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| Alice Lang | |
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My name is Alice lang, I was born in Byron Bay, Australia in 1983. I am a soft sculpture artist currently based in Brisbane. |
| 关于此艺术家 | |
My practice explores the possibilities for sewn sculpture to explore, and complicate, the relationships between concepts of the decorative and the grotesque, particularly their association with depictions of femininity. I typically employ materials such as satin and wet-look vinyl, for their direct associations with both the feminine and fetish, and to further explore notions of informe and the abject. I am particularly interested in how these things create a tension between the familiar and the unknown, and the feminine and the grotesque. To do this I utilise the organic form of a traditional sewing technique known as the Suffolk Puff to reference both foreign and familiar bodily elements and create new objects/organisms that are a hybrid of craft and art. I am interested in the way this creates a tumorous tactility between the newly formed object and familiarity of the materials from which it is made. It is this tension between form and formlessness, and allure and repulsion that is central to my practice. |
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| 按此以放大图像 (假如你已上传更大的图像) | |
Ecto-parasitic Bonnet 3
2006 |
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| I was interested in redefining the relationship/border between traditional wearable objects and the body, through the creation of fleshy wearable pieces (reminiscent of period clothing) that integrate and interact with the subject. Bonnets and bustles mutate, grow tendrils and attach themselves to their host like a strangler fig, overtaking their body to form a new decorative flesh. |
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Pink Purikura Jaw
2006 |
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| this wearable was created for a collaborative project with Van Sowerwine, curated by Thea Bauman called Purikura Infestation which took place in a sticker booth shop in the Elizabeth St arcade, Brisbane in 2006 as a part of the mapp festival. I made a series of technicolour tumorous wearables that people were encouraged to wear in the booths.
Recent experiments with technicolour vinyls rather than flesh tones blends the object and subject in a manner which is more surreal and open to interpretations outside that of the female body. I am interested in how this direct interaction - when documented through photography and time-based media- is able to reinvent the work in a context other than simply as sculpture or installation. |
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Purikura Pod
2006 |
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| This Pod was installed in the stickerbooth shop as a part of the "Purikura Infestation" project. The monitor inside played a stop motion animation of a creature being attacked by mutanous creatures that emerged from the techni colour hyper reality that exists behind the purikura screen. |
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Snow Drift (Detail)
2007 |
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| Snow Drift was created in response to the unique relationship between human and animal experienced during a two-month artist residency undertaken in Dawson City, Yukon, Canada in 2006. Thie series of 11 small sculptures creates tension between the familiar and the unknown, animal and human to blur the boundary between allure and repulsion. |
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Snow Drift (Detail)
2007 |
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| Snow Drift was created in response to the unique relationship between human and animal experienced during a two-month artist residency undertaken in Dawson City, Yukon, Canada in 2006. This series of 11 small sculptures creates tension between the familiar and the unknown, animal and human to blur the boundary between allure and repulsion. |
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It came from the river
2007 |
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| This is a performative installation that I recently exhibited in saigon, Vietnam as a part of "The Last Vestage" curated by Thea Bauman. The exhibition took place on a junk boat on the Saigon river. In the performance I birthed a series of small barnacle-like sculptures from a series of tumorous pods and attached them to the walls and people in the space, slowly infesting the room as the night progressed. |
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Annelid Allure
2007 |
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| This is a recent series of work in which I am interested in integrating small wearable works directly with the body in order to redefine the border between wearable and subject. The camera angle is intended to distort the subjects flesh, melding it with the brightly coloured vinyl, creating something surreal and post human. |
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Annelid Alure 2
2007 |
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| This is a recent series of work in which I am interested in integrating small wearable works directly with the body in order to redefine the border between wearable and subject. The camera angle is intended to distort the subjects flesh, melding it with the brightly coloured vinyl, creating something surreal and post human. |
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| 教育程度与个人自传 | |
| education 2004 - Bachelor of Fine Arts - Honours (Visual Arts) First Class Honours, Queensland University of Technology, Brisbane, QLD, Australia 2003 - Bachelor of Fine Arts (Visual Arts) with Distinction, Queensland University of Technology, Brisbane, QLD, Australia Solo Exhibitions 2007 - "Snow Drift", Ivory St Window, Craft Qld, Brisbane, QLD, Australia 2007 - “Kneady”, Off the Kerb, Melbourne, VIC, Australia 2007 - “The Moose Lovers”, West Space, Melbourne, VIC, Australia 2006 - “Supple”, Bus Gallery, Melbourne, VIC, Australia 2005 - “The Birthing Chamber”, The Window (QPAC), Brisbane, QLD, Australia 2005 - “Callouses and Curiosities”, Metro Arts, Brisbane Australia 2004 - “Preparing Skeletons”, QUT Art Museum, Brisbane, QLD, Australia Group Exhibitions 2007 - “Topsy”, Metro Arts, Brisbane, QLD, Australia 2007 - “The Last Vestige”, Junk-boat on the Saigon River, Saigon, Vietnam 2007 - “Drips and Thickets”, Blindside, Melbourne, VIC, Australia 2006 - “Out of the Internet (and into the night)”, State Library of Queensland Info Zone, Brisbane, QLD, Australia 2006 - “Purikura Infestation”, Area 58, Brisbane, QLD, Australia 2006 - “La Femme Domestique”, QUT Art Museum, Brisbane, QLD, Australia 2006 - “Poly”, Metro Art Gallery, Brisbane, QLD, Australia 2006 - “Soft Serve”, Metro Art Gallery, Brisbane, QLD, Australia 2006 - “The Anti Mascot Project”, Platform, Melbourne, VIC, Australia 2005 - “Toy Takeova”, Yarra Sculpture Gallery, Melbourne, VIC, China Heights Gallery, Sydney, NSW, The Whitehouse, Brisbane, QLD, Australia 2005 - “The Future is Wonderfully Fucked”, The Whitehouse, Brisbane, QLD, Australia 2005 - “NY04: A Cultural Pilgrimage”, QUT Art Museum, Brisbane, QLD, Australia 2004 - “Transformers: More than meets the eye”, QUT Art Museum, Brisbane, QLD, Australia 2004 - “Nascent: Best of QUT Graduates Exhibition”, QUT Art Museum, Brisbane, QLD, Australia 2004 - “Fresh Cut”, Institute of Modern Art, Brisbane, QLD, Australia 2003 - “Everybody Needs a Doiley” (Collaboration with Carmen Tyler), QUT Art Museum, Brisbane, QLD, Australia 2003 - “Fancy”, Palace Gallery, Brisbane, QLD, Australia 2002 - “Diversion”, Hands on Art, Brisbane, QLD, Australia Awards and Prizes 2006 - Winner, Qantas Spirit of Youth Awards (Pictures Category) 2005 - Commendation, The Churchie Emerging Art Exhibition, (Sculpture/Object Based Art) 2004 - Winner, Queensland Art Gallery Hobday and Hingston Bursary 2003 - Winner, QUT Graduate Prize Residencies 2006 - Artist in residence, Klondike Institute of Art and Culture, Dawson City, Canada 2006 - Artist in Residence – “Chill Out Space”, Out of the Box festival, QPAC, Brisbane, QLD, Australia 2005 - Artist in Residence - Metro Arts, Brisbane, QLD, Australia 2004 “Killa Chinchilla” (SOOB Festival), Belvedere Apartments, West End, Brisbane, QLD, Australia |
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| 未来的展览 | |
| November "yet to be titled", Brunswick Street Gallery, Melbourne, VIC, Australia | |
| 网站: www.re-title.com/artists/alice-lang.asp | |
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