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After the classic academic formation of the drawing and the chiaroscuro technique, characteristic for the Italian Art of the Renaissance, the artistic expression was oriented, in the first years of the nineties, towards the exploration of several materials. Natural materials (such as earth clay, sand, wood, etc.) and artificial materials (such as varnishes, metals, plastic, etc.) with their different qualities lead to a choice and to the integration between what is artificial and what is natural and ancient.

The matter and its quality becomes then an image and integrate itself with the fossil coal. They are shaped like fluctuating structures and static installations.

The artistic research explores the deep places of the anima that are defined in configurations and images through the use of different materials. They are chosen following the natural and spontaneous aesthetic resonance. The inner and deep scene of the artist and of the human being it becomes a place of knowledge, thought and growth.

Holes

Pregnancy

Grandmother

Floating coal

Craters and coal

Ancient Jar

2003

Limits

2005

The toad

2006
mixed technique
cm 50x50

Individuation

2006
installation mixed technique
cm300x200

Individuation project

2006
acrylic on canvas
cm100x70