attempts to repress it. The videos in the installation simultaneously illustrate and deny corporeality. |
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Corpus, Figure, Skate (stills from HD video Figure)
2008 |
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| This video is mounted on the ceiling above the viewer. The figure slowly rotates though her legs and the skates do not move. As the figure spins the material of her dress fades between white cotton, lead, and meat. The video is overexposed causing the white dress to blend with the background erasing the torso.
Corpus, Figure, Skate is an installation of videos and sculptural objects that investigates the subconscious desire to reunite physicality with the body despite attempts to repress it. The videos in the installation simultaneously illustrate and deny corporeality
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Corpus, Figure, Skate (stills from HD video Skate)
2008 |
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| In this video the figure rotates slowly her body and facial expression aside from blinking remains unchanging. The movement is slightly off from the movement expected from a roller-skating pirouette. The video is overexposed causing the white dress to blend with the background erasing the torso.
Corpus, Figure, Skate is an installation of videos and sculptural objects that investigates the subconscious desire to reunite physicality with the body despite attempts to repress it. The videos in the installation simultaneously illustrate and deny corporeality |
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Corpus, Figure, Skate
2008 |
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| This image shows the third video of the installation embedded into the padded walls of the space as well as the pleated fabric that mimics the pleated dresses in the videos.
Corpus, Figure, Skate is an installation of videos and sculptural objects that investigates the subconscious desire to reunite physicality with the body despite attempts to repress it. The videos in the installation simultaneously illustrate and deny corporeality. |
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Corpus, Figure, Skate
2008 |
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| The lead on these objects is pleated to mimic the pleats in the dresses in the videos.
Corpus, Figure, Skate is an installation of videos and sculptural objects that investigates the subconscious desire to reunite physicality with the body despite attempts to repress it. The videos in the installation simultaneously illustrate and deny corporeality |
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Projection (Ring)
2008 |
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| Projection is an installation of images, sculptural objects, and video that blur the boundaries between adornment and disease. The jewelry objects take the form of tumors or cysts. These works investigate the often-corrosive relationship between jewelry, commodity objects, the imaged body, and the physical body. In Projection the format of the images draws from methods employed in medical and advertising imagery. The videos draw from historical medical etchings and lithographs that are allegorical in their approach to describing disease and the body. |
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Projection (Necklace)
2008 |
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| Projection is an installation of images, sculptural objects, and video that blur the boundaries between adornment and disease. The jewelry objects take the form of tumors or cysts. These works investigate the often-corrosive relationship between jewelry, commodity objects, the imaged body, and the physical body. In Projection the format of the images draws from methods employed in medical and advertising imagery. The videos draw from historical medical etchings and lithographs that are allegorical in their approach to describing disease and the body. |
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Projection (Earring)
2008 |
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| Projection is an installation of images, sculptural objects, and video that blur the boundaries between adornment and disease. The jewelry objects take the form of tumors or cysts. These works investigate the often-corrosive relationship between jewelry, commodity objects, the imaged body, and the physical body. In Projection the format of the images draws from methods employed in medical and advertising imagery. The videos draw from historical medical etchings and lithographs that are allegorical in their approach to describing disease and the body. |
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Projection (Bracelet)
2008 |
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| Projection is an installation of images, sculptural objects, and video that blur the boundaries between adornment and disease. The jewelry objects take the form of tumors or cysts. These works investigate the often-corrosive relationship between jewelry, commodity objects, the imaged body, and the physical body. In Projection the format of the images draws from methods employed in medical and advertising imagery. The videos draw from historical medical etchings and lithographs that are allegorical in their approach to describing disease and the body. |
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Projection (with detail of furniture)
2008 |
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| The furniture is coated in a rubber skin and presents growths that are similar to the gold object that each displays.
Projection is an installation of images, sculptural objects, and video that blur the boundaries between adornment and disease. The jewelry objects take the form of tumors or cysts. These works investigate the often-corrosive relationship between jewelry, commodity objects, the imaged body, and the physical body. In Projection the format of the images draws from methods employed in medical and advertising imagery. The videos draw from historical medical etchings and lithographs that are allegorical in their approach to describing disease and the body. |
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Projection (Bracelet)
2008 |
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| In the videos the figure rotates slowly as she displays her jewels. Her body moves in and out of perception ans she fades into the underexposed background.
Projection is an installation of images, sculptural objects, and video that blur the boundaries between adornment and disease. The jewelry objects take the form of tumors or cysts. These works investigate the often-corrosive relationship between jewelry, commodity objects, the imaged body, and the physical body. In Projection the format of the images draws from methods employed in medical and advertising imagery. The videos draw from historical medical etchings and lithographs that are allegorical in their approach to describing disease and the body. |
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Projection (Earring)
2008 |
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| In the videos the figure rotates slowly as she displays her jewels. Her body moves in and out of perception ans she fades into the underexposed background.
Projection is an installation of images, sculptural objects, and video that blur the boundaries between adornment and disease. The jewelry objects take the form of tumors or cysts. These works investigate the often-corrosive relationship between jewelry, commodity objects, the imaged body, and the physical body. In Projection the format of the images draws from methods employed in medical and advertising imagery. The videos draw from historical medical etchings and lithographs that are allegorical in their approach to describing disease and the body. |
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Hard Wear (video corridor and detail of Tongue Gilding)
2006 |
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| Hard Wear is an installation and performance. The installation consists of three sections. One is a main gallery space that houses images, objects and is the live performance space. The second is a dark video corridor leading to the open, light gallery space. The third section is an exterior space with an LCD screen connected to a surveillance camera next to a mirror in the main space. From this screen the performance can be viewed from a remote, detached location. |
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Hard Wear (Oral Rims)
2006 |
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| Hard Wear is an installation and performance. The installation consists of three sections. One is a main gallery space that houses images, objects and is the live performance space. The second is a dark video corridor leading to the open, light gallery space. The third section is an exterior space with an LCD screen connected to a surveillance camera next to a mirror in the main space. From this screen the performance can be viewed from a remote, detached location. |
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| 教育程度与个人自传 | |
| EDUCATION 2006 The Ohio State University, Columbus, OH M.F.A. Major: Art Area: Art and Technology Additional course work: Comparative Cultural Studies, Sculpture 2002 Massachusetts College of Art, Boston, MA B.F.A. (Departmental Honors) Major: Fine Arts 3D Area: Metals Additional course work: Glass, Sculpture REPRESENTATION Sienna Gallery, Lenox MA siennagallery.com SOLO EXHIBITS 2008 Hard Wear, Sienna Gallery, Lenox, MA. 2008 Corpus, Figure, Skate, The Cheekwood Museum of Art, Nashville, TN 2008 A Pretty Little Trick, Window into Sculpture Series, The Sculpture Center, Cleveland, OH 2007 Hard Wear, Recoleta Center, Buenos Aires, Argentina. (In conjunction with the 6th Encuentro, Corpoliticas/Body Politics in the Americas, an international conference hosted by the Hemispheric Institute of Performance and Politics) (Catalogue) (internet archive, http://hemi.nyu.edu/eng/seminar/2007/eng/index.html ) (documentary film) 2007 Dress Up; Dress Down, Installation, Medicine Factory, Memphis, TN 2006 Hard Wear, Hopkins Hall Gallery and Corridor, The Ohio State University, Columbus, OH (M.F.A. thesis exhibition) 2003 Memento Mori, Extension Gallery, Mercerville, NJ GROUP EXHIBITS 2008 Body Prop, University Of Northern Iowa Gallery of Art, Cedar Falls, IA 2008 SOFA New York. Park Ave. Armory. New York, NY With Sienna Gallery (Lennox, MA) 2008 Bridge Art Fair, New York. The Waterfront. New York, NY With Sienna Gallery (Lennox, MA) 2008 Co-Laboratory. Savannah College of Art and Design, Savannah, GA (In conjunction with the Annual Society of North American Goldsmiths Conference) Curator: Sondra Sherman 2007 In Situ. Sandra and David Bakalar Gallery. Massachusetts College of Art, Boston. MA Curator: Joe Wood (In conjunction with the symposium, Parallax, a one-day conference comparing two separate bodies of work In Situ and Golden Clogs, Dutch Mountains.) (Conference website: http://babel.massart.edu/metals/parallax/index.html) (CD catalogue) 2007 Southern 60 Second Video Festival. A collaborative project between Fugitive Projects and Harmony Landing, Nashville, TN August 5, 2007.Boathouse Cinema, Portland, OR July 13, 14, 2007. The State of Mantua Music and Arts Festival. Mantua, Ireland May 12, 2005. Kurze Filme. Basel, Switzerland 2007 Alumni Invitational Exhibition, Metals Department, Massachusetts College of Art, Boston, MA 2007 Resurfacing, Haskett Hall, The Ohio State University, Columbus, OH (In conjunction with the symposium, Technology Expanding the Horizon: A Reinterpretation & Investigation of the Landscape) 2007 On a Pedestal off the Wall, The Sculpture Center, Cleveland, OH Curator: Don Harvey 2006 Misdemeanor, Spaces Gallery, Cleveland, OH 2006 Parameters of Preciousness, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Curator: Kathleen Kamal 2006 Coming Into View, Yann Woolley's Home, Chicago, IL Heidi Lowe- The Jewelry Studio, Rehoboth Beach, DE Jordan Schnitzer Museum of Art, University of Oregon, Eugene, OR (in conjunction with the Annual Society of North American Goldsmiths Conference) Curators: Mary Pearse and Sakurako Shimizu (catalogue, online catalogue www.comingintoview.net) 2006 Fergus Scholarship Award Exhibition, The Ohio State University, Columbus, OH (Catalogue) 2005 Edith Fergus/ Gilmore Memorial Scholarship Exhibition, The Ohio State University, Columbus, OH (Catalogue) 2005 Huston Center for Contemporary Craft, Huston, TX 2004 Metal and Otherwise, Florida Craftsmen Gallery, St. Petersburg, FL Curator: Sandie Zilker (in conjunction with the Annual Society of North American Goldsmiths Conference) 2004 Mercer County Artists, Mercer County College, Mercerville, NJ 2003 Evocative Objects, Banister Gallery, Rhode Island College, Providence, RI Curator: Sondra Sherman (catalogue) 2003 Tea Pot Redefined, Mobilia Gallery, Boston, MA. (at SOFA Chicago) 2003 M~Urge, Gallery M, Cleveland, OH 2003 Untitled, Extension Gallery, Mercerville, NJ 2003 Vive L’Atelier, 3rd Street Gallery on 2nd, Philadelphia, PA 2003 Sculpture at Noble Horizons, Noble Horizons, Salisbury, CT (awarded Best in Show) 2003 Ellarslie Open, Trenton City Museum, Trenton, NJ 2003 A Community of Artists, The College of New Jersey, Trenton, NJ 2002 Eligius, Mobilia Gallery, Cambridge, MA (B.F.A. thesis exhibition) 2002 Contemporary IV, Period Gallery, Omaha, NE (catalogue) 2002 24th Annual Contemporary Crafts, Mesa Arts Center, Mesa, AZ 2001 Metal Departures, Emerson Gallery, St. Louis Artist’ Guild, St. Louis, Missouri Juror: Pat Flynn (sponsored by the Society for Midwest Metalsmiths) 2001 Unnatural Selections, Installation Station, Massachusetts College of Art, Boston, MA ARTICLES 2008 “cabinet de curiosite: Lauren Kalman” Alessia Semeraro. Il giornale agc, Issue 2 http://www.agc-it.org/magazine.html 2008 “The Jewels of Sienna” Seth Kaplan. Nonstarvingartist.com March 28.2008 http://www.nonstarvingartists.com/News/the-jewels-of-sienna 2008 “Bridge and Tunnel” Karen Bookatz. Style.com. March 31, 2008 http://www.style.com/trends/blogs/style_file/2008/03/bridge-and-tunn.html 2008 “Art Fairs in New York” Melena Ryzik. UrbanEye. The New York Times online. http://video.on.nytimes.com/?fr_story=f1f7cc804cd4c6c91ff2cf82ccc8c7d50c060b59 2008 “Something Amiss”. Maria Browning. Nashville Scene. February 8, 2008 (exhibition review) 2008 “Trick or Treat.” Douglas Max Utter. Cleveland Free Times. February 6, 2008 (exhibition review) 2008 Capsule Reviews. Theresa Bembnister. Cleveland Scene. January 23, 2008 (exhibition review) 2008 “Medicine Ball.” Marge Perko. Cleveland Scene. January 2003 (exhibition review) 2008 “Human beauty, vulnerability collide in Nashville artist's work.” Jonathan Marx. The Tennessean. January 2008 (exhibition preview) 2007 “Reviews”, Namita Wiggers. Metalsmith Magazine. Vol 27 no 5 (exhibition review) 2007 “Cosmonauts”, Carol Knowles. Memphis Flyer. June 21, 2007 (exhibition review) 2006 “Discomfort Levels”. Michael Gill. Cleveland Free Times. December 20, 2006 (exhibition review) 2006 “Jewelry, in Theory”. Bob Keefer. The Register-Guard. December 14, 2006 (exhibition review) 2006 Adornment Tongue and Adornment Lips, “Jewels Gone Wild”. Suzi Steffen. Eugene Weekly. November, 30, 2006 (exhibition review) 2006 “Coming into View”. Sakurako Shimizu. www.comingintoview.net (curatorial statement) |
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| 未来的展览 | |
| February 2009 Solo Exhibition: TBA Sewanee: The University of the South University Art Gallery Sewanee, TN Phone: (931) 598-1223 April 2009 3rd – Friday, tentative date Lecture Course: Body Adornment 5:00 pm to 8:00 pm, tentative times Rhode Island School of Design Continuing Education Department Providence, RI Visit RISD Continuing Ed for more information and costs: http://www.risd.edu/conted.cfm May 1 to June 28, 2009 Invitational Exhibition:RE/ACTIONS Craft Alliance, St Louis,MO www.craftalliance.org |
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| 网站: www.laurenkalman.com | |
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